發(fā)布時(shí)間：2018-11-22 20:25

【摘要】：數(shù)字技術(shù)也就是說主要通過電腦制作或者處理而產(chǎn)生的影像，這種技術(shù)區(qū)別于傳統(tǒng)的攝影影像技術(shù)，傳統(tǒng)的攝影影像技術(shù)指的是對(duì)被攝實(shí)物或人的熒幕再現(xiàn)或還原，，而數(shù)字技術(shù)下生成影像沒有可以和客觀世界對(duì)應(yīng)的物體或人，它所呈現(xiàn)的逼真畫面全部是通過計(jì)算機(jī)虛擬或者是計(jì)算機(jī)與真實(shí)拍攝結(jié)合的畫面。數(shù)字技術(shù)的到來使得電影行業(yè)變得天翻地覆，數(shù)字技術(shù)的運(yùn)用也使得電影創(chuàng)有了更大的表現(xiàn)空間和創(chuàng)作空間，在魔幻現(xiàn)實(shí)主義電影這個(gè)領(lǐng)域內(nèi)，數(shù)字技術(shù)的出現(xiàn)帶來了極大的推動(dòng)作用，從魔幻現(xiàn)實(shí)主義電影的歷史來看，傳統(tǒng)魔幻現(xiàn)實(shí)主義電影的萌芽階段和發(fā)展階段以及繁榮階段都是可以通過該類型影片出現(xiàn)的年限和一個(gè)時(shí)期該類型影片的發(fā)行量來劃分的，從各個(gè)階段可以總結(jié)出傳統(tǒng)制作手段在魔幻現(xiàn)實(shí)主義電影中的運(yùn)用以及規(guī)律。然后通過數(shù)字技術(shù)時(shí)代的到來，魔幻現(xiàn)實(shí)主義電影從停滯階段再次興起，本文接下來通過對(duì)比傳統(tǒng)手法來分析了數(shù)字技術(shù)的不同技術(shù)在魔幻現(xiàn)實(shí)主義電影中的運(yùn)用來闡述了數(shù)字技術(shù)對(duì)該類型影片的技術(shù)應(yīng)用性，然后通過新老制作模式對(duì)比，闡述了數(shù)字技術(shù)對(duì)魔幻現(xiàn)實(shí)主義電影的創(chuàng)作的影響，其中從數(shù)字技術(shù)對(duì)電影人的創(chuàng)作方面的影響、對(duì)視覺表現(xiàn)方面創(chuàng)作的拓展、對(duì)虛擬畫面創(chuàng)作帶來新的美感、以及對(duì)魔幻現(xiàn)實(shí)主義電影敘事創(chuàng)作幾方面來深層分析論證，最后對(duì)技術(shù)與藝術(shù)進(jìn)行了思考并對(duì)未來魔幻現(xiàn)實(shí)主義電影進(jìn)行了暢想。
[Abstract]:Digital technology, that is, images produced mainly through computer production or processing, is different from the traditional photographic image technology, which refers to the reproduction or restoration of the object or person on screen. Under digital technology, there are no objects or people that can correspond to the objective world. The realistic images it presents are all images that are generated by computer virtual or the combination of computer and real shooting. With the advent of digital technology, the film industry has been turned upside down, and the use of digital technology has created a greater space for expression and creation in the field of magic realism film. The emergence of digital technology has brought a great impetus, from the history of magic realism film, The budding stage, developing stage and prosperous stage of traditional magic realism film can be divided by the number of years that this type of film appeared and the circulation of this type of film in a certain period. From each stage, we can summarize the application and law of traditional production means in magic realism film. Then, with the advent of the digital technology era, magic realism films rose again from the stagnation stage. Then, this paper analyzes the application of digital technology in magic realism film by comparing traditional techniques, and then compares the new and old production modes with the application of digital technology to this type of film. This paper expounds the influence of digital technology on the creation of magic realism film, including the influence of digital technology on filmmaker's creation, the development of visual expression creation, and the new aesthetic feeling of virtual picture creation. It also analyzes and demonstrates the narrative creation of magic realism film in depth, and finally gives some thoughts on technology and art, and gives a good idea of the future magic realism film.
【學(xué)位授予單位】：沈陽航空航天大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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