發(fā)布時(shí)間：2018-08-11 12:52

【摘要】： 本文從現(xiàn)代陶藝的視角出發(fā),就中國(guó)原始彩陶藝術(shù)和中國(guó)現(xiàn)代陶瓷藝術(shù)對(duì)世界的影響進(jìn)行了系統(tǒng)和客觀的比照,總結(jié)得出中國(guó)現(xiàn)代陶藝所處的現(xiàn)實(shí)形勢(shì),及目前發(fā)展所存在的弊端。分析了中國(guó)原始彩陶造型、裝飾語(yǔ)言的精髓及其在現(xiàn)代陶藝創(chuàng)作中的應(yīng)用形式,并結(jié)合了筆者多年來的大量創(chuàng)作實(shí)例進(jìn)一步的進(jìn)行論證分析,從而研究得出原始彩陶作為一門傳統(tǒng)藝術(shù)媒介在現(xiàn)代陶藝創(chuàng)作中的應(yīng)用和發(fā)展前景。 本文突破了以往對(duì)中國(guó)原始彩陶紋樣、器形的來源、象征意義及其演變過程的論述,也不再就事論事的一味分析原始彩陶藝術(shù)的考古價(jià)值。而是側(cè)重于對(duì)原始彩陶造型、裝飾語(yǔ)言在現(xiàn)代陶藝術(shù)中的應(yīng)用研究。從原始彩陶的造型語(yǔ)言、裝飾語(yǔ)言的實(shí)例進(jìn)行分析,探索原始彩陶的造型語(yǔ)言與現(xiàn)代陶藝的關(guān)系。研究其在現(xiàn)代陶藝創(chuàng)作中的應(yīng)用形式和應(yīng)用手法。實(shí)際上是一個(gè)探索性的課題,本論文把握住原始彩陶藝術(shù)與現(xiàn)代陶藝發(fā)展的契合點(diǎn)——原始彩陶的裝飾語(yǔ)言、造型曲線所傳達(dá)的原始樸素真誠(chéng)的陶瓷情感與現(xiàn)代陶藝發(fā)展存在的情感空缺。通過實(shí)例進(jìn)行歸納總結(jié),探索中國(guó)原始彩陶應(yīng)用研究的作用及發(fā)展的趨向。 筆者想通過這次論文的撰寫,站在世界陶藝的高度回望人類文明伊始——原始彩陶文明。梳理中國(guó)原始彩陶造型、裝飾語(yǔ)言在現(xiàn)代陶藝中的應(yīng)用法則,重新解讀其造型語(yǔ)言、裝飾語(yǔ)言的應(yīng)用手法和應(yīng)用價(jià)值,并將其轉(zhuǎn)化為現(xiàn)代陶的創(chuàng)作語(yǔ)言。
[Abstract]:From the perspective of modern ceramic art, this paper makes a systematic and objective comparison of the influence of Chinese original painted pottery art and Chinese modern ceramic art on the world, and concludes the realistic situation in which Chinese modern pottery art is located. And the shortcomings of the current development. This paper analyzes the essence of Chinese original painted pottery modeling and decoration language and its application in modern pottery creation, and further demonstrates and analyzes the author's numerous creative examples over the years. As a traditional art medium, the application and development prospect of original painted pottery in modern pottery creation are obtained. This paper breaks through the previous exposition on the origin, symbolic meaning and evolution process of the Chinese original painted pottery patterns, and no longer analyses the archaeological value of the primitive painted pottery art. It focuses on the application of original painted pottery modeling and decorative language in modern pottery art. This paper analyzes the modeling language and decoration language of the original painted pottery, and explores the relationship between the modeling language of the original painted pottery and the modern pottery art. Study its application form and technique in the modern pottery art creation. In fact, it is an exploratory subject. This paper grasps the common point of the development of the original colored pottery art and the modern pottery art-the decorative language of the original colored pottery. The original simple and sincere ceramic emotion conveyed by the modeling curve and the emotion vacancy existing in the development of modern ceramic art. This paper sums up and summarizes the application of Chinese primitive painted pottery by examples, and explores the function and development trend of the application research of Chinese original painted pottery. I want to write this paper, standing in the world ceramic art high looking back at the beginning of human civilization-primitive pottery civilization. This paper combs the application rules of Chinese original painted pottery modeling and decorative language in modern pottery art, reinterprets its modeling language, its application technique and application value, and transforms it into the creation language of modern pottery.
【學(xué)位授予單位】：大連理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2008
【分類號(hào)】：J527

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 秦俊暉;桂林青花梅瓶在桂林旅游產(chǎn)品中的應(yīng)用研究[D];廣西師范大學(xué);2012年

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本文編號(hào)：2177046