發(fā)布時(shí)間：2018-10-23 13:28

【摘要】：工業(yè)的發(fā)展影響著人們的生活方式。所以,在反映大眾生活的水彩創(chuàng)作中,自然會(huì)出現(xiàn)大量描繪工業(yè)題材的作品。文章通過查閱不同的文字和圖片資料,把中國工業(yè)題材水彩畫大致分為三個(gè)發(fā)展階段,分別是前期(建國前)、中期(建國后到20世紀(jì)90年代)和后期(20世紀(jì)90年代至今)。在文章第一部分對(duì)這三個(gè)階段的代表作品進(jìn)行了分析與對(duì)比,揭示了其發(fā)展過程和不同階段的具體特點(diǎn)�，F(xiàn)階段社會(huì)問題的多樣性、藝術(shù)觀念的進(jìn)步、新材料的運(yùn)用以及不同畫種之間的相互借鑒使中國工業(yè)題材水彩畫朝多元化發(fā)展。在文章第二部分筆者結(jié)合近幾年全國展覽上的優(yōu)秀畫作對(duì)此進(jìn)行了重點(diǎn)研究。在第三部分則從大眾審美、水彩藝術(shù)發(fā)展以及社會(huì)作用這三個(gè)方面分析了中國工業(yè)題材水彩畫所具備的創(chuàng)作意義。第四部分則具體表述了個(gè)人的創(chuàng)作背景、創(chuàng)作方法以及畫面里自身的情感。目前,有很多文章對(duì)人物和都市等題材的水彩畫創(chuàng)作進(jìn)行了深入研究,而對(duì)工業(yè)題材水彩畫的研究還不夠重視。因此,筆者希望通過以下文字對(duì)這一題材的創(chuàng)作理論進(jìn)行新的補(bǔ)充。
[Abstract]:The development of industry affects people's way of life. Therefore, in reflecting the public life of watercolor creation, there will be a large number of industrial depictions of works. By referring to different texts and pictures, this paper divides Chinese industrial watercolor paintings into three stages, namely, the early stage (before the founding of the people's Republic of China), the middle period (from the founding of the people's Republic of China to the 1990s) and the later period (from the 1990s to the present). In the first part of the article, the representative works of these three stages are analyzed and compared, and the development process and the specific characteristics of different stages are revealed. The diversity of social problems, the progress of artistic concept, the application of new materials and the mutual reference between different painting types make the development of Chinese industrial watercolor towards diversification. In the second part of the article, the author focuses on the excellent paintings on the national exhibition in recent years. In the third part, the author analyzes the creative significance of Chinese industrial watercolor painting from the aspects of popular aesthetics, watercolor art development and social function. The fourth part concretely describes the background, method and emotion of individual creation. At present, there are a lot of articles on characters and urban watercolor creation in-depth research, but the industrial theme watercolor painting research is not enough. Therefore, the author hopes to make a new supplement to the creative theory of this subject through the following words.
【學(xué)位授予單位】：西安美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J215

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本文編號(hào)：2289397