中國(guó)古代小說(shuō)“史補(bǔ)”觀念生成的史學(xué)淵源與價(jià)值指向
發(fā)布時(shí)間:2018-01-08 13:07
本文關(guān)鍵詞:中國(guó)古代小說(shuō)“史補(bǔ)”觀念生成的史學(xué)淵源與價(jià)值指向 出處:《深圳大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版)》2017年05期 論文類型:期刊論文
更多相關(guān)文章: 中國(guó)古代小說(shuō) “史補(bǔ)”觀念 史學(xué)淵源 價(jià)值指向
【摘要】:"史補(bǔ)"作為中國(guó)古代小說(shuō)重要觀念之一,其生成主要源于史學(xué)家對(duì)小說(shuō)"史補(bǔ)"功能的界定。此界定主要發(fā)生于唐代,此后,便成為小說(shuō)創(chuàng)作與批評(píng)自覺(jué)意識(shí)。在"史補(bǔ)"中,出現(xiàn)了三種向度的不同發(fā)展:一是對(duì)"史"之功能進(jìn)行攀附,把小說(shuō)看成如"史"一般具有存故實(shí)、寓鑒戒、播道義的功能。二是從"史"之教化功能不足處入手,認(rèn)為小說(shuō)可以輔"史"以演"義",同時(shí)還可作為通"史"之階、糾"史"錯(cuò)之具、補(bǔ)"史"之遺而存在。三是認(rèn)為小說(shuō)可以補(bǔ)"史"審美娛樂(lè)功能之不足,使人們?cè)谡烽喿x之外,獲得別樣的審美享受。前種"史補(bǔ)"觀貫穿唐后小說(shuō)始終,尤其在文言小說(shuō)中表現(xiàn)更為明顯,后二種"史補(bǔ)"觀則主要流行于宋元以后,尤其在白話小說(shuō)中獲得長(zhǎng)足發(fā)展。三種"史補(bǔ)"觀念交融遞變的過(guò)程,就是中國(guó)古代小說(shuō)藝術(shù)個(gè)性不斷成熟的過(guò)程,是其存在價(jià)值與藝術(shù)品位不斷提升的過(guò)程。
[Abstract]:As one of the important concepts in ancient Chinese novels, "Shi Bun" came into being mainly from the definition of the function of "Historical complement" by historians, which mainly occurred in the Tang Dynasty and since then. In "History complement", there are three different development directions: one is to attach to the function of "history", and to regard the novel as "history" as "history" as the general existence of sophisticated reality, the implication of the precepts. Second, from the deficiency of the educational function of "history", the author thinks that the novel can supplement "history" to perform "meaning", at the same time, it can also be regarded as the step of "history" and the means of correcting "history" error. The third is that the novel can make up for the insufficiency of the aesthetic entertainment function of "history", so that people can obtain different aesthetic enjoyment in addition to the official history reading. The former view of "history supplement" runs through the novels after Tang Dynasty. Especially in classical Chinese novels, the latter two views of "historical complement" were mainly popular after the Song and Yuan dynasties, especially in vernacular novels. It is the process of the maturity of artistic personality of ancient Chinese novels and the process of its existence value and artistic grade.
【作者單位】: 陜西師范大學(xué)文學(xué)院;
【基金】:國(guó)家社會(huì)科學(xué)基金重大項(xiàng)目“中外《史記》文學(xué)研究資料整理與研究”(13&ZD111)
【分類號(hào)】:I207.41
【正文快照】: “史補(bǔ)”作為中國(guó)古代小說(shuō)重要觀念之一,不論其理論生成,還是其價(jià)值指向,都與中國(guó)古代史學(xué)存有緊密的淵源聯(lián)系。對(duì)此進(jìn)行分析,不僅有助于了解中國(guó)古代小說(shuō)與史傳的親緣關(guān)系,且能看出中國(guó)經(jīng)史文化所具有的強(qiáng)大統(tǒng)攝能力,同時(shí)還有助于對(duì)古代小說(shuō)思想內(nèi)涵與審美特征作出恰切理解。
【相似文獻(xiàn)】
中國(guó)期刊全文數(shù)據(jù)庫(kù) 前10條
1 陳美林;中國(guó)古代小說(shuō)批評(píng)簡(jiǎn)論[J];陰山學(xué)刊;2000年01期
2 淮茗;投向世界的目光——近年來(lái)中國(guó)古代小說(shuō)研究的一個(gè)新態(tài)勢(shì)[J];學(xué)術(shù)界;2001年03期
3 yふ雇,
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