發(fā)布時(shí)間：2018-07-03 19:35

  本文選題：花瑤 + 討僚皈��； 參考：《華東師范大學(xué)》2014年碩士論文

【摘要】：“討僚皈”是隆回花瑤最隆重的一個(gè)傳統(tǒng)節(jié)日,它是花瑤人們創(chuàng)造的在一定時(shí)日所表現(xiàn)出來(lái)的各種形態(tài)特質(zhì)的復(fù)合體,包括實(shí)物、信仰、價(jià)值觀念、思維方式、風(fēng)尚習(xí)俗、倫理道德、民族性格、民族藝術(shù)等等內(nèi)容。花瑤“討僚皈”的價(jià)值和意義處于不斷被建構(gòu)、被翻新、被生產(chǎn)的過(guò)程中,在這個(gè)過(guò)程中,既有民間權(quán)力對(duì)節(jié)日文化空間的爭(zhēng)奪,也有國(guó)家權(quán)力對(duì)民間文化的利用和操演。筆者采用民族志式田野調(diào)查的方式,全方位地展現(xiàn)節(jié)日文化的發(fā)展及變遷過(guò)程,關(guān)注文化主體對(duì)節(jié)日文化的操演,探尋節(jié)日運(yùn)行的邏輯和規(guī)律,揭示節(jié)日文化空間保護(hù)過(guò)程中的關(guān)鍵問(wèn)題。 論文的緒論部分交代了論題的研究對(duì)象、選題背景、相關(guān)研究綜述,以及論文的理論視角、現(xiàn)實(shí)意義,并對(duì)本人所開(kāi)展的田野調(diào)查及資料來(lái)源做了說(shuō)明。 第二部分至第四部分是論文的主體,從“討僚皈”節(jié)日文化空間的歷史建構(gòu)、現(xiàn)代復(fù)興以及當(dāng)代的傳承與保護(hù)三大方面論述了民族傳統(tǒng)節(jié)日的傳承和保護(hù)問(wèn)題,提出核心象征物的保護(hù)和傳承主體的重視是民族傳統(tǒng)節(jié)日文化空間傳承和保護(hù)的關(guān)鍵所在,但要防止民族節(jié)日過(guò)渡商業(yè)化。
[Abstract]:"seeking the conversion of staff" is one of the most solemn traditional festivals in Longhui Huayao. It is a complex of various forms and characteristics created by the Huayao people over a certain period of time, including physical objects, beliefs, values, ways of thinking, and customs. Ethics, national character, national art and so on. The value and significance of Huayao's "seeking the conversion of his staff" are constantly constructed, renovated, and produced. In this process, there are not only the struggle of folk power for the festival cultural space, but also the use and performance of folk culture by the state power. The author adopts the ethnographic field investigation to show the development and vicissitude process of the festival culture in all directions, pays attention to the cultural subject's performance to the festival culture, and probes into the logic and law of the festival operation. This paper reveals the key problems in the process of protecting the festival culture space. The introduction part of the thesis describes the research object, the background of the topic, the related research review, as well as the theoretical perspective, practical significance of the paper, and the field investigation and data sources. The second part to the fourth part is the main body of the thesis, which discusses the inheritance and protection of traditional national festivals from three aspects: historical construction of festival cultural space, modern rejuvenation and contemporary inheritance and protection. It is proposed that the protection of the core symbol and the attention of the main body is the key to the inheritance and protection of the cultural space of the traditional national festivals, but it is necessary to prevent the commercialization of the national festivals.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類(lèi)號(hào)】：G122

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