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《大魚海棠》“言、象、意”的傳播形態(tài)及意義研究

發(fā)布時間:2019-01-04 21:32
【摘要】:近年我國有多部動畫電影取得了票房口碑雙豐收的好成績,在2016年7月8日上映的《大魚海棠》可謂是一部里程碑式的動畫電影,上映首日便打破了國產(chǎn)動畫電影的票房紀錄!洞篝~海棠》從構(gòu)思到完成制作耗時12載,導演用極具夢幻般的風格講述了少女與大魚之間的浪漫故事,用多種不同的傳統(tǒng)文化符號構(gòu)建出了一個架空于現(xiàn)實的海底世界。《大魚海棠》的創(chuàng)作靈感主要來自與莊子的《逍遙游》,其參考的我國古代典籍更是多達到十余本。同時《大魚海棠》中的世界觀、鏡頭畫面、角色刻畫、場景設置等多個方面無不體現(xiàn)出我國傳統(tǒng)文化符號的魅力與內(nèi)涵。本文將“言、象、意”的中國文化內(nèi)涵作為研究的理論參照,對《大魚海棠》進行探討。以影片中“言”的內(nèi)涵及表達特征,“象”的自然性與人造性特征的對照,蘊涵的傳統(tǒng)文化之“意”為研究對象,詣在研究“言、象、意”的傳播形態(tài)及意義。通過分析《大魚海棠》中的我國傳統(tǒng)文化符號,探討影片所傳遞出的深刻內(nèi)涵。根據(jù)“言、象、意”的研究脈絡,本文將著重分為以下三個部分進行探討。第一部分,在《大魚海棠》情節(jié)的基礎上,通過分析分析影片中具有的代表鏡頭以及語言表達,凸顯出“言”的內(nèi)涵及表達特征;第二部分,對《大魚海棠》中的我國傳統(tǒng)文化符號進行了梳理,并分為分三類:自然之“象”,主要包括魚、海棠、水、中國紅;人造之“象”,主要包括客家土樓、對聯(lián)、龍與鳳凰;人物之“象”,主要包括椿、湫、靈婆和鼠婆。第三部分,分別從浪漫風格、報恩情節(jié)、“天人合一”的思想、生死輪回觀四個方面論述了影片中蘊涵的傳統(tǒng)文化之“意”!洞篝~海棠》無疑為中國動畫電影的創(chuàng)作與發(fā)展提供了寶貴經(jīng)驗。本論文從“言、象、意”角度出發(fā)作出的探討,希望對當下的研究做點有益的嘗試。
[Abstract]:In recent years, there have been many animated movies in China that have achieved a good box-office success. The "Big Fish Begonia" released on July 8, 2016, is a landmark animated movie. The opening day of the movie broke the box office record for a domestic animated film. "Big Fish Begonia" took 12 years to complete, and the director told the romantic story between a girl and a big fish in a fantastic style. Using many different traditional cultural symbols to construct a realistic undersea world. The creative inspiration of Big Fish Begonia comes mainly from Zhuangzi's "Happy Tour", and more than ten ancient books of our country are referred to. At the same time, the world outlook, lens picture, character portrayal, scene setting in "Big Fish and Begonia" all embody the charm and connotation of Chinese traditional culture symbol. In this paper, the Chinese cultural connotation of "speech, image and meaning" is taken as the theoretical reference for the study of "Begonia of the Big Fish". Taking the connotation and expressive characteristics of "speech" in the film, the contrast between the natural and artificial characteristics of "elephant" and the "meaning" of traditional culture as the object of study, the paper studies the communication form and significance of "words, images and meanings". By analyzing the Chinese traditional cultural symbols in Begonia, this paper discusses the profound connotation of the film. According to the research context of "speech, image and meaning", this paper will be divided into three parts. In the first part, on the basis of the plot of Big Fish and Begonia, through analyzing the representative lens and language expression in the film, the connotation and expression characteristics of "Yan" are highlighted. In the second part, the traditional cultural symbols in Begonia of Big Fish are sorted out and divided into three categories: natural "elephant", mainly including fish, begonia, water, Chinese red; Artificial "elephant", mainly including Hakka Tulou, couplet, dragon and Phoenix; characters "elephant", mainly including Chun, Qiu, Lingpo and mouse. The third part, from the romantic style, payback plot, "Heaven and Man in one" thought, This paper discusses the "meaning" of the traditional culture contained in the film from four aspects of the view of life and death. "Big Fish Begonia" undoubtedly provides valuable experience for the creation and development of Chinese animated films. This paper, from the point of view of words, images and meanings, hopes to make some useful attempts for the present research.
【學位授予單位】:西南大學
【學位級別】:碩士
【學位授予年份】:2017
【分類號】:J954

【參考文獻】

相關期刊論文 前10條

1 席威;;《大魚海棠》:國產(chǎn)動畫電影中傳統(tǒng)文化元素的運用及美學風格[J];電影評介;2016年17期

2 劉嫻;;華麗的困惑——從《大魚海棠》看中國動畫的民族化與現(xiàn)代化[J];北京電影學院學報;2016年05期

3 傅琪;;《大魚海棠》:新世紀“民族動畫”復興的迷思[J];藝術(shù)評論;2016年09期

4 林秀;;逍遙與拯救——《大魚海棠》中的“中國”故事[J];藝術(shù)評論;2016年09期

5 譚佩;;當下中國動畫電影的新氣質(zhì)——以《搖滾藏獒》與《大魚海棠》對比為例[J];當代電影;2016年09期

6 李西;;解讀《大魚海棠》中的深層文化內(nèi)涵[J];電影評介;2016年14期

7 李R幾,

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