后現(xiàn)代主義影響下陶瓷設計的研究
發(fā)布時間：2018-08-04 10:11
【摘要】：在后工業(yè)社會環(huán)境中，將生產(chǎn)目的轉(zhuǎn)化成設計思想的綜合性意識，對設計的影響在廣度和深度上表現(xiàn)得較現(xiàn)代主義設計更加明顯。它在繼承現(xiàn)代主義承認“機器美學”的基礎上，以人們文化生活的物質(zhì)和精神需要為目的，以生產(chǎn)與設計的相互交合為內(nèi)容，將設計發(fā)展得更加深入人心。 在后現(xiàn)代主義影響下,陶瓷設計也顯示出文脈主義、隱喻主義，以及采用新型材料為媒介的裝飾主義等特征，完成了現(xiàn)代主義所沒有完成的設計使命，那就是它在設計實踐中比較全面地貫徹了符合人對生活多樣化需要的訴求，即，它從情感上滿足了普遍存在的大眾化要求。 陶瓷設計的理想藍圖是不斷采用新技術成果，并歷史文化與現(xiàn)實文化緊密結(jié)合的人文主義精神，將設計的方法論和設計實踐結(jié)合起來，，充分反映人們普遍發(fā)展與不斷增長的對物質(zhì)和精神生活需要的謀求。
[Abstract]:In the environment of post-industrial society, the comprehensive consciousness of transforming the purpose of production into the idea of design, the influence on design is more obvious in breadth and depth than that in modern design. On the basis of inheriting modernism's recognition of "machine aesthetics", aiming at the material and spiritual needs of people's cultural life, and taking the intersection of production and design as the content, it develops the design more deeply into the people's mind. Under the influence of postmodernism, ceramic design also shows the characteristics of contextualism, metaphorism and decorationism using new materials as the medium, thus accomplishing the design mission that modernism has not completed. That is, in the design practice, it has fully carried out the demand for the diversification of human life, that is, it meets the popular demand of universal existence from the emotional point of view. The ideal blueprint of ceramic design is the humanism spirit which adopts the new technical achievement unceasingly, and the history culture and the reality culture closely unifies, unifies the design methodology and the design practice. Fully reflects the general development of people and the growing pursuit of material and spiritual needs.
【學位授予單位】：景德鎮(zhèn)陶瓷學院
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J527
本文編號：2163569
[Abstract]:In the environment of post-industrial society, the comprehensive consciousness of transforming the purpose of production into the idea of design, the influence on design is more obvious in breadth and depth than that in modern design. On the basis of inheriting modernism's recognition of "machine aesthetics", aiming at the material and spiritual needs of people's cultural life, and taking the intersection of production and design as the content, it develops the design more deeply into the people's mind. Under the influence of postmodernism, ceramic design also shows the characteristics of contextualism, metaphorism and decorationism using new materials as the medium, thus accomplishing the design mission that modernism has not completed. That is, in the design practice, it has fully carried out the demand for the diversification of human life, that is, it meets the popular demand of universal existence from the emotional point of view. The ideal blueprint of ceramic design is the humanism spirit which adopts the new technical achievement unceasingly, and the history culture and the reality culture closely unifies, unifies the design methodology and the design practice. Fully reflects the general development of people and the growing pursuit of material and spiritual needs.
【學位授予單位】：景德鎮(zhèn)陶瓷學院
【學位級別】：碩士
【學位授予年份】：2012
【分類號】：J527
【參考文獻】
相關期刊論文 前4條
1 呂金泉;關于日用陶瓷創(chuàng)新設計的思考[J];陶瓷學報;2002年04期
2 傅曉云;王立旺;;產(chǎn)品設計在陶瓷材料中的應用[J];中國陶瓷;2010年01期
3 楊永善;陶瓷造型與裝飾的關系[J];裝飾;2000年01期
4 曹建文;余志琴;;景德鎮(zhèn)傳統(tǒng)陶瓷興衰歷史原因之研究[J];中國陶瓷工業(yè);2010年01期
相關碩士學位論文 前2條
1 李馨;論日用陶瓷設計的創(chuàng)意思維[D];景德鎮(zhèn)陶瓷學院;2009年
2 萬斐;論以消費者需求為導向的我國陶瓷餐具設計[D];景德鎮(zhèn)陶瓷學院;2009年
本文編號：2163569
本文鏈接：http://www.wukwdryxk.cn/jingjilunwen/lyjj/2163569.html
最近更新
教材專著
