發(fā)布時(shí)間：2018-06-09 11:51

  本文選題：窯臉 + 裝飾��； 參考：《中南林業(yè)科技大學(xué)》2011年碩士論文

【摘要】：裝飾藝術(shù)是人類(lèi)發(fā)展史中的重要藝術(shù)形態(tài),也是人類(lèi)社會(huì)最普遍的藝術(shù)形式。本論文以窯臉為研究對(duì)象,以勒·柯布西耶的“建筑機(jī)器美學(xué)”理論為依據(jù),確立窯臉解構(gòu)的研究方法,并對(duì)窯臉裝飾藝術(shù)進(jìn)行深入的系統(tǒng)化研究。 首先,明確窯臉的概念,界定研究主體�！案G臉”是指窯洞建筑的正立面。在此基礎(chǔ)上從窯臉的裝飾構(gòu)件著手,通過(guò)大量的實(shí)地考察和歸納,把窯臉解構(gòu)為窯壁、窯間子、窯檐、煙囪、匾額等部分,并對(duì)各個(gè)部分進(jìn)行細(xì)致的分類(lèi)和描述,形成窯臉裝飾的構(gòu)架。 其次,從窯臉的裝飾工藝、裝飾手法以及窯臉裝飾審美形態(tài)三個(gè)方面研究窯臉的藝術(shù)形態(tài),明確窯臉?biāo)囆g(shù)的表現(xiàn)方式及存在形式,為研究窯臉文化形態(tài)奠定基礎(chǔ)。 最后,探究窯臉裝飾的構(gòu)成形式及其文化構(gòu)成,并把窯臉的文化形態(tài)歸結(jié)為農(nóng)、商、禮、福、遁、防六類(lèi)。 任何藝術(shù)形式都是以文化為載體。通過(guò)對(duì)窯臉裝飾研究發(fā)現(xiàn)：裝飾藝術(shù)的最終目的不是裝飾,而是以裝飾為途徑,讓人們認(rèn)知藝術(shù),感知藝術(shù),最后達(dá)到傳播思想,傳播觀念的目的。
[Abstract]:Decorative art is an important art form in the history of human development and the most common art form in human society. This paper takes the kiln face as the research object, based on Le Corbusier's "architecture machine aesthetics" theory, establishes the research method of the kiln face deconstruction, and carries on the thorough systematic research to the kiln face decoration art. First, the concept of the kiln face is made clear. Define the subject of study. The "kiln face" refers to the vertex of cave building. On this basis, from the decorative components of the kiln face, through a large number of field investigations and induction, the kiln face is deconstructed into kiln wall, kiln floor, kiln eaves, chimneys, plaques, and so on, and each part is carefully classified and described. Secondly, it studies the art form of kiln face from three aspects of decoration technology, decoration technique and aesthetic form of kiln face decoration, and clarifies the expression mode and existing form of kiln face art. Finally, the paper probes into the constitution and cultural composition of kiln face decoration, and classifies the cultural form of kiln face into six categories: agriculture, commerce, ritual, blessing, evading and defense. Any art form is based on culture. Through the study of kiln face decoration, it is found that the ultimate purpose of decorative art is not decoration, but the way of decoration, so that people can recognize art, perceive art, and finally reach the purpose of spreading ideas and ideas.
【學(xué)位授予單位】：中南林業(yè)科技大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類(lèi)號(hào)】：TU-80

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 孫景榮;陜北民居裝飾與陳設(shè)藝術(shù)研究[D];西北農(nóng)林科技大學(xué);2013年

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本文編號(hào)：1999630