中國傳統(tǒng)裝飾菱形紋研究
發(fā)布時間：2018-07-22 20:37
【摘要】：菱形紋,它起源于原始人類對具象紋飾的模擬和抽象,其自身又通過不同的組合分化出變化萬千的造型�？v觀中國的傳統(tǒng)裝飾藝術(shù),最早被人們廣泛應(yīng)用的是概括簡練的幾何紋,而菱形紋則是幾何紋中極具個性的紋樣之一。 菱紋之美不是一般的形式美,它是積淀了社會內(nèi)容的自然形式,飽含人類對它產(chǎn)生的特定觀念和想象,因此才不同于一般的感情、感性、感受,而成為特定的審美情感。在各個歷史時代,菱形紋又以其簡潔優(yōu)雅的身姿和獨(dú)具特色的表現(xiàn)技巧貫穿于整個裝飾世界,并且都有著不同的豐富樣式,體現(xiàn)出古代先民的審美變遷以及對裝飾藝術(shù)的思考。從原始社會開始,菱形紋便被大量應(yīng)用于各種彩陶、巖畫裝飾中,到后來,其逐漸發(fā)展成為重要的紋飾母題。作為一種具有典型意義的紋樣,菱形紋以點(diǎn)、線、面組成的菱形為構(gòu)造單元,通過菱形的變異與組合衍生出奇特的變體菱形和復(fù)式菱形,它們共同組成了菱形紋的建構(gòu)元素。從整體視角分析,菱形紋又包含了對稱、均衡、對比、統(tǒng)一、節(jié)奏等形式美法則。同時,在不同的時空與文化背景下,人們賦予了菱形紋吉祥美好的寓意,是早期人們渴望生存與發(fā)展的圖騰崇拜,不但裝飾著人們的生活,還承載了古人對繁衍興盛的內(nèi)心渴求。 本文將對菱形紋做系統(tǒng)的梳理和論述,將其作為獨(dú)立的紋樣類別進(jìn)行研究,可以彌補(bǔ)當(dāng)今對菱紋研究的不足。更為重要的是可以把研究成果運(yùn)用到實踐創(chuàng)作中,為設(shè)計提供一種參考和題材,也是對傳統(tǒng)文化的繼承與創(chuàng)新的體現(xiàn)。在全面檢索文獻(xiàn)資料的基礎(chǔ)上,運(yùn)用了大量的圖形語言和文史資料對菱形紋的起源與流變進(jìn)行系統(tǒng)的論述,分析這一古老的裝飾圖案在不同歷史文化背景下所呈現(xiàn)出的造型樣式,并重點(diǎn)闡述了菱形紋的形式特征和美的范疇,總共涉及到人類學(xué)、考古學(xué)、美學(xué)、圖案學(xué)、美術(shù)史等多學(xué)科,希望能拓展人們認(rèn)識菱形紋的廣度與深度,從多角度去探索研究這種獨(dú)特的視覺藝術(shù)。
[Abstract]:Diamond grain, which originated from the simulation and abstraction of figurative ornaments by primitive human beings, has been differentiated into various shapes by different combinations. Throughout China's traditional decorative art, the earliest widely used is the summary of concise geometric patterns, and diamond pattern is one of the most personal patterns in geometric patterns. The beauty of the rhombus grain is not the ordinary formal beauty, it is the natural form that accumulates the social content, full of the special idea and imagination that the mankind produces to it, so it is different from the general emotion, sensibility, feeling, and become the special esthetic emotion. In each historical era, the rhombus pattern runs through the whole decorative world with its simple and elegant posture and unique performance skills, and has different rich styles, which reflects the aesthetic changes of the ancient ancestors and the thinking of the decorative art. From the beginning of primitive society, rhombus was widely used in all kinds of painted pottery, rock painting decoration, and later, it gradually developed into an important motif. As a typical pattern, the rhombic grain takes the rhombus of point, line and surface as the structural unit. Through the variation and combination of the rhombus, a peculiar variation of the rhomboid and a compound rhomboid are derived, which together constitute the elements of the rhomboid. From the overall perspective, rhombus patterns include symmetry, balance, contrast, unity, rhythm and other formal beauty laws. At the same time, in different time and space and cultural background, people have endowed the auspicious and beautiful moral of diamond grain, which is the totem worship that early people longed for survival and development, not only decorating people's life, It also carries the ancients' desire for prosperity. In this paper, the rhombus pattern will be systematically combed and discussed, which can be used as an independent pattern category to make up for the deficiency of the current research on rhombohedral pattern. What is more important is that we can apply the research results to the practical creation and provide a kind of reference and theme for the design. It is also the embodiment of the inheritance and innovation of the traditional culture. Based on the comprehensive retrieval of literature, the origin and evolution of rhombus patterns are systematically discussed by using a large number of graphic language and literary and historical data. This paper analyzes the styling patterns of this ancient decorative pattern in different historical and cultural backgrounds, and focuses on the formal characteristics and the category of beauty of diamond patterns, which involve anthropology, archaeology, aesthetics, and patterning. Art history and other subjects hope to expand people's understanding of the breadth and depth of rhombus patterns and explore this unique visual art from various angles.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：G264.3
本文編號：2138500
[Abstract]:Diamond grain, which originated from the simulation and abstraction of figurative ornaments by primitive human beings, has been differentiated into various shapes by different combinations. Throughout China's traditional decorative art, the earliest widely used is the summary of concise geometric patterns, and diamond pattern is one of the most personal patterns in geometric patterns. The beauty of the rhombus grain is not the ordinary formal beauty, it is the natural form that accumulates the social content, full of the special idea and imagination that the mankind produces to it, so it is different from the general emotion, sensibility, feeling, and become the special esthetic emotion. In each historical era, the rhombus pattern runs through the whole decorative world with its simple and elegant posture and unique performance skills, and has different rich styles, which reflects the aesthetic changes of the ancient ancestors and the thinking of the decorative art. From the beginning of primitive society, rhombus was widely used in all kinds of painted pottery, rock painting decoration, and later, it gradually developed into an important motif. As a typical pattern, the rhombic grain takes the rhombus of point, line and surface as the structural unit. Through the variation and combination of the rhombus, a peculiar variation of the rhomboid and a compound rhomboid are derived, which together constitute the elements of the rhomboid. From the overall perspective, rhombus patterns include symmetry, balance, contrast, unity, rhythm and other formal beauty laws. At the same time, in different time and space and cultural background, people have endowed the auspicious and beautiful moral of diamond grain, which is the totem worship that early people longed for survival and development, not only decorating people's life, It also carries the ancients' desire for prosperity. In this paper, the rhombus pattern will be systematically combed and discussed, which can be used as an independent pattern category to make up for the deficiency of the current research on rhombohedral pattern. What is more important is that we can apply the research results to the practical creation and provide a kind of reference and theme for the design. It is also the embodiment of the inheritance and innovation of the traditional culture. Based on the comprehensive retrieval of literature, the origin and evolution of rhombus patterns are systematically discussed by using a large number of graphic language and literary and historical data. This paper analyzes the styling patterns of this ancient decorative pattern in different historical and cultural backgrounds, and focuses on the formal characteristics and the category of beauty of diamond patterns, which involve anthropology, archaeology, aesthetics, and patterning. Art history and other subjects hope to expand people's understanding of the breadth and depth of rhombus patterns and explore this unique visual art from various angles.
【學(xué)位授予單位】：陜西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2012
【分類號】：G264.3
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