發(fā)布時(shí)間：2018-08-04 21:20

【摘要】：莫奈油畫中筆觸所呈現(xiàn)出的不同樣式與面貌及他在捕捉視覺對(duì)色彩瞬間感受的同時(shí)不經(jīng)意間保留的偶然性,其繪畫技法的應(yīng)用,對(duì)于藝術(shù)實(shí)踐者創(chuàng)造出個(gè)性化的筆觸符號(hào)或特殊筆觸語(yǔ)言具有啟示性意義。本論文將莫奈的繪畫分為三個(gè)發(fā)展階段,對(duì)其獨(dú)特筆觸的形成,演變,特征,創(chuàng)新之處及其局限性等各方面進(jìn)行深入探討,試圖通過(guò)對(duì)莫奈幾幅代表性作品的詳細(xì)解讀及對(duì)比分析,闡釋筆觸在表達(dá)其個(gè)人精神世界與內(nèi)心情感上的重要作用,本人希望這一研究能對(duì)當(dāng)下我國(guó)油畫界的創(chuàng)作有所裨益。
[Abstract]:The different styles and features of the brush strokes in Monet's oil painting, the chance that he unwittingly retained while capturing the instant feeling of color from his vision, and the application of his painting techniques, It has enlightening significance for artistic practitioners to create personalized stroke symbols or special stroke language. This paper divides Monet's painting into three stages of development, and probes into the formation, evolution, characteristics, innovations and limitations of his unique strokes. Through the detailed interpretation and comparative analysis of several representative works of Monet, this paper attempts to explain the important role of brush strokes in expressing his personal spiritual world and inner emotion. I hope this study will benefit the creation of oil painting circles in China.
【學(xué)位授予單位】：中國(guó)藝術(shù)研究院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前3條

1 蘇曉虎;;油畫中筆觸的視覺特征[J];劍南文學(xué)(經(jīng)典教苑);2012年04期

2 牟p苊，

本文編號(hào)：2165183