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《楓橋夜泊》的意境及其演唱詮釋

發(fā)布時(shí)間:2018-06-29 22:02

  本文選題:古典詩(shī)詞歌曲 + 技巧 ; 參考:《安徽大學(xué)》2017年碩士論文


【摘要】:《楓橋夜泊》屬中國(guó)古典詩(shī)詞歌曲中的代表曲目之一,在詞、曲上都有著較高的地位,其演唱的學(xué)習(xí)與探究對(duì)整個(gè)聲樂學(xué)習(xí)的修養(yǎng)有極大幫助。本論從氣息、咬字、行腔等方面,及論者在演唱中的心得體會(huì)與授業(yè)導(dǎo)師的指導(dǎo),以中國(guó)古典詩(shī)詞歌曲《楓橋夜泊》為考察中心,予以探究分析,旨在探尋中國(guó)古典詩(shī)詞歌曲演繹中除文中三位歌唱家外的新路徑。除緒論,正文共計(jì)三章:第一章在簡(jiǎn)要論述詩(shī)歌《楓橋夜泊》后,著重從旋律、和聲織體和伴奏三方面歸納總結(jié)黎英�!稐鳂蛞共础返奶厣5诙聰M從演唱技巧入手,結(jié)合論者演繹過程中的心得體會(huì),以氣息、咬字、行腔為分析中心,探究演唱技巧掌控與《楓橋夜泊》意境呈現(xiàn)、風(fēng)格把握之間的關(guān)聯(lián)性。第三章將對(duì)姜嘉鏘、吳碧霞、張曉農(nóng)三位歌唱家的演繹版本進(jìn)行鑒賞、分析和取舍,分別從演唱特征、色彩變化、情感表達(dá)三方面借鑒其處理實(shí)踐與優(yōu)長(zhǎng)。結(jié)語指出,演繹中國(guó)古典詩(shī)詞歌曲,首先需深刻理解詩(shī)詞本義;其次應(yīng)將音樂與詩(shī)意整合,借助演繹技巧,呈現(xiàn)作品的意境與情愫。具體呈示《楓橋夜泊》的演唱設(shè)計(jì)。
[Abstract]:Fengqiao Night Park is one of the representative songs in Chinese classical poetry and song. It has a high position in ci and song. The study and exploration of singing is of great help to the whole vocal music learning. From the aspects of breath, pronunciation, line and so on, as well as the experience of the theorists in singing and the guidance of the instructors, this paper takes the classical Chinese poetry song "Fengqiao Night Park" as the research center, and makes an inquiry and analysis of it. The purpose of this paper is to explore a new path in the interpretation of Chinese classical poetry and songs except for the three singers in the text. In addition to the introduction, the text consists of three chapters: the first chapter summarizes the characteristics of Li Yinghai's Fengqiao Night Park from three aspects of melody, harmony texture and accompaniment. The second chapter starts with the singing skills, combines the experience of the theorists in the process of interpretation, with breath, pronunciation, line cavity as the analysis center, explore the relationship between the singing skills control and "Maple Bridge Night Park" artistic conception presentation, style grasp. The third chapter will appreciate, analyze and choose the deductive versions of Jiang Jiaqiang, Wu Bixia and Zhang Xiaonong, and use them for reference from the aspects of singing characteristics, color change and emotional expression. The conclusion points out that in order to interpret Chinese classical poetry and songs, it is necessary to deeply understand the meaning of poetry, and secondly, to integrate music with poetry, and to present the artistic conception and emotion of the works with the help of deductive techniques. Concrete presentation of the "Maple Bridge Night Park" singing design.
【學(xué)位授予單位】:安徽大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J616.2

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2 張繼;楓橋夜泊[J];新聞通訊;1984年03期

3 黃道成;;楓橋夜泊[J];寶藏;2014年06期

4 木合甫拉·木塔力甫;臨風(fēng);;楓橋夜泊[J];音樂創(chuàng)作;2014年08期

5 張繼;龔紹澤;;楓橋夜泊[J];校園歌聲;2007年08期

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7 張繼;;楓橋夜泊[J];時(shí)代英語(高三);2010年02期

8 張繼;吳t熻,

本文編號(hào):2083518


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