發(fā)布時(shí)間：2018-05-01 04:15

  本文選題：二胡藝術(shù) + 音樂形象　； 參考：《湖南師范大學(xué)》2013年碩士論文

【摘要】：音樂形象與音樂情感是音樂美學(xué)的兩個(gè)概念。音樂形象作為一個(gè)美學(xué)概念,在我國(guó)音樂生活中已成為一個(gè)廣泛運(yùn)用的術(shù)語(yǔ),它涉及到音樂的創(chuàng)作、表演、欣賞等各個(gè)領(lǐng)域的理論實(shí)踐。隨著使用頻率的增多,爭(zhēng)議也始終沒有停息,但從二胡領(lǐng)域入手探討音樂形象則少之又少。情感情緒問題許多心理學(xué)家認(rèn)為是心理學(xué)研究的課題,這一探索人類精神世界之奧秘的課題也吸引了不少美學(xué)家、藝術(shù)家,他們?yōu)橹畠A注了不少心血并閃現(xiàn)出智慧的火花。把這兩個(gè)熱門課題一起用于二胡領(lǐng)域,將心理學(xué)的研究方法和思路與二胡的專業(yè)知識(shí)結(jié)合起來,探索二胡創(chuàng)作、演奏、欣賞中人類感情因素的心理過程,然后用真摯的情感投身于二胡創(chuàng)作、表演、塑造出具有豐富內(nèi)涵的音樂形象去打動(dòng)觀眾、感染觀眾。這就是本文的立意。 全文共三章、采用了文獻(xiàn)法、分析法、比較法等研究方法。從三個(gè)方面對(duì)二胡藝術(shù)中的情感與形象進(jìn)行了歸納探析。 第一章：二胡藝術(shù)中情感與形象層面剖析。一方面從心理學(xué)角度入手,探討二胡藝術(shù)中情感與情緒的概念,區(qū)分與特征；另一方面從音樂界對(duì)音樂形象爭(zhēng)鳴的問題入手,探討二胡藝術(shù)中音樂形象的思維本質(zhì)、內(nèi)容與特征,及個(gè)人對(duì)音樂形象的看法。 第二章：二胡藝術(shù)中情感與形象內(nèi)涵揭示。從二胡創(chuàng)作、二胡表演、二胡欣賞三方面入手,詳細(xì)地探討了音樂情感、音樂形象的意義、作用、運(yùn)用及其兩者的關(guān)系。 第三章：二胡藝術(shù)中情感刻畫形象。首先從典型的二胡作品中分析作品形象及情感處理。然后從二胡演奏中探討如何投入真情塑造音樂形象,這節(jié)是本文的一個(gè)創(chuàng)新點(diǎn),重點(diǎn)論述了真情流露展示音樂形象魅力；情感多變凸現(xiàn)音樂形象個(gè)性；移情得情彰顯音樂形象特色。最后探討二胡欣賞中用同構(gòu)聯(lián)系理解情感與形象,這節(jié)是本文第二個(gè)創(chuàng)新點(diǎn),詳細(xì)論述了格式塔心理學(xué)“異質(zhì)同構(gòu)”聯(lián)系的審美原理及其欣賞中的運(yùn)用,使欣賞中獲得更多的情感體驗(yàn)和領(lǐng)悟音樂形象。 本文研究結(jié)果,音樂情感、音樂形象在二胡藝術(shù)中有非常重要的研究?jī)r(jià)值,對(duì)二胡藝術(shù)的發(fā)展,如二胡樂器形制的改革；二胡自身的民族化、科學(xué)化；二胡作品的藝術(shù)性；二胡演奏技巧的拓展等都有著至關(guān)重要的意義。因此,本課題的研究旨在為二胡全面走向科學(xué)化、規(guī)范化、世界化貢獻(xiàn)微薄之力。
[Abstract]:Musical image and musical emotion are two concepts of music aesthetics. As an aesthetic concept, musical image has become a widely used term in our country's musical life. It involves the theoretical practice of music creation, performance, appreciation and other fields. With the increasing frequency of use, the controversy has never stopped, but it is very rare to discuss the music image from the erhu field. Affective and emotional problems are regarded by many psychologists as the subject of psychological research. This subject of exploring the mystery of human spiritual world has attracted many aestheticians and artists who have devoted a lot of effort and sparkled with wisdom. Apply these two hot topics together to the erhu field, combine the research methods and ideas of psychology with erhu's professional knowledge, and explore the psychological process of erhu's creation, performance, and appreciation of human emotional factors. Then with sincere emotion devoted to erhu creation, performance, create a rich connotation of the music image to impress the audience, infected the audience. This is the idea of this paper. The thesis consists of three chapters: literature method, analytical method, comparative method and so on. This paper sums up and analyzes the emotion and image in Erhu art from three aspects. Chapter one: the analysis of emotion and image in Erhu art. On the one hand, from the angle of psychology, this paper probes into the concept, distinction and characteristics of emotion and emotion in Erhu art, on the other hand, from the point of view of the contending of music image in music circles, discusses the thinking essence of music image in erhu art. Content and features, as well as personal views on the image of music. Chapter two: reveal the connotation of emotion and image in Erhu art. From three aspects of erhu creation, erhu performance and erhu appreciation, this paper discusses in detail the significance, function, application and relationship of music emotion, musical image. The third chapter: Erhu in the art of emotional portrayal image. First of all, from the typical Erhu works analysis of the image and emotional processing. This section is an innovative point in this paper, which focuses on the display of true feelings to show the charm of the musical image, emotion to highlight the personality of the music image; and then from the erhu performance to explore how to create the music image image, this section is an innovation point of this article. Empathy reveals the characteristics of the music image. This section is the second innovation of this paper. It discusses in detail the aesthetic principle of "heterogeneity and isomorphism" in Gestalt psychology and its application in appreciation. So that the appreciation of more emotional experience and understanding of the music image. The result of this study is that music emotion and musical image have very important research value in erhu art, such as the reform of erhu musical instrument shape, the nationalization and scientization of erhu itself, the artistry of erhu works, the development of erhu art. The development of erhu playing skills is of great significance. Therefore, the purpose of this study is to contribute to the overall scientific, standardized and cosmopolitan erhu.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J632.21

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本文編號(hào)：1827640