中西人物肖像畫寫實性的變遷之比較研究
發(fā)布時間：2018-08-13 21:31
【摘要】：肖像畫要求真實地描繪出一個人的相貌與特征，使描繪對象具有較強的辨識度。在肖像畫的創(chuàng)作過程中更是向創(chuàng)作者提出了對形與神準(zhǔn)確把握的雙重要求。中西文化的差異決定了中西繪畫結(jié)構(gòu)語言的不同特質(zhì)，在肖像畫發(fā)展的道路上，二者的繪畫風(fēng)格迥異卻各具特色。隨著中西藝術(shù)交流的不斷深入，雙方在繪畫藝術(shù)領(lǐng)域的思想頻繁交流、相互碰撞，在此過程中兩者在尋求創(chuàng)新變革的探索之路上，對彼此的藝術(shù)都有過或多或少的借鑒，力求通過對異域藝術(shù)的觀念或樣式的借鑒激發(fā)出自身的創(chuàng)作靈感，走出了各自在肖像畫寫實性變遷的特色之路。 本文旨在通過對中西雙方肖像畫藝術(shù)的比較研究，重溫其發(fā)展變化的歷程，并在比較的過程中歸納出中西肖像畫寫實性變遷的規(guī)律和特點，從而為當(dāng)代人物肖像畫藝術(shù)創(chuàng)作更好地適應(yīng)時代變化和發(fā)展以及探尋全新的肖像畫藝術(shù)呈現(xiàn)方式提供一定的借鑒和參考價值。文章首先分別介紹了中西肖像畫產(chǎn)生的歷史淵源；其次敘述了歷史上較為重要時期中西肖像畫各自的發(fā)展情況；接著筆者按照中西肖像畫的萌生期、發(fā)展時期、鼎盛時期以及轉(zhuǎn)型時期為時間線索，分別挑選了中西肖像畫歷史中具有一定代表性的可比性藝術(shù)作品，進行了細(xì)致的比較分析從而歸納總結(jié)出在肖像畫寫實性發(fā)生變化的過程中，中西雙方藝術(shù)的審美趣味、造型特點和色彩偏好；在文章的最后筆者提出了當(dāng)代寫實性肖像畫存在的藝術(shù)價值。 在藝術(shù)發(fā)展的現(xiàn)實道路上，想要實現(xiàn)蛻變必然會是漫長的過程，如何讓肖像畫的寫實特質(zhì)在新時代的背景下完成全新的嬗變，這是繪畫學(xué)習(xí)者們一直要思索的問題。比較會讓我們發(fā)現(xiàn)異同，也會讓我們找到全新的切入點，在通過“他人”找到“自我”的路途中，，我們更應(yīng)該發(fā)揮出中國繪畫傳統(tǒng)的優(yōu)勢和特長，讓變革更新在保持傳統(tǒng)的基礎(chǔ)上變得更加有意義。
[Abstract]:Portrait painting requires a true description of a person's appearance and characteristics, so that the object of description has a strong degree of recognition. In the process of the creation of portrait painting, the author has put forward the double requirement of accurate grasp of form and spirit. The differences between Chinese and Western cultures determine the different characteristics of the structural languages of Chinese and Western paintings. On the way of the development of portrait painting, their painting styles are quite different but have their own characteristics. With the deepening of Chinese and Western art exchanges, the ideas of both sides in the field of painting art frequently exchange and collide with each other. In this process, both of them have more or less learned from each other's art on the way of seeking innovation and change. The author tries to inspire his own creative inspiration by drawing lessons from the concept or style of exotic art and walks out the characteristic road of their realistic changes in portrait painting. The purpose of this paper is to review the course of development and change of Chinese and Western portrait art through the comparative study of Chinese and Western portrait art, and to sum up the law and characteristics of realistic change of Chinese and Western portrait painting in the process of comparison. Thus, it provides some reference and reference value for contemporary characters' portrait art creation to adapt to the changes and development of the times and to explore new ways of presenting portrait painting art. The article first introduces the historical origin of Chinese and Western portraits; secondly, describes the development of Chinese and Western portraits in the more important period of history; and then, according to the initiation period and development period of Chinese and Western portraits, The peak period and the transition period are the time clues to select the Chinese and Western portrait paintings in the history of a certain representative comparable works of art, Through careful comparison and analysis, the author summarizes the aesthetic taste, styling characteristics and color preference of Chinese and Western art in the process of the change of realistic nature of portrait painting. At the end of the article, the author puts forward the artistic value of contemporary realistic portraits. In the realistic road of art development, it will be a long process to realize the transformation. How to make the realistic character of portrait complete the new evolution under the background of the new era, this is the question that the painting learners have to think about all the time. Comparison will allow us to find similarities and differences, but also let us find a new entry point. In the way of finding "self" through "others", we should give full play to the advantages and advantages of Chinese painting tradition. Making change updates more meaningful on the basis of maintaining tradition.
【學(xué)位授予單位】：西安建筑科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J205
本文編號：2182243
[Abstract]:Portrait painting requires a true description of a person's appearance and characteristics, so that the object of description has a strong degree of recognition. In the process of the creation of portrait painting, the author has put forward the double requirement of accurate grasp of form and spirit. The differences between Chinese and Western cultures determine the different characteristics of the structural languages of Chinese and Western paintings. On the way of the development of portrait painting, their painting styles are quite different but have their own characteristics. With the deepening of Chinese and Western art exchanges, the ideas of both sides in the field of painting art frequently exchange and collide with each other. In this process, both of them have more or less learned from each other's art on the way of seeking innovation and change. The author tries to inspire his own creative inspiration by drawing lessons from the concept or style of exotic art and walks out the characteristic road of their realistic changes in portrait painting. The purpose of this paper is to review the course of development and change of Chinese and Western portrait art through the comparative study of Chinese and Western portrait art, and to sum up the law and characteristics of realistic change of Chinese and Western portrait painting in the process of comparison. Thus, it provides some reference and reference value for contemporary characters' portrait art creation to adapt to the changes and development of the times and to explore new ways of presenting portrait painting art. The article first introduces the historical origin of Chinese and Western portraits; secondly, describes the development of Chinese and Western portraits in the more important period of history; and then, according to the initiation period and development period of Chinese and Western portraits, The peak period and the transition period are the time clues to select the Chinese and Western portrait paintings in the history of a certain representative comparable works of art, Through careful comparison and analysis, the author summarizes the aesthetic taste, styling characteristics and color preference of Chinese and Western art in the process of the change of realistic nature of portrait painting. At the end of the article, the author puts forward the artistic value of contemporary realistic portraits. In the realistic road of art development, it will be a long process to realize the transformation. How to make the realistic character of portrait complete the new evolution under the background of the new era, this is the question that the painting learners have to think about all the time. Comparison will allow us to find similarities and differences, but also let us find a new entry point. In the way of finding "self" through "others", we should give full play to the advantages and advantages of Chinese painting tradition. Making change updates more meaningful on the basis of maintaining tradition.
【學(xué)位授予單位】：西安建筑科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J205
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