漢代銅鏡紋飾符號(hào)研究
發(fā)布時(shí)間：2018-10-31 14:59
【摘要】：漢代銅鏡在中國銅鏡發(fā)展歷史上占據(jù)了承前啟后的重要地位，其工藝的制作和使用有著悠久的歷史和傳統(tǒng)。漢銅鏡裝飾藝術(shù)是當(dāng)時(shí)科技水平、社會(huì)風(fēng)俗習(xí)慣、民族心理、宗教信仰和文化傳統(tǒng)等諸多特征的綜合體現(xiàn)。文化生活水平的提高對(duì)物品的審美藝術(shù)性、工藝技術(shù)性方面提出了更高的要求。從銅鏡鏡背紋飾中我們欣賞到古人用高超技術(shù)所繪出精美的畫面，透過紋飾亦看到那個(gè)時(shí)代下人文宗教和政治經(jīng)濟(jì)文化。 論文從三個(gè)方面來進(jìn)行研究，首先從漢代銅鏡的角度去深入，研究漢代的政治經(jīng)濟(jì)、文化科技等方面的發(fā)展，再從紋飾符號(hào)的角度去挖掘，最后用符號(hào)學(xué)的研究方法來深層次地闡釋漢代銅鏡紋飾的美學(xué)思想。 文章第一部分主要是緒論，第二部分主要把兩漢時(shí)期的文化進(jìn)行一個(gè)簡要梳理，并將兩漢時(shí)期的銅鏡種類及紋飾類別進(jìn)行整理和概述，第三、四部分主要是對(duì)符號(hào)學(xué)進(jìn)行介紹和提取，厘清紋飾符號(hào)之間的能指與所指的關(guān)系，把符號(hào)學(xué)的研究方法運(yùn)用到紋飾的研究中，將銅鏡紋飾作為符號(hào)來進(jìn)行研究，為兩漢銅鏡紋飾研究提供思考方法和理論儲(chǔ)備。第五部分則是從紋飾符號(hào)的美學(xué)角度去研究紋飾的形式之美、藝術(shù)之美。 本研究旨在通過運(yùn)用符號(hào)學(xué)的理論，來闡釋銅鏡紋飾中的美學(xué)意蘊(yùn)，進(jìn)而更深入地了解銅鏡紋飾，并為研究銅鏡紋飾開拓新的研究方法。
[Abstract]:The Han Dynasty bronze mirror occupies an important position in the development history of China's copper mirror, and the manufacture and use of its craft has a long history and tradition. The decorative art of bronze mirror in Han Dynasty is a comprehensive embodiment of the scientific and technological level, social customs, national psychology, religious beliefs and cultural traditions. The improvement of the level of cultural life puts forward higher requirements for the aesthetic and artistic quality of the articles and the technical aspects of the technology. From the bronze mirror ornaments we can appreciate the exquisite pictures drawn by the ancients with superb technology. Through the patterns we can also see the humanistic religion and political economic culture in that era. The thesis carries on the research from three aspects, first from the angle of the bronze mirror of the Han Dynasty to go deep, studies the development of the politics, economy, culture and science and technology of the Han Dynasty, and then excavates from the angle of the decorative symbol. Finally, the semiotic research method is used to explain the aesthetic thought of bronze mirror decoration in Han Dynasty. The first part of the article is mainly an introduction, the second part mainly briefly combed the culture of the Han Dynasty, and collated and summarized the types of bronze mirrors and ornaments of the Han Dynasty. Third, The fourth part mainly introduces and extracts semiotics, clarifies the relationship between signifier and signifier, applies the research method of semiotics to the study of ornamentation, and studies bronze mirror decoration as symbol. To provide thinking methods and theoretical reserves for the study of bronze mirror patterns in the Han Dynasty. The fifth part is to study the beauty of the form and art from the aesthetic point of view. The purpose of this study is to use the theory of semiotics to explain the aesthetic implication of bronze mirror ornaments, and to explore a new research method for the study of bronze mirror ornaments.
【學(xué)位授予單位】：湖南工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J522
本文編號(hào)：2302611
[Abstract]:The Han Dynasty bronze mirror occupies an important position in the development history of China's copper mirror, and the manufacture and use of its craft has a long history and tradition. The decorative art of bronze mirror in Han Dynasty is a comprehensive embodiment of the scientific and technological level, social customs, national psychology, religious beliefs and cultural traditions. The improvement of the level of cultural life puts forward higher requirements for the aesthetic and artistic quality of the articles and the technical aspects of the technology. From the bronze mirror ornaments we can appreciate the exquisite pictures drawn by the ancients with superb technology. Through the patterns we can also see the humanistic religion and political economic culture in that era. The thesis carries on the research from three aspects, first from the angle of the bronze mirror of the Han Dynasty to go deep, studies the development of the politics, economy, culture and science and technology of the Han Dynasty, and then excavates from the angle of the decorative symbol. Finally, the semiotic research method is used to explain the aesthetic thought of bronze mirror decoration in Han Dynasty. The first part of the article is mainly an introduction, the second part mainly briefly combed the culture of the Han Dynasty, and collated and summarized the types of bronze mirrors and ornaments of the Han Dynasty. Third, The fourth part mainly introduces and extracts semiotics, clarifies the relationship between signifier and signifier, applies the research method of semiotics to the study of ornamentation, and studies bronze mirror decoration as symbol. To provide thinking methods and theoretical reserves for the study of bronze mirror patterns in the Han Dynasty. The fifth part is to study the beauty of the form and art from the aesthetic point of view. The purpose of this study is to use the theory of semiotics to explain the aesthetic implication of bronze mirror ornaments, and to explore a new research method for the study of bronze mirror ornaments.
【學(xué)位授予單位】：湖南工業(yè)大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J522
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，本文編號(hào)：2302611
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