央視春晚設(shè)計(jì)藝術(shù)研究
發(fā)布時(shí)間：2018-07-28 19:56
【摘要】：中央電視臺(tái)春節(jié)聯(lián)歡晚會(huì)與改革開放同行,已經(jīng)伴隨著我們走過了三十二個(gè)除夕夜,成為中華各族兒女和華人世界每年一次的精神文化大餐,也成為一個(gè)備受關(guān)注的文化焦點(diǎn)。而春晚設(shè)計(jì)藝術(shù),又包括服飾和舞美設(shè)計(jì)方面,融合色彩、造型、構(gòu)圖、材料及創(chuàng)意、時(shí)尚、科技等多種具象和抽象的綜合元素和人文美學(xué)思想,從而成為讓春晚流光溢彩、使明星更加耀眼、整個(gè)春晚不可或缺的重要組成部分。設(shè)計(jì)藝術(shù)貫穿融合于整個(gè)春晚發(fā)展演變史,并在三十二年來的——展現(xiàn)中,與導(dǎo)演藝術(shù)、表演藝術(shù)等藝術(shù)形態(tài)一起形成一個(gè)獨(dú)一無二的春晚整體文化現(xiàn)象,并在很大程度上體現(xiàn)出異彩紛呈和與時(shí)俱進(jìn)的特征。其從娛樂時(shí)尚、民俗文化、社會(huì)經(jīng)濟(jì)、甚至意識(shí)形態(tài)的多個(gè)層面,集中地反映了改革開放三十余年來神州大地上所發(fā)生的社會(huì)現(xiàn)象和歷史的演變進(jìn)程,并從晚會(huì)主題思想、民俗文化、家國情懷和美學(xué)內(nèi)涵等多個(gè)角度,藝術(shù)化地展現(xiàn)著當(dāng)時(shí)中國社會(huì)的政治經(jīng)濟(jì)、人文動(dòng)態(tài),國民風(fēng)貌、流行風(fēng)尚和審美趨向等,可以說是當(dāng)年度中國文化史詩的具體彰顯和體現(xiàn)。 縱觀春晚設(shè)計(jì)藝術(shù)的展現(xiàn)和演變過程,其華彩服飾已然和那些難忘的精彩節(jié)目、明星造型及整臺(tái)晚會(huì)連成一體,留給我們難忘的立體印象。從簡樸到華美,從傳統(tǒng)到時(shí)尚,年年所“秀”霓裳,均具有很深的時(shí)代烙印。而春晚舞臺(tái)場(chǎng)景、結(jié)構(gòu)造型、燈光道具等,則突出地體現(xiàn)了現(xiàn)代舞美設(shè)計(jì)元素的時(shí)代性,特別是近年來以LED和大屏和燈光的運(yùn)用為標(biāo)志的新時(shí)期春晚中,更是集中地體現(xiàn)出了設(shè)計(jì)藝術(shù)本體的藝術(shù)性和現(xiàn)代科技的技術(shù)性兩方面的高度結(jié)合。以2012年春晚為標(biāo)志之一,央視春晚的藝術(shù)設(shè)計(jì)更是攀登到一個(gè)新的制高點(diǎn),其綜合創(chuàng)意設(shè)計(jì)與制作水平已然走在了世界的頂級(jí)行列。 央視春晚的設(shè)計(jì)藝術(shù)也涉及到了眾多臺(tái)前幕后的設(shè)計(jì)師和藝術(shù)家。他們共同的的辛勤付出、創(chuàng)作智慧與人文情懷,成就了春晚,也與春晚的發(fā)展歷史緊密相連。 本文將通過對(duì)三十二年來,春晚設(shè)計(jì)藝術(shù)從起步、發(fā)展到飛躍和歸真等發(fā)展歷程中不同年代的各類資料、印跡和相關(guān)的文化現(xiàn)象背景等,進(jìn)行整理、歸類、辨別、比較,考證、總結(jié)；并力求探究其設(shè)計(jì)創(chuàng)意、制作流程、展現(xiàn)環(huán)節(jié)和所蘊(yùn)涵的美學(xué)理念,以及在整個(gè)晚會(huì)中所起的作用；闡述春晚設(shè)計(jì)藝術(shù)所涉及的代表性人物、事件,與所產(chǎn)生年代的社會(huì)文化背景之間的關(guān)系與淵源；探討春晚設(shè)計(jì)藝術(shù)的發(fā)展演變過程,對(duì)于春晚特色品牌的形成發(fā)展所起的作用及促進(jìn)繁榮社會(huì)主義新民俗、新文化的意義,并展望其未來發(fā)展趨勢(shì)。
[Abstract]:The CCTV Spring Festival Gala has accompanied us through 32 New year's Eve, becoming an annual spiritual and cultural feast for the children of all ethnic groups and the Chinese world, as well as a cultural focus of great concern. And the design art of the Spring Festival Gala, including dress and dance design, integrates color, modeling, composition, material and creativity, fashion, science and technology, and other concrete and abstract elements and humanistic aesthetic ideas, thus making the Spring Festival Gala glittering. Make the star more dazzling, the entire Spring Festival Gala indispensable important component. Design art runs through the whole history of development and evolution of the Spring Festival Gala, and in the last 32 years, it forms a unique cultural phenomenon along with the artistic forms of director art, performing art and so on. And to a large extent reflects the colorful and with the characteristics of the times. From the aspects of entertainment fashion, folk culture, social economy, and even ideology, it reflects the social phenomenon and historical evolution process that has taken place on the land of China since the reform and opening up for more than 30 years, and from the theme thought of the evening party. Folk culture, family feelings and aesthetic connotations, etc., artistically show the political and economic, humanistic, national, popular and aesthetic trends of Chinese society at that time. It can be said to be the specific manifestation and embodiment of Chinese cultural history poetry. Throughout the Spring Festival Gala design art display and evolution process, its colorful dress and those unforgettable wonderful programs, star modeling and the whole party into one, leaving us unforgettable three-dimensional impression. From simplicity to beauty, from tradition to fashion, every year "show" clothes, have a deep brand of the times. The stage scene, structural modeling and lighting props of the Spring Festival Gala, etc., have highlighted the epochal nature of modern dance design elements, especially in the new period of Spring Festival Gala, marked by the use of LED and large screens and lights in recent years. It embodies the combination of the artistic nature of the design art ontology and the technology of modern science and technology. As one of the symbols of the Spring Festival Gala in 2012, the artistic design of CCTV Spring Festival Gala has climbed to a new commanding height, and its comprehensive creative design and production level has already been in the world's top ranks. The design art of CCTV Spring Festival Gala also involves many designers and artists in front and behind the stage. Their common hard work, creative wisdom and humanistic feelings, the achievements of the Spring Festival Gala, but also closely linked to the development history of Spring Festival Gala. This paper will sort, classify, distinguish, compare, research and verify all kinds of materials, imprinting and related cultural phenomena in the development of Spring Festival Gala from the beginning, the development to the leaps and bounds and the Gui Zhen in the course of development in the past 32 years. Summarize; and try to explore its design creativity, production process, show links and implied aesthetic ideas, as well as the role played in the whole party; explain the Spring Festival Gala design art involved in the representative figures, events, The relationship and origin of the social and cultural background of the Spring Festival Gala, the development and evolution of the design art of the Spring Festival Gala, and the significance of promoting the prosperity of the new socialist folklore and the new culture, for the formation and development of the distinctive brand of the Spring Festival Gala. And prospects its future development trend.
【學(xué)位授予單位】：太原理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：G222
本文編號(hào)：2151411
[Abstract]:The CCTV Spring Festival Gala has accompanied us through 32 New year's Eve, becoming an annual spiritual and cultural feast for the children of all ethnic groups and the Chinese world, as well as a cultural focus of great concern. And the design art of the Spring Festival Gala, including dress and dance design, integrates color, modeling, composition, material and creativity, fashion, science and technology, and other concrete and abstract elements and humanistic aesthetic ideas, thus making the Spring Festival Gala glittering. Make the star more dazzling, the entire Spring Festival Gala indispensable important component. Design art runs through the whole history of development and evolution of the Spring Festival Gala, and in the last 32 years, it forms a unique cultural phenomenon along with the artistic forms of director art, performing art and so on. And to a large extent reflects the colorful and with the characteristics of the times. From the aspects of entertainment fashion, folk culture, social economy, and even ideology, it reflects the social phenomenon and historical evolution process that has taken place on the land of China since the reform and opening up for more than 30 years, and from the theme thought of the evening party. Folk culture, family feelings and aesthetic connotations, etc., artistically show the political and economic, humanistic, national, popular and aesthetic trends of Chinese society at that time. It can be said to be the specific manifestation and embodiment of Chinese cultural history poetry. Throughout the Spring Festival Gala design art display and evolution process, its colorful dress and those unforgettable wonderful programs, star modeling and the whole party into one, leaving us unforgettable three-dimensional impression. From simplicity to beauty, from tradition to fashion, every year "show" clothes, have a deep brand of the times. The stage scene, structural modeling and lighting props of the Spring Festival Gala, etc., have highlighted the epochal nature of modern dance design elements, especially in the new period of Spring Festival Gala, marked by the use of LED and large screens and lights in recent years. It embodies the combination of the artistic nature of the design art ontology and the technology of modern science and technology. As one of the symbols of the Spring Festival Gala in 2012, the artistic design of CCTV Spring Festival Gala has climbed to a new commanding height, and its comprehensive creative design and production level has already been in the world's top ranks. The design art of CCTV Spring Festival Gala also involves many designers and artists in front and behind the stage. Their common hard work, creative wisdom and humanistic feelings, the achievements of the Spring Festival Gala, but also closely linked to the development history of Spring Festival Gala. This paper will sort, classify, distinguish, compare, research and verify all kinds of materials, imprinting and related cultural phenomena in the development of Spring Festival Gala from the beginning, the development to the leaps and bounds and the Gui Zhen in the course of development in the past 32 years. Summarize; and try to explore its design creativity, production process, show links and implied aesthetic ideas, as well as the role played in the whole party; explain the Spring Festival Gala design art involved in the representative figures, events, The relationship and origin of the social and cultural background of the Spring Festival Gala, the development and evolution of the design art of the Spring Festival Gala, and the significance of promoting the prosperity of the new socialist folklore and the new culture, for the formation and development of the distinctive brand of the Spring Festival Gala. And prospects its future development trend.
【學(xué)位授予單位】：太原理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：G222
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