發(fā)布時(shí)間：2018-05-30 09:11

  本文選題：中國(guó)畫 + 西方繪畫�。� 參考：《廈門大學(xué)》2014年碩士論文

【摘要】：在中國(guó)傳統(tǒng)哲學(xué)觀的影響下,中國(guó)古代畫論的指導(dǎo)下中國(guó)畫的傳統(tǒng)色彩表現(xiàn)出了不同于西方繪畫色彩的鮮明的民族性特點(diǎn)。雖然傳統(tǒng)中國(guó)畫色彩和西方繪畫色彩在表象上大相徑庭,但是其本質(zhì)的規(guī)律是相通的,都符合了色彩構(gòu)成的基本原理。傳統(tǒng)中國(guó)畫即使是提煉概括后的寥寥幾筆也是符合包豪斯的現(xiàn)代色彩構(gòu)成規(guī)律。作為繪畫實(shí)踐者的我們經(jīng)過(guò)分析了解了其中的規(guī)律之后,在當(dāng)下的繪畫創(chuàng)作中就可以靈活運(yùn)用,不拘泥于古人的模式,創(chuàng)造出既有時(shí)代特點(diǎn)又符合色彩構(gòu)成原理的色彩,實(shí)現(xiàn)中西色彩的融合與發(fā)展。 本文通過(guò)分析中西方色彩的觀念與特點(diǎn),縷清了中西方色彩的不同與相通之處,探析出色彩的運(yùn)用規(guī)律。對(duì)于中西方色彩表現(xiàn)潛在規(guī)律的研究,其目的在于為中國(guó)畫色彩在中西結(jié)合的道路上提供理論依據(jù),指導(dǎo)中國(guó)畫色彩在融合西方色彩特點(diǎn)的同時(shí)保持本民族的東方意蘊(yùn)。在中國(guó)畫色彩的發(fā)展過(guò)程中,隨著時(shí)代的變化,中西文化的交流,當(dāng)代的中國(guó)畫色彩打破傳統(tǒng)的用色程式,大膽創(chuàng)造具有時(shí)代感特征的色彩是必然的選擇。
[Abstract]:Under the influence of Chinese traditional philosophy, the traditional color of Chinese painting under the guidance of ancient Chinese painting theory shows distinct national characteristics different from that of western painting. Although the traditional Chinese painting color and the western painting color in the appearance is very different, but its essential law is the same, all accords with the color constitution basic principle. Traditional Chinese painting even after refining a few strokes is in line with Bauhaus modern color composition. As a painting practitioner, after analyzing and understanding the law, we can use it flexibly in the current painting creation, not stick to the ancient pattern, and create colors that are both characteristic of the times and in accordance with the principle of color composition. To achieve the integration and development of Chinese and Western colors. By analyzing the concept and characteristics of Chinese and western colors, this paper clarifies the differences and similarities between Chinese and western colors, and analyzes the rules of color application. The purpose of this study is to provide the theoretical basis for the combination of Chinese painting color and Chinese painting color, and to guide the Chinese painting color to keep the oriental meaning of this nation while integrating the western color characteristics. In the course of the development of Chinese painting color, with the change of times and the exchange of Chinese and Western cultures, it is an inevitable choice for the contemporary Chinese painting color to break the traditional color formula and to create the color with the characteristics of the times.
【學(xué)位授予單位】：廈門大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J206.3

【參考文獻(xiàn)】

相關(guān)期刊論文 前2條

1 黃輝云;;試論印象派在藝術(shù)感覺(jué)和觀察方法上的新突破[J];湖北經(jīng)濟(jì)學(xué)院學(xué)報(bào)(人文社會(huì)科學(xué)版);2010年02期

2 張春華;;論歐洲色彩理論發(fā)展的關(guān)鍵時(shí)期[J];新美術(shù);2007年01期

，

本文編號(hào)：1954738