論張一白電影的城市建構和情感訴說
發(fā)布時間：2018-11-28 17:14
【摘要】：2002年,張一白拍攝處女作《開往春天的地鐵》,并提出了“新城市電影”的概念,自此他的電影都圍繞著城市進行拍攝,通過這些講敘都市愛情故事的電影,張一白闡釋著他對當下中國城市的認識和想象,大致勾勒出當下中國的都市映像,為行進在高速城市化進程中的當下中國留下了難得的光影記憶。 在中國城市發(fā)展日新月異的今天,張一白通過他手中的攝像機,將鏡頭對準當下的高速發(fā)展中的中國城市,構建了他的光影世界,在他的城市電影中細致的展現(xiàn)了當下城市人的復雜心態(tài)和特殊愛情,張一白不只是拍攝了當下中國城市的側影,他還拍攝了當下城市人的內(nèi)心世界,他的城市電影具有很強的現(xiàn)代意義。 本文以張一白主要電影作品為基礎,從城市建構和愛情訴說等方面對張一白的電影進行研究,擺脫單一的電影理論束縛,在電影理論文獻的基礎上,參考跨學科理論,包括城市學,城市文化學,倫理學,社會學等理論。本文的研究嘗試從這樣的角度入手：一是通過對張一白電影文本的解讀來探討張一白如何在電影中建構他的城市意象；二是探討張一白電影中的情感主題,或者說是探討其建構的城市中的孤單個體經(jīng)歷著怎樣的另類愛情,總結其愛情的一貫主題；三是研究其建構的城市空間與愛情主題的相互關系。除此之外,探討一下張一白的敘事特色以及其可供參考的電影營銷對中國電影的意義。
[Abstract]:In 2002, Zhang Yibai shot his first film, the Subway to the Spring, and put forward the concept of "New City Cinema." since then, his films have been shooting around the city, through these movies that tell urban love stories. Zhang Yibai explains his understanding and imagination of the current Chinese cities, outlines the current urban image of China, and leaves a rare light and shadow memory for China in the process of high-speed urbanization. Today, with the rapid development of Chinese cities, Zhang Yibai has built his world of light and shadow through the camera in his hand, focusing the lens on the current high-speed developing Chinese cities. In his city film, he meticulously shows the complex mentality and special love of the present urban people. Zhang Yibai not only filmed the profile of the current Chinese city, he also filmed the inner world of the present urban people. His city film is of great modern significance. Based on Zhang Yibai's main film works, this paper studies Zhang Yibai's films from the aspects of urban construction and love telling, and gets rid of the shackles of a single film theory. On the basis of the film theory literature, it refers to the interdisciplinary theory. Including urban studies, urban culture, ethics, sociology and other theories. This paper attempts to start from such a point of view: first, through the interpretation of Zhang Yibai's film text to explore how Zhang Yibai constructs his city image in the film; The second is to discuss the emotional theme in Zhang Yibai's film, or to discuss the lonely individual's experience of the alternative love in the city constructed by Zhang Yibai, and to sum up the consistent theme of his love. The third is to study the relationship between the urban space and the theme of love. In addition, the narrative characteristics of Zhang Yibai and the significance of film marketing to Chinese films are discussed.
【學位授予單位】：西北大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905
本文編號：2363656
[Abstract]:In 2002, Zhang Yibai shot his first film, the Subway to the Spring, and put forward the concept of "New City Cinema." since then, his films have been shooting around the city, through these movies that tell urban love stories. Zhang Yibai explains his understanding and imagination of the current Chinese cities, outlines the current urban image of China, and leaves a rare light and shadow memory for China in the process of high-speed urbanization. Today, with the rapid development of Chinese cities, Zhang Yibai has built his world of light and shadow through the camera in his hand, focusing the lens on the current high-speed developing Chinese cities. In his city film, he meticulously shows the complex mentality and special love of the present urban people. Zhang Yibai not only filmed the profile of the current Chinese city, he also filmed the inner world of the present urban people. His city film is of great modern significance. Based on Zhang Yibai's main film works, this paper studies Zhang Yibai's films from the aspects of urban construction and love telling, and gets rid of the shackles of a single film theory. On the basis of the film theory literature, it refers to the interdisciplinary theory. Including urban studies, urban culture, ethics, sociology and other theories. This paper attempts to start from such a point of view: first, through the interpretation of Zhang Yibai's film text to explore how Zhang Yibai constructs his city image in the film; The second is to discuss the emotional theme in Zhang Yibai's film, or to discuss the lonely individual's experience of the alternative love in the city constructed by Zhang Yibai, and to sum up the consistent theme of his love. The third is to study the relationship between the urban space and the theme of love. In addition, the narrative characteristics of Zhang Yibai and the significance of film marketing to Chinese films are discussed.
【學位授予單位】：西北大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905
【參考文獻】
相關期刊論文 前10條
1 吳厚信;論珠影的都市電影[J];當代電影;1989年01期
2 楊遠嬰;百年六代 影像中國——關于中國電影導演的代際譜系研尋[J];當代電影;2001年06期
3 趙寧宇;;在稠人廣座中離群索居——張一白導演電影研究[J];當代電影;2008年09期
4 李鎮(zhèn);;張一白的浪漫美學[J];當代電影;2008年09期
5 張一白;;做一個偷拍者——《好奇害死貓》闡述[J];當代電影;2008年09期
6 張一白;胡克;連秀鳳;田卉群;劉佳;;《將愛情進行到底》[J];當代電影;2011年04期
7 張暢;;論張一白電影中的城市意象[J];電影文學;2011年04期
8 陳虎;我不深刻,但我要你感動 導演張一白專訪[J];電影評介;2002年04期
9 王格文;;張一白“新城市電影”分析——以《將愛情進行到底》為例[J];電影評介;2012年02期
10 燕達;;在現(xiàn)實之城里尋找溫暖——與張一白一起解讀《秘岸》[J];電影;2008年12期
，本文編號：2363656
本文鏈接：http://www.wukwdryxk.cn/wenyilunwen/dianyingdianshilunwen/2363656.html
