發(fā)布時(shí)間：2018-06-30 00:18

  本文選題：大筒 + 二胡　； 參考：《中國(guó)音樂(lè)學(xué)院》2017年碩士論文

【摘要】：二胡,是我國(guó)的弓弦樂(lè)器中最具有代表性的樂(lè)器之一。多年來(lái)在大批作曲家、二胡演奏家、教育家的共同努力下,各種體裁形式及音樂(lè)風(fēng)格的二胡作品層出不窮,極富藝術(shù)表現(xiàn)力的二胡演奏已逐步形成了規(guī)范嚴(yán)謹(jǐn)?shù)慕虒W(xué)理念,取得了卓越的理論研究成果,其豐富的演奏技法和表現(xiàn)形式值得所有胡琴類姊妹樂(lè)器探究和借鑒。而大筒作為湖南花鼓戲的伴奏樂(lè)器,同屬胡琴類,近幾年通過(guò)借鑒二胡演奏技法及其音樂(lè)表現(xiàn)得以迅速發(fā)展,頻頻受邀在各類重大音樂(lè)會(huì)以多種形式登臺(tái)亮相,呈現(xiàn)出良好的發(fā)展趨勢(shì)。2014年筆者考入中國(guó)音樂(lè)學(xué)院國(guó)樂(lè)系攻讀藝術(shù)碩士,師從我國(guó)著名二胡演奏家、教育家宋飛教授。近三年規(guī)范的系統(tǒng)學(xué)習(xí)過(guò)程中,我既是一名研究二胡演奏方向的碩士生,同時(shí)也是從教二十多年的二胡、大筒專業(yè)教師,活躍在湖南文藝舞臺(tái)的演奏員。所以對(duì)兩種胡琴樂(lè)器之間的相互滲透和融通有所思考。本文著重結(jié)合三年學(xué)習(xí)期間自身習(xí)琴、教學(xué)和舞臺(tái)實(shí)踐經(jīng)歷,試圖論述在大筒藝術(shù)的形成過(guò)程中,二胡演奏對(duì)大筒演奏技藝所起到的孕育作用,滿足當(dāng)下民族樂(lè)器演奏技法運(yùn)用、演奏藝術(shù)發(fā)展的罄求。
[Abstract]:Erhu is one of the most representative instruments in China. Over the years, with the joint efforts of a large number of composers, erhu players and educators, erhu works of various genres and musical styles have emerged one after another, and erhu performance, which is highly artistic and expressive, has gradually formed a standardized and rigorous teaching concept. Excellent theoretical research results have been obtained, and its rich playing techniques and forms are worth exploring and learning from all sister instruments of Hu Qin. As an accompaniment instrument of Hunan flower drum opera, Dazhong belongs to the Hu Qin category. In recent years, by learning from the erhu playing techniques and their musical performance, Dagong has been frequently invited to appear on stage in various major concerts in a variety of forms. In 2014, I was admitted to the Department of National Music of the Chinese Conservatory of Music to study for Master of Arts. I studied under Professor Song Fei, a famous erhu player and educator in China. In the past three years of systematic study, I am not only a master's student who studies the direction of erhu playing, but also a professional teacher of erhu, Dagong, who is active in Hunan literary and art stage. So there are some thoughts about the mutual penetration and fusion between the two kinds of Hu Qin instruments. Based on the experience of practicing piano, teaching and stage during three years of study, this paper tries to expound the gestation effect of erhu playing in the forming process of big barrel art. To meet the current national musical instrument performance techniques, the development of the art of performance is exhausted.
【學(xué)位授予單位】：中國(guó)音樂(lè)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J632.21

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本文編號(hào)：2084007