中國女性繪畫中的“微場(chǎng)景”研究
發(fā)布時(shí)間：2018-08-12 09:52
【摘要】：女性藝術(shù)家們創(chuàng)造藝術(shù)時(shí)喜歡遵循內(nèi)心,看中個(gè)人體驗(yàn),常常避宏大敘事,隱藏男性世界,著重于藝術(shù)的感性特征,善于自我語言的虛構(gòu),注重自覺、官能的呈現(xiàn),與生俱來的細(xì)膩、敏感、天真都讓她們具備了作為藝術(shù)家的先天優(yōu)勢(shì)。對(duì)于一名社會(huì)女性來說,人格的獨(dú)立能使她們堅(jiān)強(qiáng)的處事,加深對(duì)自我的關(guān)注,女性藝術(shù)家們獨(dú)立的精神指向使她們?cè)趧?chuàng)作過程中創(chuàng)立一套獨(dú)特的女性表達(dá)與視角體驗(yàn),即對(duì)事物敏感的捕捉能力和對(duì)細(xì)節(jié)表現(xiàn)能力,也是一種有別于男性藝術(shù)家的表達(dá)方式,作品出現(xiàn)了畫面中以一個(gè)“微場(chǎng)景”來呈現(xiàn)的現(xiàn)象,在這里,“微”所指涉的是個(gè)人敘事和個(gè)性化視角,也指藝術(shù)語言的微妙,“場(chǎng)景”則是女性隱秘的內(nèi)心角落的外在物化。本文的“微場(chǎng)景”正是借用影視中“小場(chǎng)景”的概念,如同影視中作品的小景別的近景和特寫,“近取其神,近取其質(zhì)”,因?yàn)橐暯钦?取景近,從而有強(qiáng)化局部特征,放大精微的意味,并有隱秘性特點(diǎn)�！拔�(chǎng)景”有別于其他的表述經(jīng)驗(yàn),她以更個(gè)人化及私密化的視角,來觸動(dòng)女性身份中最本質(zhì)的東西�！拔�(chǎng)景”首先對(duì)生存環(huán)境的關(guān)注,然后是對(duì)微觀世界的關(guān)注,再有就是對(duì)女性自我感性思維的一種藝術(shù)化的表達(dá)。 本文以女性的自我為切入點(diǎn),通過中國當(dāng)代女性藝術(shù)家自然秉賦和個(gè)性視角去建構(gòu)她們作品中的“微場(chǎng)景”,這也是女性與男性在藝術(shù)上所感知的不同領(lǐng)域。文章內(nèi)容從三個(gè)部分,以逐步深入的方法不斷地推進(jìn)：一、從兩性不同的生理構(gòu)造帶來的異樣生命經(jīng)歷；導(dǎo)致兩性在同樣的生活過程中形成不同的關(guān)注點(diǎn)。從兩性再到人性和精神的探討。二、在以上前提下,女性藝術(shù)家在表達(dá)內(nèi)容上形成了自我、“微場(chǎng)景”的特點(diǎn)。以當(dāng)下有個(gè)人性和人文內(nèi)質(zhì)的女性藝術(shù)作品個(gè)案為例,多角度剖析他們的風(fēng)格特點(diǎn),比進(jìn)行分析比較,探尋女性特有的細(xì)膩和含蓄以及作品呈現(xiàn)的女性豐富的情感和精神。三、中國當(dāng)代女性藝術(shù)堅(jiān)定地守護(hù)著女性的身份與視角,但卻逐漸告別封閉傾向,而代之更深入女新精神世界自省、清醒探求和積極拓展,就中發(fā)掘女性自立于社會(huì)的深層奧秘,以及兩性之間互依互補(bǔ)的對(duì)話關(guān)系,從而開辟自身創(chuàng)作的新局面,敞開女性特有的靈魂詩性,以此來力證真正的女性的力量正是來自對(duì)女性自我的探究,從而拓展當(dāng)代藝術(shù)的多元化視角。
[Abstract]:When creating art, women artists like to follow their hearts, look at their personal experiences, often avoid grand narratives, hide the male world, focus on the perceptual characteristics of art, be good at making up their own language, and pay attention to the appearance of consciousness and functionalism. Their innate delicacy, sensitivity and innocence have given them the innate advantage of being an artist. For a social woman, the independence of personality can make them strong, deepen their concern for themselves, and the independent spirit of female artists enables them to create a unique set of female expression and perspective experience in the process of creation. That is, the ability to capture things sensitive to things and the ability to express details, is also a form of expression different from that of male artists, and the work appears as a "microscene" phenomenon in the picture, here, "Micro" refers to personal narration and individualized perspective, but also refers to the subtlety of artistic language. "scene" is the external materialization of the female's hidden inner corner. The concept of "small scene" in this paper is borrowed from the concept of "small scene" in the film and television, just like the other close-shot and close-up of the film and television works, "near to the god, near to the quality", because the angle of view is narrow, the scene is close, thus has the enhanced local characteristic. Magnify the meaning of subtle, and have the characteristic of secrecy. Unlike other expressions, microscenes touch the most essential aspects of female identity from a more personal and intimate perspective. "Micro-scene" first pays attention to the living environment, then to the microcosm, and then to a kind of artistic expression of the female's perceptual thinking. This article takes the female ego as the breakthrough point, constructs the "micro-scene" in their works through the Chinese contemporary female artist's natural gift and the individuality angle, which is also the different field which the female and the male perceive in the art. The content of this paper is carried out in three parts: first, the different life experiences brought about by the different physiological structures of the two sexes, which lead to different attention points in the same life process. From the two sexes to the discussion of human nature and spirit. Second, under the above premise, female artists form self-expression content, "micro-scene" characteristics. Taking the case of female art works with individual nature and humanistic essence as an example, this paper analyzes their style characteristics from various angles, and compares them with the analysis and comparison to explore the female's unique delicacy and implicature, as well as the rich emotion and spirit of the women presented in the works. Third, Chinese contemporary female art firmly guard the identity and perspective of women, but gradually bid farewell to the closed trend, and replace it with a deeper introspection of the new spiritual world of women, sober exploration and positive expansion. In order to explore the deep mystery of women's independence in society, as well as the dialogue between the two sexes, so as to open up a new situation of their own creation and open up the unique poetic spirit of women. In this way, we can prove that the real female power comes from the exploration of the female self, so as to expand the pluralistic perspective of contemporary art.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205
本文編號(hào)：2178694
[Abstract]:When creating art, women artists like to follow their hearts, look at their personal experiences, often avoid grand narratives, hide the male world, focus on the perceptual characteristics of art, be good at making up their own language, and pay attention to the appearance of consciousness and functionalism. Their innate delicacy, sensitivity and innocence have given them the innate advantage of being an artist. For a social woman, the independence of personality can make them strong, deepen their concern for themselves, and the independent spirit of female artists enables them to create a unique set of female expression and perspective experience in the process of creation. That is, the ability to capture things sensitive to things and the ability to express details, is also a form of expression different from that of male artists, and the work appears as a "microscene" phenomenon in the picture, here, "Micro" refers to personal narration and individualized perspective, but also refers to the subtlety of artistic language. "scene" is the external materialization of the female's hidden inner corner. The concept of "small scene" in this paper is borrowed from the concept of "small scene" in the film and television, just like the other close-shot and close-up of the film and television works, "near to the god, near to the quality", because the angle of view is narrow, the scene is close, thus has the enhanced local characteristic. Magnify the meaning of subtle, and have the characteristic of secrecy. Unlike other expressions, microscenes touch the most essential aspects of female identity from a more personal and intimate perspective. "Micro-scene" first pays attention to the living environment, then to the microcosm, and then to a kind of artistic expression of the female's perceptual thinking. This article takes the female ego as the breakthrough point, constructs the "micro-scene" in their works through the Chinese contemporary female artist's natural gift and the individuality angle, which is also the different field which the female and the male perceive in the art. The content of this paper is carried out in three parts: first, the different life experiences brought about by the different physiological structures of the two sexes, which lead to different attention points in the same life process. From the two sexes to the discussion of human nature and spirit. Second, under the above premise, female artists form self-expression content, "micro-scene" characteristics. Taking the case of female art works with individual nature and humanistic essence as an example, this paper analyzes their style characteristics from various angles, and compares them with the analysis and comparison to explore the female's unique delicacy and implicature, as well as the rich emotion and spirit of the women presented in the works. Third, Chinese contemporary female art firmly guard the identity and perspective of women, but gradually bid farewell to the closed trend, and replace it with a deeper introspection of the new spiritual world of women, sober exploration and positive expansion. In order to explore the deep mystery of women's independence in society, as well as the dialogue between the two sexes, so as to open up a new situation of their own creation and open up the unique poetic spirit of women. In this way, we can prove that the real female power comes from the exploration of the female self, so as to expand the pluralistic perspective of contemporary art.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205
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