發(fā)布時(shí)間：2018-04-13 13:20

  本文選題：楊廷 + 魯迅��； 參考：《魯迅研究月刊》2017年10期

【摘要】：正魯迅一生收藏和研究漢畫像,其晚年尤與河南南陽(yáng)有不解之緣。歷史上的南陽(yáng),文化積淀濃厚,經(jīng)濟(jì)發(fā)達(dá)繁榮,南陽(yáng)漢代畫像石是中華民族文化寶庫(kù)中一顆璀璨的明珠,堪稱東方藝術(shù)的奇麗瑰寶。南陽(yáng)在西漢時(shí)期是大地主大富商盤踞經(jīng)營(yíng)的地方,史書上稱南陽(yáng)在漢代"商遍天下,富冠海內(nèi)"。以劉秀為首的中央集團(tuán)的形成,為東漢時(shí)期的南陽(yáng)提供了在各個(gè)領(lǐng)域繁榮發(fā)展的可能和機(jī)遇。發(fā)達(dá)的經(jīng)濟(jì),為厚葬風(fēng)俗提供了充實(shí)的物質(zhì)保
[Abstract]:Lu Xun collected and studied Han portraits all his life, especially in his later years.In the history of Nanyang, cultural accumulation is strong, economic prosperity, Nanyang Han Dynasty stone sculpture is a bright pearl in the cultural treasure of the Chinese nation, can be called the oriental art magnificent treasure.In the Western Han Dynasty, Nanyang was a place of great landlords and rich merchants, and the history books said that in the Han Dynasty, Nanyang was "all over the world, rich in the crown and in the sea".The formation of the Central Group led by Liu Xiu provided the possibility and opportunity of prosperity and development in various fields for Nanyang in the Eastern Han Dynasty.The developed economy provides substantial material protection for the burial custom.
【作者單位】： 河南南陽(yáng)理工學(xué)院外國(guó)語(yǔ)學(xué)院;
【分類號(hào)】：I210;K26

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本文編號(hào)：1744679