發(fā)布時(shí)間：2018-07-14 16:15

【摘要】：當(dāng)代英國著名作家馬丁·艾米斯的小說《倫敦場地》通過呈現(xiàn)倫敦社會(huì)中壓抑的物理空間、異化的個(gè)體精神空間以及失衡的社會(huì)空間,揭示了20世紀(jì)末英國城市的規(guī)訓(xùn)荒涼、城市個(gè)體的病態(tài)扭曲進(jìn)一步加劇了倫敦社會(huì)的無序和失衡。本論文以空間理論為指導(dǎo),從物理空間、個(gè)體精神空間及社會(huì)空間三個(gè)層次探討小說的異化與失衡主題,從而試圖說明與呈現(xiàn)物質(zhì)至上的當(dāng)代社會(huì)滋生出四種荒誕的現(xiàn)象:城市生態(tài)文明的沒落、個(gè)體倫理道德的弱化、社會(huì)人文關(guān)懷的缺失以及社會(huì)人際關(guān)系的異化逐步凸顯。論文的主體分為三部分:第二章主要討論頹廢倫敦的宏觀圖景,蜘蛛網(wǎng)不只是簡單的自然現(xiàn)象,更是小說人物無處可逃的壓抑空間;基思的電視不再是傳統(tǒng)意義上的娛樂工具,而是以規(guī)訓(xùn)為目的控制人思想行為的象征;克林奇一家居住的房子不僅是人物活動(dòng)的空間場所,更是人物生活遭際、社會(huì)地位的象征,反映了當(dāng)時(shí)倫敦社會(huì)鮮明的貧富差距。基于這些物理空間,人物的精神空間也隨之失衡與異化。第三章主要討論空心人妮可拉的扭曲無愛;騙子手基思的嗜錢如命;偽君子蓋伊的迷失墮落。異化的個(gè)體精神空間進(jìn)一步加劇了社會(huì)空間的無序和失衡。第四章通過揭露人們對倫敦墳場的恐懼麻木、人物家庭關(guān)系的冷漠疏離以及妮可拉與蓋伊所沉浸的惡心病態(tài)生活氛圍,從而在不同層面呈現(xiàn)出倫敦社會(huì)的失衡與無序。在《倫敦場地》中,壓抑的生存空間抑制了個(gè)體的主體性認(rèn)知;規(guī)訓(xùn)的階級制度限制了個(gè)體的身份建構(gòu);盲目消費(fèi)和拜金主義主導(dǎo)的生活方式及個(gè)體精神空間的異化加劇了倫敦社會(huì)的無序與失衡。小說以倫敦場地揭示出英國城市的規(guī)訓(xùn)性,個(gè)體倫理道德的偽善性,懸殊的物質(zhì)差別最終導(dǎo)致了社會(huì)失衡無序的必然性,是整個(gè)資本主義社會(huì)發(fā)生嚴(yán)重危機(jī)的必然結(jié)果。
[Abstract]:By presenting the oppressive physical space, the alienated individual spiritual space and the unbalanced social space in the London society, the novel "London site" by contemporary famous British writer Martin Amis reveals the desolate discipline of the English cities at the end of the 20th century. The disorder and imbalance of London society are further aggravated by the morbid distortion of the individual in the city. Guided by the theory of space, this paper discusses the theme of alienation and imbalance of the novel from three levels: physical space, individual spiritual space and social space. Thus, this paper tries to explain and present four absurd phenomena in the materialistic society: the decline of urban ecological civilization, the weakening of individual ethics, the lack of social humanistic care and the alienation of social interpersonal relationship. The main body of the thesis is divided into three parts: the second chapter mainly discusses the macroscopic view of decadent London. Spider-web is not only a simple natural phenomenon, but also a repressive space for the characters of the novel. Keith's TV is no longer a traditional entertainment tool. The Klinch family lived not only as a space for people's activities, but also as a symbol of their lives and social status, which reflected the distinct gap between the rich and the poor in London at that time. Based on these physical spaces, the spiritual space of characters is also out of balance and alienation. The third chapter mainly discusses the distortion of the hollow man Nikola, the life of Keith, the crook, and the loss and depravity of the hypocrite Guy. The alienated individual spiritual space further intensifies the disorder and imbalance of social space. The fourth chapter reveals the fear and numbness of the London cemetery, the indifference and alienation of the characters' family relationship and the sick and disgusting living atmosphere immersed by Nicole and Guy, thus presenting the imbalance and disorder of the London society on different levels. In London Field, the repressed living space suppresses the individual's subjective cognition, and the discipline class system restricts the individual's identity construction. The disorder and imbalance of London society are aggravated by the dissimilation of blind consumption and money worship and the alienation of individual spiritual space. The novel reveals the discipline of the English city, the hypocrisy of the individual ethics and morality, and the material difference of the great disparity in London, which finally leads to the necessity of the social imbalance and disorder, which is the inevitable result of the serious crisis in the whole capitalist society.
【學(xué)位授予單位】：中國礦業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I561.074

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本文編號：2122210