謝赫《六法》的現(xiàn)實意義
發(fā)布時間：2018-08-16 16:47
【摘要】：中國傳統(tǒng)繪畫理論，是中國傳統(tǒng)繪畫藝術(shù)的重要組成部份，它對于我們學習、研究和創(chuàng)作繪畫作品具有十分重要的意義。謝赫“六法”是中國傳統(tǒng)畫論的精華，從它誕生之日起，就對中國畫產(chǎn)生了重大影響，歷代的藝術(shù)家都對它進行過深入地研究、學習，并在此基礎(chǔ)上進行進一步的闡釋，豐富了它的內(nèi)容。 就“六法”的發(fā)展歷程來看，在歷史上，它對中國畫的發(fā)展產(chǎn)生過巨大的推動作用，中國出現(xiàn)了無數(shù)大師和曠世杰作。到了“五四”時期，對于中國畫優(yōu)劣的判斷標準，出現(xiàn)了重大失誤，到后來文化大革命毀滅性地顛覆，再到改革開放初期西方文藝思潮的沖擊，整個中國古典文化藝術(shù)失去了重心，人們正常的思維嚴重紊亂，審美價值的判斷幾乎完全失去了標準。二十世紀末，人們開始對傳統(tǒng)文化藝術(shù)進行反思。 二十一新世紀初始，國家的方針、政策開始加大重視傳統(tǒng)文化藝術(shù)。總體上看，宣傳的力度還遠遠不夠，從全國各高等藝術(shù)院校以及各文藝團體、機構(gòu)的藝術(shù)實踐上看，，保障復(fù)興傳統(tǒng)的條件還遠不能盡如人意，尤其是藝術(shù)院校中國畫的教育模式，還遠未突破舊的藩籬。本文以此為基點，提出了復(fù)興中國繪畫的幾點想法。
[Abstract]:Chinese traditional painting theory is an important part of Chinese traditional painting art. It is of great significance for us to study, study and create painting works. Sheikha's "six methods" are the essence of Chinese traditional painting theory. From the day they were born, they have had a great influence on Chinese painting. Artists of all dynasties have deeply studied and studied it, and on this basis have further explained it. It enriches its content. As far as the development of "six methods" is concerned, it has played a great role in promoting the development of Chinese painting in history, and there have been numerous masters and masterpieces in China. During the "May 4th Movement" period, there were major mistakes in judging the merits and demerits of Chinese painting. Later, the Cultural Revolution turned upside down, and then at the beginning of reform and opening up, the impact of western literary and artistic trends of thought came to an end. The whole Chinese classical culture and art has lost its center of gravity, people's normal thinking is seriously disordered, and the judgment of aesthetic value has almost completely lost the standard. At the end of the twentieth century, people began to reflect on traditional culture and art. At the beginning of the new century in 21, the state began to pay more attention to traditional culture and art. On the whole, the intensity of propaganda is far from enough. Judging from the artistic practice of various art colleges and universities and various literary and artistic organizations, the conditions for ensuring the revival of tradition are far from satisfactory. In particular, the educational model of Chinese painting in art colleges is far from breaking through the old barriers. Based on this, this paper puts forward some ideas of reviving Chinese painting.
【學位授予單位】：吉林大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J212
本文編號：2186583
[Abstract]:Chinese traditional painting theory is an important part of Chinese traditional painting art. It is of great significance for us to study, study and create painting works. Sheikha's "six methods" are the essence of Chinese traditional painting theory. From the day they were born, they have had a great influence on Chinese painting. Artists of all dynasties have deeply studied and studied it, and on this basis have further explained it. It enriches its content. As far as the development of "six methods" is concerned, it has played a great role in promoting the development of Chinese painting in history, and there have been numerous masters and masterpieces in China. During the "May 4th Movement" period, there were major mistakes in judging the merits and demerits of Chinese painting. Later, the Cultural Revolution turned upside down, and then at the beginning of reform and opening up, the impact of western literary and artistic trends of thought came to an end. The whole Chinese classical culture and art has lost its center of gravity, people's normal thinking is seriously disordered, and the judgment of aesthetic value has almost completely lost the standard. At the end of the twentieth century, people began to reflect on traditional culture and art. At the beginning of the new century in 21, the state began to pay more attention to traditional culture and art. On the whole, the intensity of propaganda is far from enough. Judging from the artistic practice of various art colleges and universities and various literary and artistic organizations, the conditions for ensuring the revival of tradition are far from satisfactory. In particular, the educational model of Chinese painting in art colleges is far from breaking through the old barriers. Based on this, this paper puts forward some ideas of reviving Chinese painting.
【學位授予單位】：吉林大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J212
【參考文獻】
相關(guān)期刊論文 前1條
1 聶華君;;談?wù)劽佬g(shù)作品的“意境”表現(xiàn)[J];美術(shù)大觀;2009年09期
本文編號：2186583
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