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博物館展示空間場景創(chuàng)作

發(fā)布時間:2018-11-06 09:01
【摘要】: 伴隨著社會前進的步伐與經(jīng)濟的飛速發(fā)展,積淀著人類精神文明、文化傳統(tǒng)、科學(xué)知識的博物館已成為人們回顧歷史、展望未來的首要場所,作為這一場所中陳展的亮點——博物館展示空間場景,因其具有形象、直觀、生動、有趣的特點,而深受參觀者的喜愛。它最早見于自然科學(xué)類博物館的陳展中,后來逐步被歷史類、民俗類、軍事類、紀(jì)念類博物館所采用,發(fā)展至今已成為博物館廣泛運用的一種陳展形式。 博物館展示空間場景是人們在人工環(huán)境基礎(chǔ)上揉入社會、文化、心理等因素重新建構(gòu)的更為復(fù)雜與多元的展示性空間。它融入了人們對生活的理解,體現(xiàn)了某個時間段人們的生活方式和行為模式。相對于其它博物館展示空間更多了一種可體驗的氛圍感與事件感。它在現(xiàn)代博物館陳展中卻有著不可替代的作用。它不僅突出表現(xiàn)陳展內(nèi)容的特定環(huán)境、典型情景,一個博物館的陳展往往要選取多個典型題材,并以博物館展示空間場景形式強化主題內(nèi)容,渲染環(huán)境氛圍,貫穿展覽主線,形成陳展結(jié)構(gòu)中的重點線(內(nèi)容)、亮點線(形式)、背景線(空間)、故事線(情節(jié)),使陳展流線承轉(zhuǎn)有序、舒緩得當(dāng)、情節(jié)起伏、高潮迭現(xiàn),從而使陳展更好看、更耐看、更精彩,使人充滿著回味和聯(lián)想。而且可以調(diào)節(jié)陳展節(jié)奏、營造陳展亮點。 本課題研究的目的在于通過分析博物館展示空間場景概念,客觀地了解博物館展示空間場景的發(fā)展現(xiàn)狀,在此基礎(chǔ)上歸納出博物館展示空間場景的發(fā)展規(guī)律和特點,并結(jié)合自身的實踐經(jīng)驗,總結(jié)出博物館展示空間場景創(chuàng)作的構(gòu)成內(nèi)容、技術(shù)要素、設(shè)計與施工步驟等,為未來博物館展示空間場景創(chuàng)作提供一套比較完整的理論與施工依據(jù),從而使博物館展示空間場景創(chuàng)作得到健康有序的發(fā)展。
[Abstract]:With the pace of social progress and the rapid development of the economy, the museum of human spiritual civilization, cultural tradition and scientific knowledge has become the first place for people to review history and look forward to the future. As the highlight of Chen's exhibition in this venue, the museum displays the space scene, because of its image, visual, vivid, interesting characteristics, and is deeply loved by the visitors. It was first found in the Chen exhibition of natural science museums, and was gradually adopted by historical, folk, military and commemorative museums, and has been widely used as a form of exhibition by museums up to now. The exhibition space scene of museum is a more complex and pluralistic exhibition space which is reconstructed by people on the basis of artificial environment and social, cultural and psychological factors. It integrates people's understanding of life and reflects the life style and behavior pattern of people in a certain period of time. Compared with other museum display space, there is a more experiential atmosphere and a sense of events. It plays an irreplaceable role in the exhibition of modern museums. It not only highlights the specific environment and typical scene of the Chen exhibition, but also selects several typical themes for a museum exhibition, and strengthens the theme content in the form of the museum exhibition space scene, rendering the environment atmosphere and running through the main line of the exhibition. Forming the main line (content), bright line (form), background line (space), story line (plot) in the structure of Chen exhibition, so that the flow line of Chen exhibition is orderly, relaxed, the plot is undulating and the climax is repeated, so that the Chen exhibition will be more attractive. More bear to see, more wonderful, make people full of aftertaste and association. And can adjust Chen exhibition rhythm, build Chen exhibition bright spot. The purpose of this study is to analyze the concept of museum display space scene, and to objectively understand the present situation of museum display space scene, and on this basis to sum up the development law and characteristics of museum display space scene. Combined with its own practical experience, this paper summarizes the composition, technical elements, design and construction steps of the museum exhibition space scene creation, and provides a set of relatively complete theory and construction basis for the future museum exhibition space scene creation. In order to make the museum exhibition space scene creation healthy and orderly development.
【學(xué)位授予單位】:湖南師范大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2010
【分類號】:TU242.5

【引證文獻】

相關(guān)碩士學(xué)位論文 前8條

1 劉洋;嘉蔭縣博物館地域文化“情景再現(xiàn)”展示設(shè)計研究[D];東北林業(yè)大學(xué);2011年

2 洪菁遙;自然博物館展示陣列的數(shù)字化設(shè)計[D];湖南師范大學(xué);2011年

3 趙斐;體現(xiàn)地域特色的會展設(shè)計研究[D];中南林業(yè)科技大學(xué);2011年

4 王炯;歷史類博物館文物陳列展覽的初步研究[D];重慶師范大學(xué);2012年

5 侯雅靜;博物館陳列展覽空間設(shè)計研究[D];華南理工大學(xué);2012年

6 柴_g;蒙太奇在敘事性展示空間中的特征與表現(xiàn)[D];南京藝術(shù)學(xué)院;2013年

7 郁郁;“建康意象”—東晉博物館建康都城文化遺存展示研究[D];南京藝術(shù)學(xué)院;2013年

8 王麗麗;革命歷史類博物館場景復(fù)原設(shè)計的情感表達[D];南京藝術(shù)學(xué)院;2013年



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