劇作與接受：連環(huán)殺手影視劇研究
發(fā)布時(shí)間：2018-11-22 15:01
【摘要】：工業(yè)革命席卷全球以后,新型的犯罪——連環(huán)謀殺案驚現(xiàn)于世,并經(jīng)媒體渲染占據(jù)公眾視野。1888年引起英國(guó)社會(huì)恐慌的連環(huán)殺手“開膛手”杰克是最早引起廣泛關(guān)注的連環(huán)殺手,他已成為歐美文化的一個(gè)符號(hào),出現(xiàn)在搖滾樂、影視劇、玩具等大眾文化產(chǎn)品中。20世紀(jì)50年代后,連環(huán)殺人案迅速增多并引起社會(huì)學(xué)、心理學(xué)和犯罪學(xué)界的關(guān)注,同時(shí)隨著媒體的發(fā)展迅速地融入進(jìn)流行文化中,成為娛樂時(shí)代里的一個(gè)細(xì)分潮流。連環(huán)殺手形象開始頻繁出現(xiàn)在影視劇中,形成了一類重要的罪犯形象,也成就了一批經(jīng)典影片和劇集,如斬獲奧斯卡五項(xiàng)大獎(jiǎng)的《沉默的羔羊》以及收視率居高不下的《犯罪心理》。連環(huán)殺手影視劇成為當(dāng)代影視中的一種重要類型。 本文第一章追溯了連環(huán)殺手影視劇產(chǎn)生的現(xiàn)實(shí)背景,對(duì)其作出界定——故事主線涉及到連環(huán)殺手的刻畫或者連環(huán)兇殺案的偵破的影視劇,并梳理了國(guó)內(nèi)外的連環(huán)殺手影視劇的發(fā)展簡(jiǎn)況和現(xiàn)狀。 第二章針對(duì)犯罪形象和題材本身,詳述了連環(huán)殺手影視劇核心人物的塑造,以具體文本為基礎(chǔ)分析連環(huán)殺手影視劇的劇作機(jī)制,總結(jié)了基本的劇作元素及故事模式,并從中提煉連環(huán)殺手影視劇區(qū)別于其他犯罪片與偵探片的獨(dú)特之處。 第三章將關(guān)注點(diǎn)放到此類影視劇的受眾分析上,從咨詢心理學(xué)與社會(huì)心理學(xué)的角度切入,探討受眾如何接受連環(huán)殺手的形象和故事以及此類影視劇有著何種影響性效力。
[Abstract]:After the industrial revolution swept the world, a new type of crime, the serial murders, appeared in the world. Jack the Ripper, the serial killer who caused panic in Britain in 1888, was the first serial killer to attract widespread attention. He has become a symbol of European and American culture, appearing in rock music, movies and TV shows. Toys and other popular cultural products. After the 1950s, the number of serial homicides increased rapidly and attracted the attention of sociology, psychology and criminal circles, and at the same time, with the development of the media, they quickly integrated into popular culture. Become a subdivision trend in the entertainment age. Serial killer images began to appear frequently in movies and television dramas, forming a class of important criminal images, as well as a number of classic films and episodes. Such as the five Academy Awards of the Silence Lamb and the high ratings of the Criminal Psychology. Serial killer movies and TV plays have become an important type of contemporary film and television. The first chapter of this paper traces the realistic background of serial killer movies and TV dramas, and defines them. The main story line involves the depiction of serial killers or the detection of serial murders. And combed the domestic and foreign serial killer movie and television drama development brief situation and the present situation. The second chapter aims at the crime image and the subject matter itself, elaborated the serial killer movie and television drama core character shaping, based on the concrete text analysis serial killer movie and television drama mechanism, summarized the basic play element and the story pattern. And from the extraction of serial killer movies and TV drama is different from other crime film and detective film unique. The third chapter focuses on the audience analysis of this kind of film and television drama, from the angle of counseling psychology and social psychology, discusses how the audience accept the image and story of serial killer and what kind of influential effect this kind of film and television play has.
【學(xué)位授予單位】：中國(guó)電影藝術(shù)研究中心
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
本文編號(hào)：2349699
[Abstract]:After the industrial revolution swept the world, a new type of crime, the serial murders, appeared in the world. Jack the Ripper, the serial killer who caused panic in Britain in 1888, was the first serial killer to attract widespread attention. He has become a symbol of European and American culture, appearing in rock music, movies and TV shows. Toys and other popular cultural products. After the 1950s, the number of serial homicides increased rapidly and attracted the attention of sociology, psychology and criminal circles, and at the same time, with the development of the media, they quickly integrated into popular culture. Become a subdivision trend in the entertainment age. Serial killer images began to appear frequently in movies and television dramas, forming a class of important criminal images, as well as a number of classic films and episodes. Such as the five Academy Awards of the Silence Lamb and the high ratings of the Criminal Psychology. Serial killer movies and TV plays have become an important type of contemporary film and television. The first chapter of this paper traces the realistic background of serial killer movies and TV dramas, and defines them. The main story line involves the depiction of serial killers or the detection of serial murders. And combed the domestic and foreign serial killer movie and television drama development brief situation and the present situation. The second chapter aims at the crime image and the subject matter itself, elaborated the serial killer movie and television drama core character shaping, based on the concrete text analysis serial killer movie and television drama mechanism, summarized the basic play element and the story pattern. And from the extraction of serial killer movies and TV drama is different from other crime film and detective film unique. The third chapter focuses on the audience analysis of this kind of film and television drama, from the angle of counseling psychology and social psychology, discusses how the audience accept the image and story of serial killer and what kind of influential effect this kind of film and television play has.
【學(xué)位授予單位】：中國(guó)電影藝術(shù)研究中心
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905
【參考文獻(xiàn)】
相關(guān)期刊論文 前2條
1 王汀;;論以CBS經(jīng)典劇集為代表的美國(guó)當(dāng)代罪案劇人物劇作模式[J];北京電影學(xué)院學(xué)報(bào);2010年05期
2 嚴(yán)澤勝;拉康論自戀、侵略性與妄想狂的自我[J];外國(guó)文學(xué)評(píng)論;2003年04期
，本文編號(hào)：2349699
本文鏈接：http://www.wukwdryxk.cn/wenyilunwen/dianyingdianshilunwen/2349699.html
教材專著
