發(fā)布時(shí)間：2018-05-31 02:05

  本文選題：借鑒 + 伊斯蘭細(xì)密畫(huà)�。� 參考：《青島科技大學(xué)》2012年碩士論文

【摘要】：近幾年，繪畫(huà)的裝飾語(yǔ)言在各畫(huà)種的創(chuàng)作中都得到了重視和運(yùn)用，極大地豐富了各個(gè)畫(huà)種的繪畫(huà)語(yǔ)言。相對(duì)于裝飾性繪畫(huà)的創(chuàng)作實(shí)踐，理論方面的研究相對(duì)滯后且不是很完整，對(duì)伊斯蘭風(fēng)格的裝飾藝術(shù)研究更是少之又少。通過(guò)分析研究伊斯蘭細(xì)密畫(huà)，了解伊斯蘭藝術(shù)的審美風(fēng)格，借鑒伊斯蘭裝飾藝術(shù)，將其裝飾元素運(yùn)用到自己的繪畫(huà)創(chuàng)作中。同時(shí)，豐富后人學(xué)習(xí)研究伊斯蘭裝飾性繪畫(huà)的理論資料。 本課題的研究主要是采用理論學(xué)習(xí)與個(gè)人實(shí)踐相結(jié)合的方法。通過(guò)對(duì)伊斯蘭細(xì)密畫(huà)相關(guān)知識(shí)的學(xué)習(xí)與認(rèn)識(shí)，搜尋研究現(xiàn)當(dāng)代繪畫(huà)大家對(duì)伊斯蘭細(xì)密畫(huà)繪畫(huà)形式的借鑒與發(fā)展，同時(shí)自己進(jìn)行了許多相關(guān)的繪畫(huà)實(shí)踐。 通過(guò)對(duì)伊斯蘭細(xì)密畫(huà)的研究與學(xué)習(xí)，對(duì)于這個(gè)畫(huà)種的繪畫(huà)風(fēng)格有了較深刻的了解。同時(shí)探索研究了現(xiàn)當(dāng)代繪畫(huà)大家從構(gòu)圖、色彩、材料與技法等多方面有所借鑒與創(chuàng)新。自己通過(guò)他人對(duì)細(xì)密畫(huà)的借鑒，探索自己繪畫(huà)的裝飾語(yǔ)言，通過(guò)不斷地實(shí)踐，創(chuàng)作出許多具有獨(dú)特風(fēng)格的繪畫(huà)作品。 伊斯蘭細(xì)密畫(huà)這種繪畫(huà)形式趨于消失，，但是它的這種繪畫(huà)風(fēng)格仍對(duì)現(xiàn)當(dāng)代藝術(shù)繼續(xù)產(chǎn)生影響，其精髓也存活于各種鮮活的藝術(shù)形式之中。希望通過(guò)本人的創(chuàng)作實(shí)踐，力爭(zhēng)創(chuàng)作出具有獨(dú)特裝飾趣味的繪畫(huà)作品。
[Abstract]:In recent years, the decorative language of painting has been paid attention to and applied in the creation of all kinds of paintings, which has greatly enriched the painting language of each kind of painting. Compared with the creative practice of decorative painting, the theoretical research is relatively lagging behind and not very complete, and the research on Islamic decorative art is even less. By analyzing and studying Islamic fine paintings, we can understand the aesthetic style of Islamic art, draw lessons from Islamic decorative art, and apply its decorative elements to our own painting creation. At the same time, enrich the academic materials of Islamic decorative painting. The research of this subject mainly adopts the method of combining theory learning with individual practice. Through the study and understanding of the relevant knowledge of the Islamic fine paintings, the search and study of modern and contemporary paintings to draw on the form of Islamic painting and development, at the same time, I have carried out a lot of relevant painting practice. Through the research and study of the Islamic fine paintings, we have a deeper understanding of the painting style of this kind of paintings. At the same time, it explores the modern painting from the composition, color, materials and techniques and other aspects of reference and innovation. Through others to draw lessons from, explore their own painting decorative language, through continuous practice, create a lot of unique style of painting works. The painting form of Islamic fine painting tends to disappear, but its painting style still continues to have an influence on modern and contemporary art, and its essence also exists in all kinds of vivid art forms. Hope through my creative practice, strive to create a unique decorative interesting painting.
【學(xué)位授予單位】：青島科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2012
【分類(lèi)號(hào)】：J205

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