發(fā)布時間：2019-01-10 16:25

【摘要】：趙本山的農(nóng)村題材電視劇《鄉(xiāng)村愛情1-7》以愛情為主線，，藝術(shù)地呈現(xiàn)了當代農(nóng)村的經(jīng)濟發(fā)展狀況、農(nóng)民的生活環(huán)境、生活方式和精神面貌。它取材于東北農(nóng)村現(xiàn)實生活，拍攝風格淳樸、自然，語言生動、幽默，人物鮮活，每季播出都引發(fā)了社會的廣泛關(guān)注，并受到北方廣大農(nóng)民朋友的青睞。 然而與此同時，許多觀眾也對《鄉(xiāng)村愛情》系列劇提出了尖銳批評，比如對劇中多有殘疾的農(nóng)民形象提出了質(zhì)疑，認為這是拿人物的生理缺陷來嘩眾取寵，是低俗、媚俗甚至不道德的行為。因此，如何從傳播學的角度來認識這部系列劇的文化含義，就成為本文試圖解讀的重要問題。 本文從該系列劇播出的背景講起，首先梳理了劇中塑造的各類農(nóng)民形象，剖析了這些農(nóng)民形象塑造的文化背景和現(xiàn)實關(guān)照，探討了趙本山塑造這些農(nóng)民形象的原因和意圖，即通過這些有缺陷的形象塑造以迎合大眾的消費口味，并通過新生代農(nóng)民形象的塑造，以寄托趙本山對當代農(nóng)村、農(nóng)民發(fā)展的現(xiàn)實思考和美好愿望。而這一藝術(shù)創(chuàng)作過程的背后，是該劇的傳播行為所蘊含的更為深刻的文化含義。這就是，在城市文化占據(jù)主流、農(nóng)村文化日益邊緣化的今天，本劇以影視劇的方式，將當代農(nóng)民真實的生活現(xiàn)狀、心理路程和精神面貌展現(xiàn)在觀眾面前，通過揶揄、自嘲甚至自毀形象的手段，讓農(nóng)民這個群體重新回到大眾的視野，表現(xiàn)出農(nóng)村文化對城市文化的霸權(quán)抵抗。
[Abstract]:Zhao Benshan's rural drama "Rural Love 1-7" takes love as the main line, and presents the economic development, the living environment, the life style and the spiritual outlook of the contemporary rural areas artistically. It is based on the real life in the rural areas of Northeast China. The shooting style is simple, natural, vivid language, humorous, vivid characters, every season broadcast has caused the widespread concern of the society, and has been favored by the farmers friends in the North. However, at the same time, many viewers have also made sharp criticisms of the series, for example, they have questioned the image of many disabled peasants in the play, saying that this is an attempt to appeal to the public by using the physical defects of the characters, and that it is vulgar. Vulgar or even immoral behavior. Therefore, how to understand the cultural meaning of the series from the perspective of communication has become an important issue in this paper. This article begins with the background of the series, firstly combing the various peasant images created in the series, analyzing the cultural background and realistic care of these peasant images, and discussing the reasons and intentions of Zhao Benshan's shaping these peasant images. That is, through these defective images to meet the consumption taste of the masses, and through the new generation of farmers image shaping, in order to place Zhao Benshan on the contemporary rural areas, farmers' development of realistic thinking and good wishes. Behind this artistic creation process is the more profound cultural implication of the drama's spreading behavior. This is, at a time when urban culture occupies the mainstream and rural culture is increasingly marginalized, the play presents to the audience the real life situation, psychological journey and spiritual outlook of contemporary farmers in the form of movies and TV dramas, and through teasing, The means of self-deprecating and even self-destructing make the peasant group come back to the public view and show the hegemonic resistance of the rural culture to the urban culture.
【學位授予單位】：蘇州大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J905

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