說“山水畫臨
發(fā)布時間：2018-08-13 13:29
【摘要】：“臨摹”一詞并非現(xiàn)代人的獨創(chuàng)。在南齊謝赫的六法論中就已提出了“傳移模寫”，，并把它上升到學習中國繪畫的一“法”的高度，當然我們現(xiàn)在所說的臨摹并不能把“傳移模寫”的詞義全部涵蓋，但沒有疑問的是“臨摹”確是這一詞的重要組成部分。六法論最初提出是用來品評人物畫的，但后來的事實證明它適合于中國畫的各個畫科。 當前山水畫臨摹在藝術院校中的地位日趨尷尬，多數(shù)學生認為傳統(tǒng)山水畫的筆墨、圖示是舊的，不能滿足于現(xiàn)代人審美的多層次需求。筆者認為學院學習應從具有普遍規(guī)律的優(yōu)秀典范中學習研究，經典的意義在于樹立“標桿”。經典也并非是古人自封的，是后代人在總結的過程中認識到前代人有優(yōu)秀的、寶貴的經驗，是具有普遍意義的，臨摹經典的過程就是提升自我的過程。醉心于現(xiàn)代山水畫圖示的拼湊并不能從根本上解決創(chuàng)作所出現(xiàn)的問題，那么臨摹的意義便凸顯出來（筆者并非唯臨摹論，旨在說明這是學習過程中不可或缺的步驟）。
[Abstract]:The word "copy" is not the originality of modern people. In his six-method theory of the Southern Qi Dynasty, he has put forward the idea of "passing and shifting the mode of writing" and raised it to the height of a "law" of learning Chinese painting. Of course, the copying we are talking about now cannot fully cover the meaning of the word "passing and shifting the pattern to write." But there is no doubt that copying is an important part of the word. The six-method theory was originally put forward to evaluate figure painting, but it has been proved to be suitable for each painting subject of Chinese painting. At present, the position of landscape painting copying in art colleges is becoming more and more awkward. Most students think that traditional landscape painting strokes and ink are old and can not meet the multi-level needs of modern aesthetics. The author thinks that college learning should be studied from excellent models with universal laws, and the significance of classics lies in setting up "benchmarking". The classic is not self-styled by the ancients, it is the process of promoting oneself in the process of recognizing that the former generation has excellent and valuable experience and is of universal significance in the process of summing up. Infatuated with the patchwork of modern landscape paintings can not fundamentally solve the problem of creation, then the significance of copying will be highlighted (the author is not copy theory, aimed at explaining that this is an indispensable step in the learning process).
【學位授予單位】：河北師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J212
本文編號：2181138
[Abstract]:The word "copy" is not the originality of modern people. In his six-method theory of the Southern Qi Dynasty, he has put forward the idea of "passing and shifting the mode of writing" and raised it to the height of a "law" of learning Chinese painting. Of course, the copying we are talking about now cannot fully cover the meaning of the word "passing and shifting the pattern to write." But there is no doubt that copying is an important part of the word. The six-method theory was originally put forward to evaluate figure painting, but it has been proved to be suitable for each painting subject of Chinese painting. At present, the position of landscape painting copying in art colleges is becoming more and more awkward. Most students think that traditional landscape painting strokes and ink are old and can not meet the multi-level needs of modern aesthetics. The author thinks that college learning should be studied from excellent models with universal laws, and the significance of classics lies in setting up "benchmarking". The classic is not self-styled by the ancients, it is the process of promoting oneself in the process of recognizing that the former generation has excellent and valuable experience and is of universal significance in the process of summing up. Infatuated with the patchwork of modern landscape paintings can not fundamentally solve the problem of creation, then the significance of copying will be highlighted (the author is not copy theory, aimed at explaining that this is an indispensable step in the learning process).
【學位授予單位】：河北師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J212
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