香港水墨的回歸和展望
發(fā)布時間：2018-08-11 10:47
【摘要】：正回顧水墨畫在香港跨世紀(jì)發(fā)展的歷程,特別是近10年來的發(fā)展情況,體現(xiàn)了香港水墨畫堅韌的生命力,也驗證傳統(tǒng)中國畫向現(xiàn)當(dāng)代轉(zhuǎn)換之可能。香港因其地緣位置和政治環(huán)境之關(guān)系,在回歸祖國之前,由于港英當(dāng)局一貫采取對文化藝術(shù)不干預(yù)、不支持的放任態(tài)度,又偏重于重商輕文、尊西貶中的文化政策,只注重商業(yè)和經(jīng)濟的發(fā)展,忽略了文化藝術(shù)在文明社會中的軟實力作用,缺乏對文化藝術(shù)長時期的支持。在港英統(tǒng)治時期,殖民文化占據(jù)了主體文化的位置,西方
[Abstract]:Reviewing the development of ink painting in Hong Kong in the past century, especially in the past 10 years, reflects the tenacious vitality of Hong Kong ink painting and verifies the possibility of transformation from traditional Chinese painting to modern and contemporary Chinese painting. Because of its geographical location and political environment, before the reunification with the motherland, Hong Kong and the British authorities had always adopted a laissez-faire attitude of not interfering with the arts and culture, and had also focused on the cultural policy of valuing the west and valuing the west. It only pays attention to the development of commerce and economy, neglects the soft power of culture and art in civilized society, and lacks the support to culture and art for a long time. During the reign of Hong Kong and Britain, colonial culture occupied the position of the main culture.
【作者單位】： 中國畫學(xué)會(香港);
【分類號】：J212
，
本文編號：2176779
[Abstract]:Reviewing the development of ink painting in Hong Kong in the past century, especially in the past 10 years, reflects the tenacious vitality of Hong Kong ink painting and verifies the possibility of transformation from traditional Chinese painting to modern and contemporary Chinese painting. Because of its geographical location and political environment, before the reunification with the motherland, Hong Kong and the British authorities had always adopted a laissez-faire attitude of not interfering with the arts and culture, and had also focused on the cultural policy of valuing the west and valuing the west. It only pays attention to the development of commerce and economy, neglects the soft power of culture and art in civilized society, and lacks the support to culture and art for a long time. During the reign of Hong Kong and Britain, colonial culture occupied the position of the main culture.
【作者單位】： 中國畫學(xué)會(香港);
【分類號】：J212
，
本文編號：2176779
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