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作品《沙漠中的馬》創(chuàng)作解析

發(fā)布時(shí)間:2018-08-14 10:51
【摘要】:本論文結(jié)合自己的創(chuàng)作實(shí)踐從題材和表現(xiàn)形式兩個(gè)方面來闡述了《沙漠中的馬》的具體創(chuàng)作過程和感悟,特別是從繪畫的表現(xiàn)形式如構(gòu)圖、造型、色彩等幾個(gè)方面入手,結(jié)合自己的油畫創(chuàng)作進(jìn)行了深入的研究,以此來達(dá)到理論研究與創(chuàng)作實(shí)踐的和諧和統(tǒng)一。對沙漠風(fēng)景的喜愛,以此來展現(xiàn)個(gè)人的審美,寄托情感和表達(dá)思想,把這幅畫作為油畫創(chuàng)作的一個(gè)專題來研究,這是油畫創(chuàng)作表現(xiàn)領(lǐng)域中的拓展,即題材內(nèi)容出新,創(chuàng)造和豐富形式語言,同時(shí)強(qiáng)調(diào)油畫語言不依附于內(nèi)容而獨(dú)立存在的意義和審美價(jià)值。沙漠中的馬這幅創(chuàng)作通過對沙漠中物像的選擇、組合和重構(gòu),來表現(xiàn)沙漠風(fēng)景的獨(dú)特美感,在對沙漠風(fēng)景寄予人們美好而理想的表達(dá)之后,希望在沙漠風(fēng)景的表現(xiàn)背后能夠暗示出自我的發(fā)現(xiàn),從而使得沙漠風(fēng)景油畫創(chuàng)作超越一般意義上的風(fēng)景畫表現(xiàn)的層面。從透視與構(gòu)圖、筆觸與造型、色彩個(gè)性化與民族化、意境與情感等幾個(gè)方面作了認(rèn)真系統(tǒng)的闡述,讓我能夠?qū)Ξ?dāng)代的風(fēng)景油畫在技法和思想觀念上有一個(gè)詳盡系統(tǒng)的了解,以此提高我們對當(dāng)代的風(fēng)景油畫的認(rèn)識(shí),并得到某些創(chuàng)作方面的啟示,同時(shí)對一些容易出現(xiàn)的問題認(rèn)真思考和研究,總結(jié)出油畫創(chuàng)作的一條總體思路,為今后的風(fēng)景油畫創(chuàng)作提供更好的、完整的、系統(tǒng)的理論知識(shí)。
[Abstract]:Combining with my own creative practice, this paper expounds the specific creative process and perception of "horse in the desert" from two aspects of subject matter and form of expression, especially from the aspects of painting forms such as composition, shape, color and so on, and combines with my own oil painting creation to carry out in-depth research in order to achieve theoretical research and creation. The harmony and unity of practice. The love of desert scenery to show personal aesthetic, emotional and ideological expression, this painting as a special topic of oil painting creation to study, this is the expansion of the field of oil painting creation performance, that is, the theme of new content, create and enrich the formal language, while emphasizing that the language of oil painting does not depend on the content. The horse in the desert expresses the unique beauty of the desert scenery by choosing, combining and reconstructing the images in the desert. After the beautiful and ideal expression of the desert scenery, the horse in the desert hopes that the self-discovery can be hinted behind the performance of the desert scenery so as to make the sand. The creation of desert landscape oil painting surpasses the expression level of landscape painting in general sense.It makes a serious and systematic exposition from perspectives and compositions,strokes and modelling,color individuation and nationalization,artistic conception and emotion,so that I can have a thorough and systematic understanding of contemporary landscape oil painting in terms of technique and ideology,so as to improve it. We understand the contemporary landscape oil painting and get some inspiration from it. At the same time, we ponder and study some problems which are easy to appear. We summarize a general idea of oil painting creation, and provide a better, complete and systematic theoretical knowledge for future landscape oil painting creation.
【學(xué)位授予單位】:遼寧師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J213

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 羅曉飛;;繪畫·科學(xué)·藝術(shù)——淺析新印象主義畫家修拉油畫技法[J];社會(huì)科學(xué)論壇;2006年07期

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本文編號(hào):2182621

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