發(fā)布時間：2018-05-25 03:33

  本文選題：騎馬 + 騎驢　； 參考：《山西師大學(xué)報(社會科學(xué)版)》2017年04期

【摘要】：騎馬還是騎驢不單是一個騎什么工具的問題,它還反映了一定的文化審美心理或者文體觀念:翻開《全宋詞》會發(fā)現(xiàn)大量詞人騎馬或?qū)戱R的意象,而"驢"則很少抒寫;而去查看宋人史料筆記或《全宋詩》,又會發(fā)現(xiàn)宋人日常生活是騎驢的,詩中也不避諱寫驢。其中原因就在于騎驢所附著的文化背景,即詩人騎驢苦吟和落拓的身世,這兩點與宋詞即席而就的創(chuàng)作環(huán)境和以富為美的審美感受是格格不入的,而宋詩則延續(xù)了下來;還有就是宋詞的"尚雅"觀念也與驢所代表的氣質(zhì)不相符。因此在詩詞的抒寫中寫騎驢還是騎馬是體現(xiàn)了作者的審美選擇和文體觀念的。
[Abstract]:Whether riding a horse or a donkey is not only a question of what tool to ride, but also reflects a certain cultural aesthetic psychology or stylistic idea. If you look at the historical notes of Song people or the whole Song poem, you will find that the daily life of Song people is donkeys, and the poems are not taboo to write donkeys. The reason lies in the cultural background attached to the donkey riding, that is, the experience of the poet riding the donkey, which is incompatible with the creation environment and the aesthetic feeling of "rich as beauty", and the poetry of the Song Dynasty continues; There is also the Song ci "Shangya" concept and donkey on behalf of the temperament does not match. Therefore, the writing of riding a donkey or riding a horse reflects the author's aesthetic choice and stylistic concept.
【作者單位】： 河南師范大學(xué)文學(xué)院;
【分類號】：I207.23
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本文編號：1931914