發(fā)布時(shí)間：2018-04-30 20:35

  本文選題：烏珠穆沁 + 宴會歌曲��； 參考：《內(nèi)蒙古大學(xué)》2013年博士論文

【摘要】：內(nèi)容摘要本文在烏珠穆沁豐富的地方史料文獻(xiàn)和自己多次田野調(diào)查、口述訪談資料的基礎(chǔ)上,較系統(tǒng)的研究了做為文化的烏珠穆沁地方宴會歌曲。對宴會歌曲與語境、口傳文本與文化表演、相關(guān)地方性知識系統(tǒng)、宴禮與宴歌的結(jié)構(gòu)、程式與傳承機(jī)制等方面進(jìn)行了較為深入的探討。 在導(dǎo)論部分闡明了選題目的、研究范圍、資料來源、研究方法和前期研究成果等內(nèi)容。 第一章闡述了烏珠穆沁宴會歌曲與宏觀語境的關(guān)系。通過梳理研究地方文獻(xiàn)和相關(guān)資料,分析了宴會歌曲與當(dāng)?shù)刈匀画h(huán)境、生活方式、社會制度與結(jié)構(gòu)、信仰、民俗習(xí)慣等語境的關(guān)系,認(rèn)為宴會歌曲及宴歌程式從生成構(gòu)建、藝術(shù)特點(diǎn)到演唱程序、層次結(jié)構(gòu)、相關(guān)禮儀、符號意義等內(nèi)涵,都與相關(guān)語境緊密相連,并認(rèn)為宏觀語境和宴禮習(xí)俗是形成蒙古族民歌豐富資源和相關(guān)文化的內(nèi)在動因。 第二章探究了宴會歌曲與微觀語境的關(guān)系。本章主要通過筆者在東、西兩個(gè)烏珠穆沁旗參與觀察的六次田野資料,對婚禮、祝壽、祭祀儀式及宴會進(jìn)行深度描寫,分析了宴會歌曲口頭文本在微觀語境中形成過程和文化意義。 第三章探討了宴會歌曲相關(guān)的“地方性知識”。本章通過與“文化持有者”進(jìn)行大量訪談而獲得的專題采訪與口述史資料,分析關(guān)于宴會歌曲的地方記憶、認(rèn)識觀念和禮儀習(xí)俗,并認(rèn)為地方性知識是解釋文化的根本途徑。 第四章主要依據(jù)和使用“口頭程式”和“文化表演”、“結(jié)構(gòu)主義”等理論視角,分析宴會習(xí)俗、宴歌體系和口頭文本的結(jié)構(gòu)程式、表演機(jī)制和互文規(guī)律,對宴會歌曲在當(dāng)今語境下的傳承和傳播提出了自己的見解。 總結(jié)：包括烏珠穆沁在內(nèi),蒙古族宴會歌曲是在特定自然社會語境中生成的“作為交流的口頭藝術(shù)”,有完整的知識體系,意義系統(tǒng)和表達(dá)模式。在當(dāng)今傳統(tǒng)社會變遷和全球化語境下,應(yīng)該整體研究其生成機(jī)制和傳承規(guī)律,保護(hù)文化原有生態(tài)、并探索新的延續(xù)模式,保證人類非物質(zhì)文化遺產(chǎn)的多樣性存在。
[Abstract]:Based on the abundant local historical documents and many field investigations and oral interviews, this paper systematically studies the local banquets as a culture. This paper probes into banquet songs and context, oral texts and cultural performances, relevant local knowledge systems, the structure of banquets and banquet songs, the procedure and inheritance mechanism, and so on. In the introduction part, the purpose, research scope, data sources, research methods and previous research results are explained. The first chapter expounds the relationship between Wuzhoumuqin banquet songs and macro context. By combing the local literature and related materials, this paper analyzes the relationship between banquet songs and local natural environment, lifestyle, social system and structure, beliefs, folk customs, etc. The artistic characteristics to singing procedure, hierarchy structure, related etiquette, symbolic meaning and other connotations are closely related to the relevant context, and think that the macro context and the custom of banquet ceremony are the internal reasons for the formation of rich resources and related culture of Mongolian folk songs. The second chapter explores the relationship between banquet songs and micro context. This chapter mainly through the author in the east and west two Wudhumuqin Banner to participate in the observation of six field materials, to the wedding, birthday, sacrificial ceremonies and banquets for in-depth description, This paper analyzes the formation process and cultural significance of oral text of banquet songs in micro context. The third chapter discusses the local knowledge of banquet songs. This chapter analyzes the local memory of banquet songs, understands the concepts and customs, and points out that local knowledge is the fundamental way to explain culture through a large number of interviews with "cultural holders". The fourth chapter analyzes the banquets customs, the system of banquets and the structure of the oral texts, the performance mechanism and the intertextuality from the perspectives of "oral formula" and "cultural performance", "structuralism" and so on. This paper puts forward his own views on the inheritance and dissemination of banquet songs in the present context. Summary: including Wuzhoumuqin, Mongolian banquet songs are "oral art of communication" generated in a specific natural and social context, with a complete knowledge system, meaning system and expression mode. In the context of the traditional social changes and globalization, it is necessary to study the mechanism of its formation and inheritance, protect the original ecology of culture, and explore a new continuation model to ensure the diversity of human intangible cultural heritage.
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級別】：博士
【學(xué)位授予年份】：2013
【分類號】：J607

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本文編號：1826120