多元文化下中國意象表現(xiàn)性油畫的文化特征和發(fā)展態(tài)勢
發(fā)布時間：2018-08-11 10:02
【摘要】：隨著中國綜合實力不斷的增強(qiáng),在中西方文化交流融合的今天,中國油畫從西方油畫的描摹模仿中,逐漸構(gòu)建起了符合中國繪畫審美的多種表現(xiàn)形式、多種風(fēng)格語言。受中國傳統(tǒng)文化精神的影響,中國藝術(shù)家們漸漸地找到了融合西方繪畫藝術(shù)觀念和中國傳統(tǒng)意象思維的意象表現(xiàn)性油畫。在世界多元文化背景下,意象表現(xiàn)性油畫不僅吸收了西方繪畫藝術(shù)的觀念和材料技法,更融合傳承了中國傳統(tǒng)文人畫的筆墨逸趣和寫意精神,這使中國繪畫有了新的突破。本文正是從多元文化的含義和意象表現(xiàn)性油畫的概念和歷史背景切入研究課題,以中國傳統(tǒng)美學(xué)思想為邏輯起點,從創(chuàng)作方法、時間性、繪畫空間等方面來闡述中國傳統(tǒng)美學(xué)思想對意象表現(xiàn)性油畫的影響。其次,在與德國新表現(xiàn)主義繪畫的比較以及與具象表現(xiàn)繪畫的對比差異中,剖析深受多種文化影響的中國意象表現(xiàn)性油畫的獨特繪畫風(fēng)格,在中國藝術(shù)家的代表作中闡述意象表現(xiàn)性油畫在中國的發(fā)展中形成獨特的畫面語言,并且列舉意象表現(xiàn)性油畫畫家之代表吳冠中、洪凌、崔建軍、陳子君等,解讀各個畫家在意象表現(xiàn)性油畫創(chuàng)作的這條道路上努力和堅持。最后對意象表現(xiàn)性油畫的發(fā)展趨勢與實踐進(jìn)行探索分析,以訪談的形式記錄侯吉明畫家對意象表現(xiàn)性油畫的創(chuàng)作經(jīng)歷和藝術(shù)追求,對工作室合作機(jī)制下的學(xué)生作品進(jìn)行分析,總結(jié)中國意象表現(xiàn)性油畫的當(dāng)下態(tài)勢。
[Abstract]:With the continuous strengthening of China's comprehensive strength and the integration of Chinese and Western cultural exchanges, Chinese oil paintings from the description of Western oil painting imitation, gradually constructed a variety of forms of expression in line with the Chinese painting aesthetic, a variety of styles and languages. Influenced by the spirit of Chinese traditional culture, Chinese artists have gradually found a combination of Western painting art concept and Chinese traditional image thinking of image expression oil painting. Under the background of multi-culture in the world, imagery expressional oil painting not only absorbs the idea and material technique of western painting art, but also inherits the Chinese traditional literati painting's easy-brushwork and freehand brushwork spirit, which makes Chinese painting have a new breakthrough. This paper is just from the meaning of multiculturalism and the concept and historical background of image expressive oil painting, taking the Chinese traditional aesthetic thought as the logical starting point, from the creative method, time, Painting space and other aspects to explain the impact of Chinese traditional aesthetic thinking on imagery expressive oil painting. Secondly, in the comparison with the German neo-expressionism painting and the contrast with the figurative representation painting, the unique painting style of the Chinese imagery expressionistic oil painting, which is deeply influenced by various cultures, is analyzed. In the representative works of Chinese artists, this paper expounds the unique picture language formed in the development of image expressiveness oil painting in China, and lists Wu Guanzhong, Hong Ling, Cui Jianjun, Chen Zijun, the representatives of image expressive oil painting painters, and so on. Unscramble each painter in the image expressive oil painting creation this road diligently and persisted. Finally, the development trend and practice of image expressive oil painting are explored and analyzed, and the creation experience and artistic pursuit of image expressive oil painting by Hou Jiming painters are recorded in the form of interview, and the students' works under the cooperation mechanism of the studio are analyzed. Summarize the present situation of Chinese imagery expressive oil painting.
【學(xué)位授予單位】：浙江師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213
本文編號：2176667
[Abstract]:With the continuous strengthening of China's comprehensive strength and the integration of Chinese and Western cultural exchanges, Chinese oil paintings from the description of Western oil painting imitation, gradually constructed a variety of forms of expression in line with the Chinese painting aesthetic, a variety of styles and languages. Influenced by the spirit of Chinese traditional culture, Chinese artists have gradually found a combination of Western painting art concept and Chinese traditional image thinking of image expression oil painting. Under the background of multi-culture in the world, imagery expressional oil painting not only absorbs the idea and material technique of western painting art, but also inherits the Chinese traditional literati painting's easy-brushwork and freehand brushwork spirit, which makes Chinese painting have a new breakthrough. This paper is just from the meaning of multiculturalism and the concept and historical background of image expressive oil painting, taking the Chinese traditional aesthetic thought as the logical starting point, from the creative method, time, Painting space and other aspects to explain the impact of Chinese traditional aesthetic thinking on imagery expressive oil painting. Secondly, in the comparison with the German neo-expressionism painting and the contrast with the figurative representation painting, the unique painting style of the Chinese imagery expressionistic oil painting, which is deeply influenced by various cultures, is analyzed. In the representative works of Chinese artists, this paper expounds the unique picture language formed in the development of image expressiveness oil painting in China, and lists Wu Guanzhong, Hong Ling, Cui Jianjun, Chen Zijun, the representatives of image expressive oil painting painters, and so on. Unscramble each painter in the image expressive oil painting creation this road diligently and persisted. Finally, the development trend and practice of image expressive oil painting are explored and analyzed, and the creation experience and artistic pursuit of image expressive oil painting by Hou Jiming painters are recorded in the form of interview, and the students' works under the cooperation mechanism of the studio are analyzed. Summarize the present situation of Chinese imagery expressive oil painting.
【學(xué)位授予單位】：浙江師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 汪裕雄;;意象與中國文化[J];中國社會科學(xué);1993年05期
，本文編號：2176667
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