絳州木版年畫調(diào)查與研究
發(fā)布時(shí)間：2018-08-14 09:38
【摘要】：絳州，地處山西省西南部，運(yùn)城市（古河?xùn)|）北端，汾河與黃河匯合處。清雍正二年（1724）升絳州為直隸州。民國元年（1912）改為新絳縣。 絳州木版年畫有其顯著特點(diǎn)：一是歷史悠久，發(fā)展脈絡(luò)清晰。二是絳州木版年畫內(nèi)容豐富，種類繁多。三是絳州木版年畫印刷手法多樣。有單色印者、套色印者、半印半繪者，各類制作手法一應(yīng)俱全，涵蓋了各種木版年畫的藝術(shù)表現(xiàn)形式。四是絳州木版年畫刻工精細(xì)，構(gòu)圖精巧，雕刻細(xì)膩，長于工筆，具有極高的雕版研究價(jià)值。 年畫和戲曲有著同樣廣大的群眾基礎(chǔ)。從它們產(chǎn)生到盛行，，雖各循其自己的道路發(fā)展著。但它們植根于群眾的本質(zhì)，就決定了這兩種藝術(shù)勢必要碰撞在一起。并且迸射出新的藝術(shù)之光。從許多年畫作品中即可了解到各歷史時(shí)期人民生活情況，又可窺見繪畫藝術(shù)的現(xiàn)實(shí)主義傳統(tǒng)在民間繪畫中的發(fā)展。在千百年來歷史發(fā)展的長河中，絳州木版年畫是先輩們?yōu)榻袢肆粝轮T多的歷史文化遺產(chǎn)中的一朵艷麗的奇葩。它是過去勞動(dòng)人民生產(chǎn)、生活的一種形式。其中的戲曲年畫，更是對我們研究當(dāng)?shù)貞蚯兄匾淖饔谩?雖然人們對年畫和戲曲都不陌生，但它們都有著濃厚的地域性特征。因此，對每個(gè)產(chǎn)地的搶救和保護(hù)就顯得尤為重要。本文對絳州木版年畫的歷史演變、生產(chǎn)工藝和藝術(shù)特征等方面的已有的資料做了歸納與整理。為了補(bǔ)充和豐富了現(xiàn)有的戲曲年畫資料，通過多方面努力，還搜集到一些戲曲年畫的畫版和畫。為了深入了解年畫的制作工藝，本人親自到新絳縣，向當(dāng)?shù)氐哪戤嬎嚾苏埥�、學(xué)習(xí)。 戲曲和年畫在發(fā)展的過程中彼此相互促進(jìn)，戲曲豐富了年畫的題材內(nèi)容，而年畫記錄和傳播了戲曲。年畫是了解戲曲的一條很好的途徑，但是，年畫也僅僅是了解戲曲的一條途徑。透過年畫遠(yuǎn)遠(yuǎn)不能窺探其全部。不可片面夸大年畫對于戲曲研究價(jià)值。另外，通過年畫來研究戲曲，也不能僅僅只盯著戲曲題材的年畫，而應(yīng)當(dāng)對某地、某一體系的年畫有一個(gè)全面的認(rèn)識(shí)和了解，結(jié)合當(dāng)?shù)赜凭玫牡鼐壩幕C合起來加以研究，方能取得良好效果�？傊瑢{州木板年畫這一文化遺產(chǎn)繼承、保護(hù)和傳播，在多方面有著積極的意義。
[Abstract]:Jiangzhou, located in the southwest of Shanxi Province, Yuncheng (ancient river east) north end, Fenhe and Yellow River confluence. Qing Yongzheng two years (1724) for the Jiangzhou Zhili state. The first year of the Republic of China (1912) changed to the new Jiangxian County. Jiangzhou woodblock New year painting has its remarkable characteristics: first, a long history, clear development context. Second, Jiangzhou woodcut New year pictures rich in content, a variety of. Third, Jiangzhou woodblock New year painting printing techniques are diverse. There are monochrome printing, color printing, half printing, all kinds of production techniques, covering all kinds of woodwork New year art expression. Fourth, Jiangzhou woodplate New year painting fine engraving, delicate composition, exquisite carving, long for fine brushwork, with very high research value of engraving. New year's pictures and operas have the same broad mass base. From their birth to their prevalence, though each following its own path of development. But they rooted in the nature of the masses, decided that the two arts are bound to collide together. And a new light of art. People's life in various historical periods can be seen from many New year's paintings, and the development of realistic tradition of painting art in folk painting can also be seen. In the long history of thousands of years, Jiangzhou wooden New year painting is a beautiful flower among the many historical and cultural heritages left by the forefathers. It is a form of production and life for the working people in the past. Among them, the Chinese New year Opera, but also for us to study the local opera has an important role. Although people are familiar with New year paintings and operas, they all have strong regional characteristics. Therefore, the rescue and protection of each area is particularly important. In this paper, the historical evolution, production technology and artistic characteristics of Jiangzhou woodcut New year Pictures are summarized and sorted out. In order to supplement and enrich the existing Chinese New year Opera, through various efforts, also collected some Chinese New year opera paintings and paintings. In order to understand the production process of New year's Pictures, I personally went to Jiangxian County to consult and learn from local New year artists. Opera and New year Pictures promote each other in the process of development. Opera enriches the subject matter of New year Pictures, and New year Pictures record and spread opera. New year painting is a good way to understand opera, but it is only a way to understand opera. Through New year's pictures, it is far from being able to peek into its whole. We should not exaggerate the research value of New year painting on opera. In addition, to study traditional Chinese opera through New year's Pictures, we should not only focus on New year's Pictures on the theme of opera, but also have a comprehensive understanding and understanding of the New year paintings in a certain place and a certain system, and combine them with the long history of the local geo-culture to study them. In order to achieve good results. In a word, the inheritance, protection and dissemination of Jiangzhou plank New year painting have positive significance in many aspects.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J218.3
[Abstract]:Jiangzhou, located in the southwest of Shanxi Province, Yuncheng (ancient river east) north end, Fenhe and Yellow River confluence. Qing Yongzheng two years (1724) for the Jiangzhou Zhili state. The first year of the Republic of China (1912) changed to the new Jiangxian County. Jiangzhou woodblock New year painting has its remarkable characteristics: first, a long history, clear development context. Second, Jiangzhou woodcut New year pictures rich in content, a variety of. Third, Jiangzhou woodblock New year painting printing techniques are diverse. There are monochrome printing, color printing, half printing, all kinds of production techniques, covering all kinds of woodwork New year art expression. Fourth, Jiangzhou woodplate New year painting fine engraving, delicate composition, exquisite carving, long for fine brushwork, with very high research value of engraving. New year's pictures and operas have the same broad mass base. From their birth to their prevalence, though each following its own path of development. But they rooted in the nature of the masses, decided that the two arts are bound to collide together. And a new light of art. People's life in various historical periods can be seen from many New year's paintings, and the development of realistic tradition of painting art in folk painting can also be seen. In the long history of thousands of years, Jiangzhou wooden New year painting is a beautiful flower among the many historical and cultural heritages left by the forefathers. It is a form of production and life for the working people in the past. Among them, the Chinese New year Opera, but also for us to study the local opera has an important role. Although people are familiar with New year paintings and operas, they all have strong regional characteristics. Therefore, the rescue and protection of each area is particularly important. In this paper, the historical evolution, production technology and artistic characteristics of Jiangzhou woodcut New year Pictures are summarized and sorted out. In order to supplement and enrich the existing Chinese New year Opera, through various efforts, also collected some Chinese New year opera paintings and paintings. In order to understand the production process of New year's Pictures, I personally went to Jiangxian County to consult and learn from local New year artists. Opera and New year Pictures promote each other in the process of development. Opera enriches the subject matter of New year Pictures, and New year Pictures record and spread opera. New year painting is a good way to understand opera, but it is only a way to understand opera. Through New year's pictures, it is far from being able to peek into its whole. We should not exaggerate the research value of New year painting on opera. In addition, to study traditional Chinese opera through New year's Pictures, we should not only focus on New year's Pictures on the theme of opera, but also have a comprehensive understanding and understanding of the New year paintings in a certain place and a certain system, and combine them with the long history of the local geo-culture to study them. In order to achieve good results. In a word, the inheritance, protection and dissemination of Jiangzhou plank New year painting have positive significance in many aspects.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J218.3
【相似文獻(xiàn)】
相關(guān)期刊論文 前10條
1 王j9村;木版年畫中的“三
本文編號(hào)：2182456
本文鏈接：http://www.wukwdryxk.cn/wenyilunwen/huihuayishu/2182456.html
