發(fā)布時(shí)間：2018-05-28 16:31

  本文選題：新波普藝術(shù) + 視覺語言��； 參考：《江南大學(xué)》2015年碩士論文

【摘要】：新波普藝術(shù)產(chǎn)生于上世紀(jì)六十年代中期,是對(duì)波普藝術(shù)的衍生發(fā)展,是西方一場(chǎng)重要的藝術(shù)運(yùn)動(dòng),代表了流行和大眾化的發(fā)展趨勢(shì)。新波普藝術(shù)以其鮮亮色彩,夸張怪誕的造型,將通俗文化及日常生活用品推向了至高無上的藝術(shù)殿堂,擴(kuò)大了藝術(shù)本身的空間,也增添了更多的藝術(shù)可能性,具有深遠(yuǎn)的影響。本文首先圍繞新波普藝術(shù)展開,對(duì)新波普藝術(shù)的產(chǎn)生與發(fā)展進(jìn)行了詳細(xì)解析,并且具體的闡述新波普藝術(shù)中極具代表性的人物以及其題材的選擇方向,目的是為了揭示藝術(shù)家的創(chuàng)作意圖與心理,突出新波普藝術(shù)大眾化的特征。其次,新波普藝術(shù)擺脫了傳統(tǒng)藝術(shù)的束縛,呈現(xiàn)了多樣化的視覺語言,它充分的運(yùn)用圖案符號(hào)和色彩符號(hào)的形式語言,通過現(xiàn)成品的藝術(shù)再現(xiàn)、機(jī)械復(fù)制、拼貼集成等表現(xiàn)手法,展現(xiàn)出新的視覺文化,拉近了藝術(shù)與生活的距離。通過對(duì)具體案例的深入研究,分析其視覺語言的獨(dú)特性。第三,新波普藝術(shù)的視覺語言在生活中的運(yùn)用主要體現(xiàn)在波普設(shè)計(jì)中,設(shè)計(jì)作為一種文化現(xiàn)象,對(duì)藝術(shù)的吸收融合滿足了消費(fèi)時(shí)代消費(fèi)者的需要,本文將新波普藝術(shù)細(xì)化到各個(gè)設(shè)計(jì)領(lǐng)域中,在具體的設(shè)計(jì)案例中展現(xiàn)新波普藝術(shù)視覺語言的重要性。最后,回歸到當(dāng)代中國(guó),中國(guó)藝術(shù)家汲取并借鑒新波普藝術(shù)的視覺語言,結(jié)合自身所處的歷史時(shí)代背景,形成了中國(guó)式的波普藝術(shù),并創(chuàng)造出具有中國(guó)波普意味的視覺語言,通過并置、弱化藝術(shù)技巧、艷麗色彩傾向的表現(xiàn)形式,最終體現(xiàn)中國(guó)波普的文化內(nèi)涵,為當(dāng)代中國(guó)的繪畫提供新的視覺表現(xiàn)形式。在視覺文化高速發(fā)展的今天,本文對(duì)新波普藝術(shù)的視覺語言及其影響作了深度的剖析,在理論方面對(duì)新波普藝術(shù)的表現(xiàn)形式做了補(bǔ)充,同時(shí)也為當(dāng)代新波普藝術(shù)的研究提供了新的視角。
[Abstract]:New pop art emerged in the middle of 1960s, it is a derivative development of pop art, is an important art movement in the West, and represents the trend of popular and popular development. New pop art with its bright color, exaggerated and grotesque shape, popular culture and daily necessities to the supreme art palace, expand the art itself space, but also added more art possibilities, with far-reaching influence. Firstly, this paper focuses on the new pop art, analyzes the emergence and development of the new pop art in detail, and elaborates the representative characters and the choice direction of the subject matter in the new pop art. The purpose is to reveal the artistic intention and psychology of the artist and to highlight the characteristics of the popularization of the new pop art. Secondly, the new pop art has got rid of the bondage of the traditional art, has presented the diversified visual language, it fully uses the pattern symbol and the color symbol form language, through the present finished product art reproduction, the mechanical reproduction, Collage integration and other means of expression, showing a new visual culture, drawing the distance between art and life. Through the in-depth study of specific cases, the uniqueness of its visual language is analyzed. Thirdly, the application of the visual language of the new pop art in life is mainly reflected in the pop design. As a cultural phenomenon, the absorption of art meets the needs of consumers in the consumer age. In this paper, the new pop art is refined into various design fields, and the importance of the visual language of the new pop art is demonstrated in the specific design cases. Finally, returning to contemporary China, Chinese artists draw on and draw lessons from the visual language of New pop art, combine their historical background, form the Chinese style of pop art, and create a visual language with Chinese pop meaning. Through juxtaposition, weakening the artistic skill, the expressive form of the bright color tendency, finally embody the cultural connotation of the Chinese pop, provide the new visual expression form for the contemporary Chinese painting. Today, with the rapid development of visual culture, this paper makes a deep analysis of the visual language and its influence of the new pop art, and complements the expression form of the new pop art in the theoretical aspect. At the same time, it also provides a new perspective for the study of contemporary New pop art.
【學(xué)位授予單位】：江南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J205

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本文編號(hào)：1947418