發(fā)布時(shí)間：2018-05-26 11:33

  本文選題：Cinemagraph + 微動(dòng)廣告�。� 參考：《廣西大學(xué)》2017年碩士論文

【摘要】：在這個(gè)讀圖時(shí)代和數(shù)字媒體時(shí)代,受眾面對(duì)的廣告信息越來(lái)越冗雜、其主動(dòng)性也越來(lái)越高,而廣告的視覺(jué)性和動(dòng)態(tài)性也越來(lái)越突出;正如我們看到圖片和視頻廣告更能引起注意并且更受歡迎一樣,兼具動(dòng)態(tài)性、視覺(jué)優(yōu)勢(shì)和文化內(nèi)涵的廣告形式才是數(shù)字媒體時(shí)代視覺(jué)符號(hào)消費(fèi)的主流。根據(jù)eMarketer數(shù)據(jù)顯示,2017年全球社交網(wǎng)絡(luò)上的廣告收入將達(dá)到360億美元,占整個(gè)數(shù)字廣告份額的16%,側(cè)重于精準(zhǔn)營(yíng)銷和效果量化的社交廣告正在成為網(wǎng)絡(luò)廣告市場(chǎng)不斷增長(zhǎng)的動(dòng)力。在眾多社交廣告類型當(dāng)中,由紐約藝術(shù)家夫婦 Jamie Beck 和 Kevin Burg 于 2011 年創(chuàng)造的“Cinemagraph”以及誕生于2012年的Cinemagraph微動(dòng)廣告正逐漸凸顯出它的獨(dú)特優(yōu)勢(shì)和爆發(fā)力,并在國(guó)外已經(jīng)取得了較為可觀的收益。本文以“Cinemagraph微動(dòng)廣告”為研究對(duì)象,以動(dòng)態(tài)視覺(jué)消費(fèi)社會(huì)為理論背景,通過(guò)文獻(xiàn)研究、對(duì)比分析和問(wèn)卷調(diào)查三種研究方法,來(lái)對(duì)Cinemagraph微動(dòng)廣告的定義、特點(diǎn)、表現(xiàn)形式、興起背景和原因、發(fā)展現(xiàn)狀、應(yīng)用平臺(tái)及受眾態(tài)度等內(nèi)容進(jìn)行系統(tǒng)的分析,并通過(guò)引用國(guó)內(nèi)外成功的品牌運(yùn)營(yíng)案例和與相關(guān)新生移動(dòng)社交廣告的對(duì)比分析,以及對(duì)廣告受眾的態(tài)度、廣告效果和意見(jiàn)建議進(jìn)行的問(wèn)卷調(diào)查,來(lái)佐證和得出這一廣告類型在中國(guó)的獨(dú)特發(fā)展之路,由此以小見(jiàn)大,來(lái)探索微動(dòng)廣告和社交廣告的應(yīng)用前景。本文從廣告主分析和受眾調(diào)查兩個(gè)層面進(jìn)行綜合分析,最終從社交媒體層面和品牌建設(shè)層面給出建議和參考,希望對(duì)Cinemagraph微動(dòng)廣告未來(lái)在中國(guó)的發(fā)展提供一些有益的參考和建議。
[Abstract]:In this era of reading pictures and digital media, the audience is facing more and more jumbled advertising information, its initiative is more and more high, and the visual and dynamic nature of advertising is more and more prominent; Just as we can see that pictures and video advertisements attract more attention and are more popular, both dynamic, visual advantages and cultural connotations are the mainstream of visual symbol consumption in the digital media era. Advertising revenue on global social networks will reach $36 billion in 2017, according to eMarketer, accounting for 16 percent of all digital advertising. Social advertising, which focuses on precision marketing and quantification of results, is becoming a growing force in the online advertising market. Among the many types of social ads, Cinemagraph, created by New York artists Jamie Beck and Kevin Burg in 2011, and Cinemagraph fretting, which was born in 2012, are increasingly highlighting its unique strengths and explosiveness. And has made considerable gains abroad. This article takes "Cinemagraph fretting advertisement" as the research object, takes the dynamic visual consumer society as the theoretical background, through the literature research, the contrast analysis and the questionnaire survey three research methods, to the Cinemagraph fretting advertisement definition, the characteristic, the manifestation form. The background and reason of the rise, the current situation of development, the application platform and the attitude of the audience are systematically analyzed, and the comparative analysis of the successful brand operation cases at home and abroad and the related new mobile social advertising is carried out. And the attitude to the advertising audience, the advertising effect and the opinion suggestion questionnaire survey, to prove and obtain this advertisement type unique development road in China, thus through a small part to see the whole, to explore the fretting advertisement and the social advertisement application prospect. This paper makes a comprehensive analysis from the aspects of advertisers' analysis and audience survey, and finally gives some suggestions and references from the aspects of social media and brand building, hoping to provide some useful references and suggestions for the future development of Cinemagraph fretting advertising in China.
【學(xué)位授予單位】：廣西大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：F713.8;F274

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本文編號(hào)：1937081