論中國傳統(tǒng)陶瓷裝飾—鳳紋的研究
發(fā)布時間：2018-08-08 18:59
【摘要】：本文選取的極具文化寓意與內(nèi)涵的典型代表圖案之一——陶瓷傳統(tǒng)紋飾鳳紋。本文以陶瓷造型裝飾藝術(shù)與鳳紋紋飾相結(jié)合作專題研究。從結(jié)構(gòu)上來看，本文主要分為五部分，其中第三章鳳紋裝飾的歷時性變化，第四章陶瓷鳳紋的藝術(shù)裝飾特性分析，以及第五章鳳紋在現(xiàn)代陶瓷藝術(shù)設(shè)計(jì)中的拓展及運(yùn)用為主要部分。 本文首先從研究鳳紋的起源入手，通過對各個朝代鳳紋的藝術(shù)風(fēng)格之間的形象對比，發(fā)掘歷代陶瓷鳳紋之間的繼承與演變及其規(guī)律，，整理歷代陶瓷史上鳳紋演化的脈絡(luò)。簡而言之，商周時期鳳紋凝重、神秘，秦漢時期鳳紋線條有韻味而富有藝術(shù)表現(xiàn)力。從魏晉南北朝開始鳳紋形體純凈、端莊。而經(jīng)隋的過渡，開創(chuàng)唐代豐富多彩、絢爛偉麗、雍容華貴的形象。再經(jīng)五代到唐宋元明清，鳳紋也在具象性、現(xiàn)實(shí)性、直觀性、平民化的發(fā)展道路上逐漸定型，達(dá)到歷史發(fā)展的高峰期、成熟期。 對陶瓷鳳紋裝飾的分析，綜合美術(shù)學(xué)、歷史學(xué)、美學(xué)、藝術(shù)學(xué)的方法，以鳳紋的審美價值為主線，對鳳紋的風(fēng)格特征在陶瓷中的具體表現(xiàn)，以及造型與裝飾的基本特點(diǎn)、形式結(jié)構(gòu)、工藝材質(zhì)等一系列與其相關(guān)的因素進(jìn)行分析研究。鳳紋的審美價值、象征功能、裝飾價值體現(xiàn)了豐富的審美文化意涵。鳳紋裝飾是形與意的“互現(xiàn)”，是一種“有意味的形式”，是神與意的載體。 鳳紋裝飾來源于中國傳統(tǒng)而古老的文化基因，隨著時代的發(fā)展與藝術(shù)家的探索而永遠(yuǎn)散發(fā)著濃郁的時代氣息與民族特色。因而，鳳紋裝飾對現(xiàn)代陶瓷藝術(shù)設(shè)計(jì)領(lǐng)域有著極其重要的啟示與意義。
[Abstract]:One of the typical representative patterns with cultural implication and intension selected in this paper is ceramic traditional decorative Phoenix pattern. In this paper, ceramic decorative arts and Phoenix patterns for the combination of a special study. From the structure point of view, this paper is divided into five parts, the third chapter Phoenix decorative diachronic changes, the fourth chapter ceramic Phoenix decorative characteristics, And the fifth chapter Phoenix print in the modern ceramic art design expansion and application as the main part. In this paper, the origin of Phoenix patterns is studied, and through the image comparison between the Phoenix patterns of each dynasty, the inheritance and evolution of the Phoenix patterns and their laws are explored, and the evolution of Phoenix patterns in the history of the ceramics of the past dynasties is sorted out. In short, Phoenix lines in Shang and Zhou dynasties were heavy and mysterious, and Phoenix lines in Qin and Han dynasties had charm and artistic expression. From the Wei, Jin, Southern and Northern dynasties, the Phoenix patterns began to be pure and dignified. And through the Sui-style transition, creating the Tang Dynasty rich and colorful, gorgeous and magnificent image. From the five dynasties to the Tang, Song, Yuan, Ming and Qing dynasties, the Phoenix pattern was gradually shaped on the road of concrete, realistic, intuitive and popularized development, reaching the peak period and mature period of historical development. The analysis of ceramic Phoenix decoration, the method of synthesizing art, history, aesthetics and art, taking the aesthetic value of Phoenix pattern as the main line, the concrete expression of the style characteristic of Phoenix pattern in ceramics, as well as the basic characteristics of modeling and decoration. Formal structure, process material and so on a series of related factors are analyzed and studied. The aesthetic value, symbolic function and decorative value of Phoenix patterns embody rich aesthetic cultural implications. Phoenix pattern decoration is the mutual appearance of form and meaning, is a kind of meaningful form, is the carrier of God and will. Phoenix pattern decoration comes from Chinese traditional and ancient cultural genes. With the development of the times and the exploration of artists, Phoenix patterns always exude a strong flavor of the times and national characteristics. Therefore, the Phoenix pattern decoration has the extremely important enlightenment and the significance to the modern ceramic art design domain.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J527
本文編號：2172715
[Abstract]:One of the typical representative patterns with cultural implication and intension selected in this paper is ceramic traditional decorative Phoenix pattern. In this paper, ceramic decorative arts and Phoenix patterns for the combination of a special study. From the structure point of view, this paper is divided into five parts, the third chapter Phoenix decorative diachronic changes, the fourth chapter ceramic Phoenix decorative characteristics, And the fifth chapter Phoenix print in the modern ceramic art design expansion and application as the main part. In this paper, the origin of Phoenix patterns is studied, and through the image comparison between the Phoenix patterns of each dynasty, the inheritance and evolution of the Phoenix patterns and their laws are explored, and the evolution of Phoenix patterns in the history of the ceramics of the past dynasties is sorted out. In short, Phoenix lines in Shang and Zhou dynasties were heavy and mysterious, and Phoenix lines in Qin and Han dynasties had charm and artistic expression. From the Wei, Jin, Southern and Northern dynasties, the Phoenix patterns began to be pure and dignified. And through the Sui-style transition, creating the Tang Dynasty rich and colorful, gorgeous and magnificent image. From the five dynasties to the Tang, Song, Yuan, Ming and Qing dynasties, the Phoenix pattern was gradually shaped on the road of concrete, realistic, intuitive and popularized development, reaching the peak period and mature period of historical development. The analysis of ceramic Phoenix decoration, the method of synthesizing art, history, aesthetics and art, taking the aesthetic value of Phoenix pattern as the main line, the concrete expression of the style characteristic of Phoenix pattern in ceramics, as well as the basic characteristics of modeling and decoration. Formal structure, process material and so on a series of related factors are analyzed and studied. The aesthetic value, symbolic function and decorative value of Phoenix patterns embody rich aesthetic cultural implications. Phoenix pattern decoration is the mutual appearance of form and meaning, is a kind of meaningful form, is the carrier of God and will. Phoenix pattern decoration comes from Chinese traditional and ancient cultural genes. With the development of the times and the exploration of artists, Phoenix patterns always exude a strong flavor of the times and national characteristics. Therefore, the Phoenix pattern decoration has the extremely important enlightenment and the significance to the modern ceramic art design domain.
【學(xué)位授予單位】：景德鎮(zhèn)陶瓷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J527
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本文編號：2172715
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