發(fā)布時(shí)間：2018-11-28 17:14

【摘要】：2002年,張一白拍攝處女作《開(kāi)往春天的地鐵》,并提出了“新城市電影”的概念,自此他的電影都圍繞著城市進(jìn)行拍攝,通過(guò)這些講敘都市愛(ài)情故事的電影,張一白闡釋著他對(duì)當(dāng)下中國(guó)城市的認(rèn)識(shí)和想象,大致勾勒出當(dāng)下中國(guó)的都市映像,為行進(jìn)在高速城市化進(jìn)程中的當(dāng)下中國(guó)留下了難得的光影記憶。 在中國(guó)城市發(fā)展日新月異的今天,張一白通過(guò)他手中的攝像機(jī),將鏡頭對(duì)準(zhǔn)當(dāng)下的高速發(fā)展中的中國(guó)城市,構(gòu)建了他的光影世界,在他的城市電影中細(xì)致的展現(xiàn)了當(dāng)下城市人的復(fù)雜心態(tài)和特殊愛(ài)情,張一白不只是拍攝了當(dāng)下中國(guó)城市的側(cè)影,他還拍攝了當(dāng)下城市人的內(nèi)心世界,他的城市電影具有很強(qiáng)的現(xiàn)代意義。 本文以張一白主要電影作品為基礎(chǔ),從城市建構(gòu)和愛(ài)情訴說(shuō)等方面對(duì)張一白的電影進(jìn)行研究,擺脫單一的電影理論束縛,在電影理論文獻(xiàn)的基礎(chǔ)上,參考跨學(xué)科理論,包括城市學(xué),城市文化學(xué),倫理學(xué),社會(huì)學(xué)等理論。本文的研究嘗試從這樣的角度入手：一是通過(guò)對(duì)張一白電影文本的解讀來(lái)探討張一白如何在電影中建構(gòu)他的城市意象；二是探討張一白電影中的情感主題,或者說(shuō)是探討其建構(gòu)的城市中的孤單個(gè)體經(jīng)歷著怎樣的另類愛(ài)情,總結(jié)其愛(ài)情的一貫主題；三是研究其建構(gòu)的城市空間與愛(ài)情主題的相互關(guān)系。除此之外,探討一下張一白的敘事特色以及其可供參考的電影營(yíng)銷對(duì)中國(guó)電影的意義。
[Abstract]:In 2002, Zhang Yibai shot his first film, the Subway to the Spring, and put forward the concept of "New City Cinema." since then, his films have been shooting around the city, through these movies that tell urban love stories. Zhang Yibai explains his understanding and imagination of the current Chinese cities, outlines the current urban image of China, and leaves a rare light and shadow memory for China in the process of high-speed urbanization. Today, with the rapid development of Chinese cities, Zhang Yibai has built his world of light and shadow through the camera in his hand, focusing the lens on the current high-speed developing Chinese cities. In his city film, he meticulously shows the complex mentality and special love of the present urban people. Zhang Yibai not only filmed the profile of the current Chinese city, he also filmed the inner world of the present urban people. His city film is of great modern significance. Based on Zhang Yibai's main film works, this paper studies Zhang Yibai's films from the aspects of urban construction and love telling, and gets rid of the shackles of a single film theory. On the basis of the film theory literature, it refers to the interdisciplinary theory. Including urban studies, urban culture, ethics, sociology and other theories. This paper attempts to start from such a point of view: first, through the interpretation of Zhang Yibai's film text to explore how Zhang Yibai constructs his city image in the film; The second is to discuss the emotional theme in Zhang Yibai's film, or to discuss the lonely individual's experience of the alternative love in the city constructed by Zhang Yibai, and to sum up the consistent theme of his love. The third is to study the relationship between the urban space and the theme of love. In addition, the narrative characteristics of Zhang Yibai and the significance of film marketing to Chinese films are discussed.
【學(xué)位授予單位】：西北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905

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