發(fā)布時(shí)間：2018-05-29 04:05

  本文選題：熊慶 + 超現(xiàn)實(shí)　； 參考：《長江文藝評(píng)論》2016年04期

【摘要】：正作為同鄉(xiāng),最初見到熊慶華的油畫是在朋友圈,他招魂術(shù)般的神奇描繪,將兒時(shí)的種種鄉(xiāng)野之趣重現(xiàn)于眼前,使人恍惚間回到過去的時(shí)光,帶來許多意外的驚喜。在畫家的追憶中,孩童的淘氣、農(nóng)人的忙碌、節(jié)慶的喧鬧,那些江漢平原特有的鄉(xiāng)村人事、風(fēng)物鮮活起來,有著生動(dòng)歡快的沸騰氣象。不過,熊慶華的畫作之所以引起人們的談?wù)摵拖矏?不止于激活了美好的故土記憶,更因他從未接受過繪畫技法教育,但卻大膽運(yùn)用超現(xiàn)實(shí)的現(xiàn)代手法,繪出頗具魔
[Abstract]:As fellow countrymen, Xiong Ching-hua 's oil painting was first seen in the circle of friends. His magical depiction of the spirit of his childhood reappeared all kinds of rural interests in his childhood, making people trance back to the past and bringing many unexpected surprises. In the painter's recollection, the child mischievous, the farmer's busy, the festival is noisy, those Jianghan plain unique countryside personnel, the wind object is fresh, has the vivid joyful boiling weather. However, Xiong Ching-hua 's paintings aroused people's discussion and love, not only because he activated the beautiful local memory, but also because he had never received painting skills education, but boldly used surreal modern techniques to draw magic.
【作者單位】： 北京林業(yè)大學(xué)藝術(shù)設(shè)計(jì)學(xué)院;
【分類號(hào)】：J213

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本文編號(hào)：1949421