輕閱讀時代的郭敬明現(xiàn)象
發(fā)布時間：2018-12-21 18:52
【摘要】：郭敬明作為近年來青春文學(xué)的偶像人物一直備受爭議,他不僅是個成功的青春文學(xué)偶像,作品熱銷,深受讀者的追崇；同時又是一個成功的商人,憑其靈敏的商業(yè)頭腦帶領(lǐng)團(tuán)隊將“最”系列雜志辦得風(fēng)聲水起,讓業(yè)內(nèi)望塵莫及。但同時他卻被冠以“郭抄抄”的名號,幾乎每部著作都曾被披露“抄襲”的痕跡,而深愛他的讀者卻對此不以為然,一如既往的對其包庇和縱容。對于這樣集成功與詬病于一身的“明星作家”,文學(xué)批評界一直是隔靴搔癢,表現(xiàn)出與這個青春文學(xué)群落的隔閡。我作為他的同齡人,試圖站在新的文化立場來對此現(xiàn)象加以闡釋。我從其創(chuàng)辦的青春文學(xué)刊物《最小說》入手,借助日本動漫研究專家東浩紀(jì)的“數(shù)據(jù)庫”理論來分析這個頗具吊詭的文學(xué)現(xiàn)象,“御宅一族”的閱讀傾向、“輕閱讀時代”的文化背景、粉絲團(tuán)的消費(fèi)經(jīng)濟(jì)以及其文學(xué)商業(yè)鏈的構(gòu)建共同促成了郭的成功,粉絲群落和特定的文化背景共同構(gòu)成這一文學(xué)新生態(tài)。從某種意義上說：郭敬明現(xiàn)象為我們打開解讀這個時代文學(xué)觀和閱讀觀的一扇窗戶,讓我們重新打量青春文學(xué)市場,審視新世紀(jì)青少年的閱讀背景和價值觀。
[Abstract]:Guo Jingming as the idol of youth literature in recent years has been controversial, he is not only a successful idol of youth literature, his works are popular, deeply respected by readers; At the same time is a successful businessman, with its sensitive business sense led the team to the "most" series of magazines, let the industry out of reach. But at the same time, he was dubbed "Guo copy", almost every book has been disclosed "plagiarism" trace, and the readers who love him do not think of it, as always to its cover and connivance. For such a successful and criticized "star writers", the literary criticism has always been a gap between the youth literature community and the gap. As a fellow of his age, I tried to explain the phenomenon from a new cultural standpoint. I start with the youth literature publication "the most novel" that he founded, and with the help of the "database" theory of Japanese animation research expert Dong Haoji, I analyze this rather curious literary phenomenon, the reading tendency of "Imperial House". The cultural background of the "light reading era", the consumption economy of the Fan Mi Tuan and the construction of its literary and commercial chain together contributed to Guo's success, and the fan community and the specific cultural background together constituted this new literary ecology. In a sense: Guo Jingming phenomenon opens a window for us to interpret the literary and reading views of this era, let us re-examine the youth literature market, examine the reading background and values of young people in the new century.
【學(xué)位授予單位】：北京大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：I206.7
本文編號：2389317
[Abstract]:Guo Jingming as the idol of youth literature in recent years has been controversial, he is not only a successful idol of youth literature, his works are popular, deeply respected by readers; At the same time is a successful businessman, with its sensitive business sense led the team to the "most" series of magazines, let the industry out of reach. But at the same time, he was dubbed "Guo copy", almost every book has been disclosed "plagiarism" trace, and the readers who love him do not think of it, as always to its cover and connivance. For such a successful and criticized "star writers", the literary criticism has always been a gap between the youth literature community and the gap. As a fellow of his age, I tried to explain the phenomenon from a new cultural standpoint. I start with the youth literature publication "the most novel" that he founded, and with the help of the "database" theory of Japanese animation research expert Dong Haoji, I analyze this rather curious literary phenomenon, the reading tendency of "Imperial House". The cultural background of the "light reading era", the consumption economy of the Fan Mi Tuan and the construction of its literary and commercial chain together contributed to Guo's success, and the fan community and the specific cultural background together constituted this new literary ecology. In a sense: Guo Jingming phenomenon opens a window for us to interpret the literary and reading views of this era, let us re-examine the youth literature market, examine the reading background and values of young people in the new century.
【學(xué)位授予單位】：北京大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：I206.7
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