發(fā)布時間：2018-01-06 13:22

  本文關(guān)鍵詞：敦煌壁畫的色彩表現(xiàn)方法　出處：《河北大學(xué)》2012年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 敦煌壁畫 色彩 表現(xiàn)方法 壁畫色彩 特點(diǎn)

【摘要】：敦煌壁畫藝術(shù)是我國傳統(tǒng)文化的精華之一，敦煌壁畫在我國傳統(tǒng)文化傳承中也起著極其重要的作用。它是我國巨大的藝術(shù)寶庫，不論是她的規(guī)模、數(shù)量或是內(nèi)容都是巨大而豐富多彩的。面對絢麗多彩的敦煌壁畫，情不自禁會被它的多樣性的形式和豐富性的畫面深深吸引，同時還會對以前的民間藝術(shù)家與工匠的創(chuàng)造性而為之感慨。在它的藝術(shù)創(chuàng)作中，最吸引人的就是它的色彩。因此針對敦煌壁畫在色彩方面的表現(xiàn)技巧，本論文作了較系統(tǒng)研究，包括其色彩風(fēng)格的制作特征與使用的礦物顏料有效結(jié)合在一起，對當(dāng)代環(huán)境中敦煌壁畫色彩給現(xiàn)在重色彩造成的影響進(jìn)行了深入的分析。初步論述了敦煌壁畫在色彩方面的表現(xiàn)方法。 總體上本論文共劃分成六部分： 首先，，通過研究和分析文獻(xiàn)資料，對壁畫藝術(shù)的有關(guān)理論進(jìn)行了一定的掌握，例如現(xiàn)狀、發(fā)展、定義等，從而對現(xiàn)實情況進(jìn)行了思考，確立了概念以及認(rèn)識了發(fā)展； 其次，通過使用現(xiàn)代設(shè)計學(xué)的色彩美學(xué)的原理，對不同歷史階段的敦煌壁畫色彩的特征進(jìn)行了分析；并且不同階段的壁畫色彩其表達(dá)方法也都不同，具有顯著的特征和美的內(nèi)涵； 再次，通過使用現(xiàn)代設(shè)計學(xué)的色彩構(gòu)成原理，對敦煌壁畫色彩的使用結(jié)構(gòu)進(jìn)行了深入的分析，而且還通過舉案例進(jìn)行了深入的論證； 然后，通過現(xiàn)代設(shè)計學(xué)的色彩技巧原理，對敦煌壁畫的色彩體現(xiàn)形式進(jìn)行了分析； 另外，通過上述對敦煌壁畫色彩的分析和研究與壁畫的有效結(jié)合，再一次對不同階段的色彩制作特征進(jìn)行了分析 最后，對于當(dāng)今重色彩彩畫的技巧運(yùn)用和材料，敦煌壁畫造成的影響；對怎樣在當(dāng)今重色彩中有效運(yùn)用敦煌壁畫的特點(diǎn)進(jìn)行了探討與分析。
[Abstract]:Dunhuang mural art quintessence of Chinese traditional culture, the Dunhuang murals also plays an extremely important role in China's traditional cultural heritage in our country. It is a huge treasure trove of art, whether it is her size, number or content are great and rich and colorful. With colorful murals of Dunhuang, unable to restrain the emotions be attracted to its diversity and richness in the form of pictures, but also on the previous folk artists and artisans to creative emotion. In its artistic creation, the most attractive is its color. The Dunhuang murals in color performance skills, this paper is made system research, production and use of mineral pigment features including its color style together effectively to the contemporary environment of Dunhuang mural color to the influence caused by the heavy color now in-depth analysis. First step on The expression of Dunhuang murals in color is described.
In general, this paper is divided into six parts:
First, through studying and analyzing the literature, we have mastered the theories of mural art, such as the present situation, the development and the definition, so as to ponder the reality, establish the concept and understand the development.
Secondly, by using the color aesthetics principle of modern design, we analyze the color characteristics of Dunhuang frescoes in different historical stages, and different stages of fresco color expression methods are also different, with significant characteristics and beauty connotation.
Thirdly, through the use of the principle of color composition in modern design, we made an in-depth analysis of the use structure of Dunhuang frescoes, and carried out in-depth demonstration through case studies.
Then, through the color technique principle of modern design, the color manifestation of Dunhuang murals is analyzed.
In addition, through the analysis and study of the color of Dunhuang murals and the effective combination of mural painting, the characteristics of color making in different stages are analyzed again.
Finally, the influence of Dunhuang frescoes on the application and materials of heavy color painting is discussed. The characteristics of Dunhuang frescoes in today's heavy colors are discussed and analyzed.

【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：J218.6;K879.41

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 吳榮鑒;敦煌壁畫色彩應(yīng)用與變色原因[J];敦煌研究;2003年05期

2 胡同慶;甘肅石窟藝術(shù)概況[J];敦煌研究;1994年03期

3 黃駿;;略談唐代敦煌壁畫的色彩語言[J];新美術(shù);2008年05期

相關(guān)碩士學(xué)位論文 前1條

1 郭曉麗;隋唐敦煌壁畫色彩研究對現(xiàn)代色彩設(shè)計的啟示[D];北京服裝學(xué)院;2010年

本文編號：1388047