發(fā)布時(shí)間：2018-07-01 17:45

  本文選題：古琴減字譜 + 視覺傳達(dá)　； 參考：《北京印刷學(xué)院》2016年碩士論文

【摘要】：中國(guó)的古琴藝術(shù)有著有悠久的歷史�？梢哉f,它是中國(guó)藝術(shù)發(fā)展的一面鏡子,從一個(gè)側(cè)面反映了中國(guó)的歷史、詩(shī)詞、繪畫等等方面。古琴減字譜是古琴音樂最重要的視覺載體,它的視覺風(fēng)格與中國(guó)古琴音樂的發(fā)展有著密不可分的關(guān)系,折射出中國(guó)民族音樂的發(fā)展軌跡。本文通過大量生動(dòng)詳實(shí)的例證和具體的設(shè)計(jì)創(chuàng)作,針對(duì)視覺傳達(dá)設(shè)計(jì)學(xué)科的自身特點(diǎn)和發(fā)展規(guī)律,從漢字字體設(shè)計(jì)和符號(hào)化設(shè)計(jì)的理論分析入手,系統(tǒng)地對(duì)傳統(tǒng)古琴減字譜進(jìn)行整理和研究,并創(chuàng)編出一套更易于初學(xué)者學(xué)習(xí)的“新古琴雙行譜”。從當(dāng)前遺存的大量古琴文字譜和減字譜的譜例中,可以清晰地窺見古琴樂譜的演變和發(fā)展歷程。為此,本論文在大量搜集圖文資料的基礎(chǔ)上,梳理和挖掘古琴?gòu)奈淖肿V到減字譜的設(shè)計(jì)類型及對(duì)中國(guó)音樂文化的影響,與五線譜和簡(jiǎn)譜的設(shè)計(jì)區(qū)別。探尋中國(guó)符號(hào)化設(shè)計(jì)在古琴樂譜設(shè)計(jì)中的發(fā)展,將古老的東方密碼為今人所用,使之賦予新的活力,真正符合設(shè)計(jì)的時(shí)代性、繼承性和突破性功能。以期對(duì)當(dāng)下的中國(guó)設(shè)計(jì)有所借鑒和啟發(fā)。
[Abstract]:The art of Guqin in China has a long history. It can be said that it is a mirror of the development of Chinese art, reflecting China's history, poetry, painting and so on. Guqin subtraction is the most important visual carrier of Guqin music, and its visual style is closely related to the development of Chinese Guqin music, which reflects the development of Chinese folk music. In this paper, through a large number of vivid and detailed examples and concrete design creation, aiming at the characteristics and development law of visual communication design, this paper starts with the theoretical analysis of Chinese character font design and symbolic design. This paper systematically studies the subtraction spectrum of the traditional Guqin, and creates a set of "New Guqin Bi-line Spectrum" which is easier for beginners to learn. The evolution and development of Guqin music score can be clearly seen from a large number of ancient Qin writing and subtraction spectrum. Therefore, on the basis of collecting a large number of graphic and text data, this paper combs and excavates the design types of Guqin from text spectrum to subtraction spectrum and its influence on Chinese music culture, which is different from the design of staff spectrum and simplified spectrum. This paper explores the development of Chinese symbolized design in the design of ancient piano music, and uses the ancient oriental cipher for modern people, so that it can give new vitality and truly accord with the design's epoch, inheritance and breakthrough function. With a view to the current Chinese design reference and inspiration.
【學(xué)位授予單位】：北京印刷學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J632.31

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本文編號(hào)：2088570