中國(guó)影像繪畫(huà)創(chuàng)作方法研究
發(fā)布時(shí)間:2018-08-13 16:40
【摘要】:以李希特為代表的“影像派”藝術(shù)家使得影像和繪畫(huà)的交融成為一種新藝術(shù)的可能。20世紀(jì)90年代中期后,在影像與繪畫(huà)相交融的現(xiàn)代繪畫(huà)形式的創(chuàng)新上,中國(guó)當(dāng)代藝術(shù)家開(kāi)始將影像作為一種元素融入到他們的繪畫(huà)作品中來(lái),,用繪畫(huà)的方式表現(xiàn)影像的視覺(jué)效果,又同時(shí)保留藝術(shù)作品的繪畫(huà)性,在選取影像、利用影像、改造影像的方法創(chuàng)新過(guò)程中,藝術(shù)實(shí)踐的創(chuàng)新隨之而來(lái),許多藝術(shù)家通過(guò)影像繪畫(huà)取得了成功,也有許多藝術(shù)家正走在影像繪畫(huà)的探索之路上。這種藝術(shù)現(xiàn)象被舒陽(yáng)命名為“中國(guó)影像繪畫(huà)”。國(guó)內(nèi)影像繪畫(huà)藝術(shù)家的創(chuàng)作方法五彩繽紛,但詳細(xì)對(duì)影像繪畫(huà)藝術(shù)的創(chuàng)作方法進(jìn)行探討和梳理的文章稀少,這對(duì)于欲了解并參與到影像繪畫(huà)藝術(shù)中來(lái)的人形成了障礙,對(duì)于中國(guó)影像繪畫(huà)創(chuàng)作方法詳細(xì)的梳理與研究迫在眉睫。影像繪畫(huà)源于影像,但并非簡(jiǎn)單的復(fù)制影像,在這個(gè)復(fù)制品的再次復(fù)制過(guò)程中會(huì)完成對(duì)影像的不同改造。 本文旨在從影像的產(chǎn)生與發(fā)展入手闡述,涉及影像對(duì)于人類(lèi)生活的影響,從而引入影像對(duì)于當(dāng)代藝術(shù)的影響,接下來(lái)講述中國(guó)影像繪畫(huà)的現(xiàn)狀,從誕生、發(fā)展以及影像繪畫(huà)在當(dāng)今中國(guó)藝術(shù)中的定位與現(xiàn)狀,中國(guó)影像繪畫(huà)藝術(shù)家創(chuàng)作方法的歸類(lèi)與分析是本文的重點(diǎn),從照片入手到油畫(huà)畫(huà)布,選取什么樣的影像資料,如何制作虛擬影像,以及藝術(shù)家會(huì)在畫(huà)布上繪畫(huà)之前對(duì)影像資料圖片如何處理,會(huì)運(yùn)用哪些數(shù)碼影像軟件處理,如何將紛亂復(fù)雜的影像資料整合、融合、再造,為什么這樣整合、融合、再造,其想達(dá)到的藝術(shù)形式又是什么?本文從影像的繪畫(huà)前的改造與繪畫(huà)中的改造兩大類(lèi)展開(kāi)具體的分析、論述,回答這一系列的問(wèn)題,最后展開(kāi)對(duì)中國(guó)影像繪畫(huà)發(fā)展的思考。
[Abstract]:After the mid-1990s, in the innovation of modern forms of painting in which images and paintings blend, contemporary Chinese artists began to incorporate images into their paintings as an element, using paintings. In the process of selecting images, utilizing images and transforming images, the innovation of artistic practice follows. Many artists have achieved success through image painting, and many artists are on the way of exploring image painting. Xiang was named "Chinese Image Painting" by Shuyang. The creative methods of domestic image painting artists are colorful, but there are few articles to discuss and sort out the creative methods of image painting in detail. This is a barrier for those who want to understand and participate in the art of image painting, and for those who want to know more about the creative methods of Chinese image painting in detail. It is imminent to comb and study carefully. Image painting originates from images, but it is not a simple reproduction of images. In the reproduction process, different transformation of images will be completed.
The purpose of this article is to elaborate from the emergence and development of images, involving the impact of images on human life, thus introducing the impact of images on contemporary art, followed by the status quo of Chinese image painting, from the birth, development and image painting in contemporary Chinese art in the positioning and status quo, Chinese image painting artists creative methods Classification and analysis are the key points of this paper. From photographs to canvas, what kind of image data are selected, how to make virtual images, how to deal with the image data and pictures before the artist paints on the canvas, what kind of digital image software will be used to process, how to integrate, integrate and reconstruct the confused and complicated image data, Why is this integration, fusion, reconstruction, what is the artistic form it wants to achieve? This article from the image of the pre-painting transformation and painting in the transformation of the two major categories to launch a specific analysis, discussion, answer this series of questions, and finally to start thinking about the development of Chinese image painting.
【學(xué)位授予單位】:云南藝術(shù)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類(lèi)號(hào)】:J213
本文編號(hào):2181572
[Abstract]:After the mid-1990s, in the innovation of modern forms of painting in which images and paintings blend, contemporary Chinese artists began to incorporate images into their paintings as an element, using paintings. In the process of selecting images, utilizing images and transforming images, the innovation of artistic practice follows. Many artists have achieved success through image painting, and many artists are on the way of exploring image painting. Xiang was named "Chinese Image Painting" by Shuyang. The creative methods of domestic image painting artists are colorful, but there are few articles to discuss and sort out the creative methods of image painting in detail. This is a barrier for those who want to understand and participate in the art of image painting, and for those who want to know more about the creative methods of Chinese image painting in detail. It is imminent to comb and study carefully. Image painting originates from images, but it is not a simple reproduction of images. In the reproduction process, different transformation of images will be completed.
The purpose of this article is to elaborate from the emergence and development of images, involving the impact of images on human life, thus introducing the impact of images on contemporary art, followed by the status quo of Chinese image painting, from the birth, development and image painting in contemporary Chinese art in the positioning and status quo, Chinese image painting artists creative methods Classification and analysis are the key points of this paper. From photographs to canvas, what kind of image data are selected, how to make virtual images, how to deal with the image data and pictures before the artist paints on the canvas, what kind of digital image software will be used to process, how to integrate, integrate and reconstruct the confused and complicated image data, Why is this integration, fusion, reconstruction, what is the artistic form it wants to achieve? This article from the image of the pre-painting transformation and painting in the transformation of the two major categories to launch a specific analysis, discussion, answer this series of questions, and finally to start thinking about the development of Chinese image painting.
【學(xué)位授予單位】:云南藝術(shù)學(xué)院
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類(lèi)號(hào)】:J213
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