中國電影史“古裝片”首發(fā)類型現(xiàn)象研究
發(fā)布時間：2019-01-09 10:35
【摘要】：通過對中國商業(yè)類型電影史的梳理,發(fā)現(xiàn)在民國時期、戰(zhàn)后港臺時期、新中國時期中古裝片均是首發(fā)類型,因此古裝片成為了中國電影值得關注和研究的對象,要弄清古裝片為什么是商業(yè)類型電影史中的首發(fā)類型,首先就要從古裝片是什么樣的商業(yè)類型電影入手。本文過對古裝片的定義、類型程式、情節(jié)模式進行解讀,了解到豐富的已高度固化了的文學資源為古裝片的攝制提供了保障,形成了飽和傳播效應,在被古裝片直接過繼獲取后,加以電影化的改塑,滿足了觀眾的期待,成為了延續(xù)商業(yè)類型電影的主打類型。而古裝片成為首發(fā)主打類型是必然還是偶然?它背后隱藏的機制到底是什么?還不得而知。帶著這些疑問,本文對古裝片進行了類型學解析,發(fā)現(xiàn)只是從歷史的角度來考量是不夠的,還要考慮到古裝片本身具有的類型優(yōu)勢和其獲得的票房、獎項及社會媒介的影響。隨著歷史與現(xiàn)實的發(fā)展,古裝片被后來居上的其它電影類型所取代,為了謀求類型演變,古裝片只有采取融合數(shù)字技術、奇觀營造、改編西方文本等策略,來滿足觀眾的需要,延續(xù)商業(yè)電影之路。
[Abstract]:By combing the history of Chinese commercial films, it is found that in the Republic of China period, the postwar period of Hong Kong and Taiwan, the New China period in the ancient costume films are all the first type, so ancient clothing films have become the object of attention and research in Chinese films. In order to find out why antiquated films are the first type in the history of commercial films, we must start with what kind of commercial movies are ancient clothes films. This paper interprets the definition, type program and plot mode of the ancient costume film, and finds out that the rich and highly solidified literature resources provide the guarantee for the production of the ancient costume film, and form the saturated propagation effect. After being acquired directly by the ancient clothing film, the film is changed to meet the expectations of the audience and become the main type of continuing commercial film. And is it inevitable or accidental that antiquated films become the first hit type? What is the hidden mechanism behind it? It is not known yet. With these questions, this paper analyzes the typology of ancient costume films, and finds that it is not enough to consider only from the historical point of view, but also to consider the genre advantages and the influence of box office, awards and social media. With the development of history and reality, the ancient costume films have been replaced by other film types that come from behind. In order to seek the evolution of the types, the ancient clothes films have to adopt the strategies of integrating digital technology, creating wonders, adapting western texts, and so on, to meet the needs of the audience. Continue the commercial film road.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J905
本文編號：2405509
[Abstract]:By combing the history of Chinese commercial films, it is found that in the Republic of China period, the postwar period of Hong Kong and Taiwan, the New China period in the ancient costume films are all the first type, so ancient clothing films have become the object of attention and research in Chinese films. In order to find out why antiquated films are the first type in the history of commercial films, we must start with what kind of commercial movies are ancient clothes films. This paper interprets the definition, type program and plot mode of the ancient costume film, and finds out that the rich and highly solidified literature resources provide the guarantee for the production of the ancient costume film, and form the saturated propagation effect. After being acquired directly by the ancient clothing film, the film is changed to meet the expectations of the audience and become the main type of continuing commercial film. And is it inevitable or accidental that antiquated films become the first hit type? What is the hidden mechanism behind it? It is not known yet. With these questions, this paper analyzes the typology of ancient costume films, and finds that it is not enough to consider only from the historical point of view, but also to consider the genre advantages and the influence of box office, awards and social media. With the development of history and reality, the ancient costume films have been replaced by other film types that come from behind. In order to seek the evolution of the types, the ancient clothes films have to adopt the strategies of integrating digital technology, creating wonders, adapting western texts, and so on, to meet the needs of the audience. Continue the commercial film road.
【學位授予單位】：西南大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J905
【參考文獻】
相關期刊論文 前10條
1 秦喜杰;;從投資角度研究中國電影產業(yè)的困境與機遇[J];北京電影學院學報;2005年06期
2 謝永均;;改革開放30年大陸喜劇片創(chuàng)作歷程回顧[J];北京電影學院學報;2008年06期
3 路春艷;;中國類型電影的生存與發(fā)展[J];北京社會科學;2007年01期
4 陳瑜;;中國類型電影研究的幾個問題[J];浙江傳媒學院學報;2010年05期
5 應雄;《農奴》:敘事的張力[J];當代電影;1990年03期
6 史博公,凌燕;論喜劇片在中國電影發(fā)展中的地位及意義[J];當代電影;2003年05期
7 酈蘇元,邊靜;對人性的低語和追問——吳永剛“孤島”電影探微[J];當代電影;2004年05期
8 段運冬;《木蘭從軍》:隱喻與想象交融的影像坐標[J];當代電影;2005年03期
9 陳曉云;中國電影:類型建構與產業(yè)化發(fā)展[J];當代電影;2005年06期
10 丁亞平;;體驗·關懷·直接的時代感——由1937—1945年電影的現(xiàn)實表現(xiàn)看中國電影現(xiàn)實主義傳統(tǒng)的文化趨向[J];當代電影;2006年05期
，本文編號：2405509
本文鏈接：http://www.wukwdryxk.cn/wenyilunwen/dianyingdianshilunwen/2405509.html
