產(chǎn)品設(shè)計(jì)中禪意風(fēng)格的符號解析與設(shè)計(jì)應(yīng)用
發(fā)布時(shí)間：2018-08-03 15:49
【摘要】：禪是中國傳統(tǒng)文化的核心，禪學(xué)是有關(guān)于傳統(tǒng)人文、生活、審美的學(xué)科，同時(shí)，禪學(xué)在日本也得到了發(fā)揚(yáng)和推廣，形成了茶道、園藝等富含禪意思維的生活、藝術(shù)形式。禪文化凝結(jié)了在長期歷史中形成了天人合一、無住為本的哲學(xué)思想，具有指導(dǎo)意義；同時(shí)禪意文化有凝結(jié)了老莊美學(xué)、魏晉玄學(xué)等主流傳統(tǒng)美學(xué)觀念，影響著工藝和美術(shù)的發(fā)展。禪意風(fēng)格是當(dāng)代設(shè)計(jì)中流行起來的新設(shè)計(jì)風(fēng)格分支，其代表設(shè)計(jì)師有深澤直人、黑川雅之等，禪意風(fēng)格的設(shè)計(jì)從符號形制到設(shè)計(jì)方法都具有不同于現(xiàn)代主義設(shè)計(jì)的新意義，具有空靈、純凈的美感，同時(shí)是對文化、情感和工藝的設(shè)計(jì)反思與回歸。 論文分為四個(gè)部分進(jìn)行禪意風(fēng)格設(shè)計(jì)符號的解析和設(shè)計(jì)應(yīng)用分析，分別為禪意風(fēng)格設(shè)計(jì)的中的美學(xué)價(jià)值辨析、禪意風(fēng)格設(shè)計(jì)的形制符號表現(xiàn)、禪意風(fēng)格的設(shè)計(jì)的符號生成規(guī)律及實(shí)現(xiàn)辦法。論文主要分析了禪意的文化價(jià)值和美學(xué)特點(diǎn)，其次通過對產(chǎn)品案例的對比、解析以及符號語義分析法，解讀其中的形制成分到內(nèi)質(zhì)構(gòu)成，總結(jié)現(xiàn)象規(guī)律，形成具體的實(shí)現(xiàn)結(jié)論；同時(shí)論文中引證了一些現(xiàn)有的先設(shè)計(jì)研究方法如“無意識觀察”法、“super normal”設(shè)計(jì)理論解析禪意風(fēng)格中的語意關(guān)系。在論文中總結(jié)了具體的禪意風(fēng)格的規(guī)律、成因以及實(shí)現(xiàn)辦法。 論文以禪意文化的核心價(jià)值展開分析其對產(chǎn)品設(shè)計(jì)的研究的影響，反映了產(chǎn)品設(shè)計(jì)在新的時(shí)代條件和人文環(huán)境下的發(fā)展方向，，論文價(jià)值在于分析了產(chǎn)品設(shè)計(jì)中的新構(gòu)成元素，如直覺性體驗(yàn)、“頓悟”感知在設(shè)計(jì)中的應(yīng)用、設(shè)計(jì)中的感性思維成分等，這些研究方法和設(shè)計(jì)價(jià)值都不同與當(dāng)下的現(xiàn)代主義中理性和邏輯性思考；同時(shí)在論文中，也針對未來的產(chǎn)品新體驗(yàn)、新交互模式進(jìn)行了探索式的分析，使產(chǎn)品融入情境中，與人的交互三位一體。
[Abstract]:Zen is the core of Chinese traditional culture. Zen is a discipline about traditional humanities, life and aesthetics. At the same time, Zen has been developed and popularized in Japan, forming the life and art form of Zen thinking, such as tea ceremony and horticulture. Zen culture condensed in the long history of the formation of the philosophy of unity of nature and human beings, no dwelling, which has guiding significance. At the same time, the Zen culture has condensed the mainstream traditional aesthetic concepts such as Laozhuang aesthetics, Wei and Jin metaphysics and so on. Influence the development of craft and fine arts. Zen style is a branch of new design style popular in contemporary design. Its representative designers are deep and straight people, black Chuanya and so on. The design of Zen style from symbolic form to design method has a new meaning different from modernism design. With empty, pure aesthetic sense, at the same time cultural, emotional and craft design reflection and return. The thesis is divided into four parts to analyze and analyze the design symbols of Zen style design, which are the aesthetic value discrimination of Zen style design, the form symbol expression of Zen style design, respectively. Zen style of the design of the law of symbol generation and implementation. The thesis mainly analyzes the cultural value and aesthetic characteristics of Zen. Secondly, through the comparison, analysis and symbolic semantic analysis of product cases, the paper interprets the form components to endoplasmic components, summarizes the phenomenon law, and forms the concrete realization conclusion. At the same time, some existing pre-design research methods such as "unconscious observation" and "super normal" design theory are cited to analyze the semantic relationship in Zen style. In this paper, the specific Zen style of the law, causes and implementation methods. Based on the core value of Zen culture, this paper analyzes the influence of Zen culture on the research of product design, which reflects the development direction of product design under the new conditions of the times and the humanistic environment. The value of the paper lies in the analysis of the new elements in product design. Such as intuitionistic experience, the application of "epiphany" perception in design, the elements of perceptual thinking in design, and so on, these research methods and design values are different from the rational and logical thinking in modern modernism; at the same time, in the thesis, It also analyzes the new product experience and the new interaction mode in order to make the product merge into the situation and the interaction with people is trinity.
【學(xué)位授予單位】：江南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TB472
本文編號：2162217
[Abstract]:Zen is the core of Chinese traditional culture. Zen is a discipline about traditional humanities, life and aesthetics. At the same time, Zen has been developed and popularized in Japan, forming the life and art form of Zen thinking, such as tea ceremony and horticulture. Zen culture condensed in the long history of the formation of the philosophy of unity of nature and human beings, no dwelling, which has guiding significance. At the same time, the Zen culture has condensed the mainstream traditional aesthetic concepts such as Laozhuang aesthetics, Wei and Jin metaphysics and so on. Influence the development of craft and fine arts. Zen style is a branch of new design style popular in contemporary design. Its representative designers are deep and straight people, black Chuanya and so on. The design of Zen style from symbolic form to design method has a new meaning different from modernism design. With empty, pure aesthetic sense, at the same time cultural, emotional and craft design reflection and return. The thesis is divided into four parts to analyze and analyze the design symbols of Zen style design, which are the aesthetic value discrimination of Zen style design, the form symbol expression of Zen style design, respectively. Zen style of the design of the law of symbol generation and implementation. The thesis mainly analyzes the cultural value and aesthetic characteristics of Zen. Secondly, through the comparison, analysis and symbolic semantic analysis of product cases, the paper interprets the form components to endoplasmic components, summarizes the phenomenon law, and forms the concrete realization conclusion. At the same time, some existing pre-design research methods such as "unconscious observation" and "super normal" design theory are cited to analyze the semantic relationship in Zen style. In this paper, the specific Zen style of the law, causes and implementation methods. Based on the core value of Zen culture, this paper analyzes the influence of Zen culture on the research of product design, which reflects the development direction of product design under the new conditions of the times and the humanistic environment. The value of the paper lies in the analysis of the new elements in product design. Such as intuitionistic experience, the application of "epiphany" perception in design, the elements of perceptual thinking in design, and so on, these research methods and design values are different from the rational and logical thinking in modern modernism; at the same time, in the thesis, It also analyzes the new product experience and the new interaction mode in order to make the product merge into the situation and the interaction with people is trinity.
【學(xué)位授予單位】：江南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：TB472
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