發(fā)布時(shí)間：2018-05-24 14:02

  本文選題：文學(xué)獎(jiǎng)項(xiàng) + 文學(xué)期刊　； 參考：《南方文壇》2017年06期

【摘要】：正毫無(wú)疑問(wèn),在當(dāng)今文壇上,70后作家至少在數(shù)量上是創(chuàng)作的主力。他們的名字占據(jù)著各個(gè)文學(xué)期刊的目錄頁(yè)和各種文學(xué)獎(jiǎng)項(xiàng)的獲獎(jiǎng)名單,他們中間那些創(chuàng)作成績(jī)得到文學(xué)界廣泛承認(rèn)的作家,有大量的學(xué)者分析著他們的作品,有意從事文學(xué)創(chuàng)作的初習(xí)寫作者把他們作為學(xué)習(xí)、模仿的榜樣。那些各居一方的70后作家本人,則頻繁受邀參加天南海北的主題研討會(huì),介紹著自己的創(chuàng)作經(jīng)驗(yàn)、文學(xué)主張。(1)然而,對(duì)70后作家的研究,作為如今當(dāng)代文學(xué)研
[Abstract]:There is no doubt that in the present literary world, writers are the main force of creation at least in quantity. Their names occupy the pages of the catalogues of literary journals and the winners of various literary awards, among the writers whose creative achievements are widely recognized in the literary world, and in which a large number of scholars analyze their works. Beginners who are interested in literary creation use them as an example of learning and imitation. The post-70s writers themselves are frequently invited to seminars on topics from the south to the north, introducing their own creative experiences, literary propositions.) however, the study of post-70s writers, as a contemporary literature study,
【作者單位】： 中國(guó)藝術(shù)報(bào)社;
【分類號(hào)】：I207.42

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