論心性之于繪畫創(chuàng)作風(fēng)格的影響
發(fā)布時(shí)間：2018-08-16 18:50
【摘要】：本文主要運(yùn)用文獻(xiàn)法，通過查閱大量相關(guān)領(lǐng)域資料，列舉出各個(gè)時(shí)期東西方有關(guān)心性領(lǐng)域研究的代表人物，并對(duì)其研究結(jié)果進(jìn)行歸納總結(jié)，從而可以從多個(gè)角度對(duì)心性這一概念進(jìn)行全面深入的解讀。同時(shí)，通過對(duì)若干東西方著名畫家的人物生平事跡與其生活環(huán)境的全面把握，有針對(duì)性地總結(jié)出各個(gè)畫家繪畫創(chuàng)作風(fēng)格各個(gè)階段的心路發(fā)展歷程，進(jìn)而科學(xué)地與心性這一概念相關(guān)聯(lián)，得出畫家的繪畫創(chuàng)作風(fēng)格的變化與自身心性的發(fā)展與修養(yǎng)密不可分。 本文主要內(nèi)容共分成四部分：第一部分介紹了心性的基本概念；第二部分由繪畫藝術(shù)創(chuàng)作者心性的形成引出心性之于繪畫創(chuàng)作者的影響以及轉(zhuǎn)變；第三部分列舉了國(guó)內(nèi)外畫家的心性與繪畫風(fēng)格之間的關(guān)系，包括梵高與蒙克的繪畫風(fēng)格與心性、董其昌南北宗論中的心性與創(chuàng)作風(fēng)格的影響，各時(shí)期山水畫中禪宗心性的影響；而文章的第四部分則提出了新的命題，邊修養(yǎng)心性邊創(chuàng)作。 通過界定相關(guān)概念對(duì)心性進(jìn)行全面科學(xué)的定義，將畫家繪畫創(chuàng)作風(fēng)格的變化與之相結(jié)合，進(jìn)行深入研究分析，得出以下結(jié)論： 首先，心性對(duì)于畫家繪畫創(chuàng)作風(fēng)格的影響貫穿其整個(gè)人生歷程，二者密不可分，因此，心性的提煉與修養(yǎng)對(duì)于畫家創(chuàng)作風(fēng)格的變化方向至關(guān)重要，畫家繪畫創(chuàng)作風(fēng)格變化的積極有序，離不開對(duì)心性的不斷修養(yǎng)。 其次，本文通過對(duì)若干東西方畫家各個(gè)時(shí)期生活狀態(tài)的描述，并將其相關(guān)時(shí)期的繪畫作品進(jìn)行解讀，可以得出畫家自身的心性很容易受到外界環(huán)境與客觀事物的影響，如果自身不能做到及時(shí)進(jìn)行心性的修養(yǎng)提煉，就會(huì)對(duì)繪畫創(chuàng)作的風(fēng)格變化產(chǎn)生負(fù)面效果。 最后，，本文通過歸納總結(jié)針對(duì)心性的科學(xué)的修養(yǎng)方法與途徑，結(jié)合畫家的藝術(shù)才能訓(xùn)練的相關(guān)內(nèi)容，從畫家的世界觀、知識(shí)積累、情感的體驗(yàn)三個(gè)方面進(jìn)行分析，結(jié)合畫家自身的生活狀態(tài)特征，得出了新的結(jié)論，即畫家在繪畫創(chuàng)作的同時(shí)，進(jìn)行心性的修養(yǎng)，這樣可以有效的將理論與實(shí)踐相結(jié)合，在創(chuàng)作中不斷提高自身的審美追求，是畫家較為理想的一種繪畫創(chuàng)作狀態(tài)，同時(shí)也使創(chuàng)作風(fēng)格潛移默化中更加的積極有序。
[Abstract]:This article mainly uses the literature method, through consulting a large number of related domain data, enumerates the representative personages of the research on the field of mind of the East and the West in each period, and sums up its research results. Therefore, the concept of mental nature can be comprehensively and thoroughly interpreted from many angles. At the same time, through a comprehensive grasp of the life deeds and living environment of some famous painters from the East and the West, this paper sums up the development process of the painters' creative styles in various stages. Then it is scientifically related to the concept of mind. It is concluded that the change of painter's style of painting creation is closely related to the development and accomplishment of his own mind. The main content of this paper is divided into four parts: the first part introduces the basic concept of mindedness, the second part introduces the influence and transformation of mindedness to the creators of painting from the formation of the mind-nature of the artistic creators of painting. The third part lists the relationship between the heart and painting style of the painters at home and abroad, including Van Gogh and Monk's painting style and mind, the influence of Dong Qichang's North and South Buddhism theory and the influence of creation style, and the influence of Zen style in each period of landscape painting. The fourth part of the article put forward a new proposition, while cultivating the mind while creating. Through defining the related concepts to the comprehensive and scientific definition of mind, combining the changes of the painter's painting creation style with it, the following conclusions can be drawn: first of all, The influence of mind on painter's painting creation style runs through his whole life course, and the two are inseparable. Therefore, the refinement and accomplishment of mind is very important to the changing direction of painter's creative style, and the change of painter's painting creation style is positive and orderly. Can not do without the constant cultivation of mental nature. Secondly, through the description of the life state of some painters in the East and West, and the interpretation of the painting works of the relevant period, it can be concluded that the artist's own mind is easily influenced by the external environment and the objective things. If oneself can not carry on the mental self-cultivation in time, it will produce the negative effect to the style change of the painting creation. Finally, this paper summarizes the scientific cultivation methods and approaches to mental nature, combined with the relevant contents of artist's artistic talent training, and analyzes from three aspects: the painter's world view, knowledge accumulation, and emotional experience. Combined with the characteristics of the painter's own living state, the author draws a new conclusion, that is, the painter can cultivate his mind while creating the painting, which can effectively combine the theory with the practice, and improve his aesthetic pursuit constantly in the process of creation. It is an ideal state for painters to create paintings, and it also makes creative style more active and orderly.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205
本文編號(hào)：2186861
[Abstract]:This article mainly uses the literature method, through consulting a large number of related domain data, enumerates the representative personages of the research on the field of mind of the East and the West in each period, and sums up its research results. Therefore, the concept of mental nature can be comprehensively and thoroughly interpreted from many angles. At the same time, through a comprehensive grasp of the life deeds and living environment of some famous painters from the East and the West, this paper sums up the development process of the painters' creative styles in various stages. Then it is scientifically related to the concept of mind. It is concluded that the change of painter's style of painting creation is closely related to the development and accomplishment of his own mind. The main content of this paper is divided into four parts: the first part introduces the basic concept of mindedness, the second part introduces the influence and transformation of mindedness to the creators of painting from the formation of the mind-nature of the artistic creators of painting. The third part lists the relationship between the heart and painting style of the painters at home and abroad, including Van Gogh and Monk's painting style and mind, the influence of Dong Qichang's North and South Buddhism theory and the influence of creation style, and the influence of Zen style in each period of landscape painting. The fourth part of the article put forward a new proposition, while cultivating the mind while creating. Through defining the related concepts to the comprehensive and scientific definition of mind, combining the changes of the painter's painting creation style with it, the following conclusions can be drawn: first of all, The influence of mind on painter's painting creation style runs through his whole life course, and the two are inseparable. Therefore, the refinement and accomplishment of mind is very important to the changing direction of painter's creative style, and the change of painter's painting creation style is positive and orderly. Can not do without the constant cultivation of mental nature. Secondly, through the description of the life state of some painters in the East and West, and the interpretation of the painting works of the relevant period, it can be concluded that the artist's own mind is easily influenced by the external environment and the objective things. If oneself can not carry on the mental self-cultivation in time, it will produce the negative effect to the style change of the painting creation. Finally, this paper summarizes the scientific cultivation methods and approaches to mental nature, combined with the relevant contents of artist's artistic talent training, and analyzes from three aspects: the painter's world view, knowledge accumulation, and emotional experience. Combined with the characteristics of the painter's own living state, the author draws a new conclusion, that is, the painter can cultivate his mind while creating the painting, which can effectively combine the theory with the practice, and improve his aesthetic pursuit constantly in the process of creation. It is an ideal state for painters to create paintings, and it also makes creative style more active and orderly.
【學(xué)位授予單位】：河南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J205
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