發(fā)布時間：2018-07-09 23:35

  本文選題：社會主義市場經(jīng)濟 + 文化體制改革��； 參考：《廣西師范大學(xué)》2014年碩士論文

【摘要】：隨著改革開放的不斷深入,原來適應(yīng)計劃經(jīng)濟體制的文化體制弊端不斷出現(xiàn),社會主義市場經(jīng)濟的確立更加迫切要求對現(xiàn)有文化體制進行改革。本文堅持辯證唯物主義和歷史唯物主義,采取理論與實踐、歷史與現(xiàn)實相結(jié)合的方法,通過對社會主義市場經(jīng)濟下文化體制改革進行縱向的歷史考察,總結(jié)文化體制改革的基本經(jīng)驗,對進一步深化文化體制改革,推進社會主義現(xiàn)代化建設(shè)具有一定的理論價值和現(xiàn)實意義。全文主要分為四個部分： 第一部分主要闡述了與文化體制改革相關(guān)的基本概念。對體制和文化體制的含義進行了定義,區(qū)分了文化事業(yè)和文化產(chǎn)業(yè)。 第二部分是對新時期文化體制改革背景的分析。新中國文化體制的形成主要受三個因素的影響：蘇聯(lián)文化體制的借鑒,學(xué)習(xí)和模仿蘇聯(lián)高度集中的文化體制；戰(zhàn)時文化體制的沿續(xù),新中國建立的文化體制以此為基礎(chǔ),文化作為宣傳工具,附屬于政治；受中國傳統(tǒng)文化中文化政治化的影響。此外,闡述了舊文化體制的利弊和文化體制改革的動力。 第三部分主要是對社會主義市場經(jīng)濟下我國文化體制改革的發(fā)展歷程進行考察。在社會主義市場經(jīng)濟的大背景下,以十四大和十六大為分割點劃分為兩大階段：文化體制改革展開階段1992年至2002年,文化體制改革在探索中不斷前進；文化體制改革縱深推進階段2002年至2013年,文化體制改革的步伐明顯加快。此外,對文化體制改革未來的發(fā)展做了展望。 第四部分論述了社會主義市場經(jīng)濟下我國文化體制改革的基本經(jīng)驗。一是在多元文化中堅持社會主義核心價值觀導(dǎo)向,保證馬克思主義在黨意識形態(tài)領(lǐng)域內(nèi)的主導(dǎo)地位,同時尊重文化的差異化和多元性；二是積極推進政府文化職能轉(zhuǎn)變,提高文化領(lǐng)域宏觀調(diào)控能力；三是積極發(fā)展文化事業(yè)和文化產(chǎn)業(yè),將社會效益放在首位,實現(xiàn)社會效益與經(jīng)濟效益的統(tǒng)一。四是在堅持以人為本的前提下,推進文化民生建設(shè),保障人民基本文化權(quán)益；五是堅持文化走出去,通過文化交流和文化貿(mào)易,不斷擴大中華文化的影響,提高國家文化軟實力,增強我國在國際市場的文化競爭力。
[Abstract]:With the deepening of the reform and opening up, the malpractice of the cultural system which used to adapt to the planned economic system appears constantly, and the establishment of the socialist market economy calls for the reform of the existing cultural system more urgently. This paper insists on dialectical materialism and historical materialism, adopts the method of combining theory and practice, history and reality, and makes a longitudinal historical investigation on the reform of cultural system under the socialist market economy. Summing up the basic experience of cultural system reform has certain theoretical value and practical significance for further deepening cultural system reform and promoting socialist modernization. The paper is divided into four parts: the first part mainly expounds the basic concepts related to the reform of cultural system. The meaning of the system and the cultural system is defined, and the cultural cause and the cultural industry are distinguished. The second part is the analysis of the background of the cultural system reform in the new period. The formation of the cultural system in New China was mainly influenced by three factors: the reference of the Soviet cultural system, the study and imitation of the highly concentrated cultural system of the Soviet Union, the continuation of the cultural system in wartime, and the cultural system established in New China as a basis. Culture, as a propaganda tool, is attached to politics; influenced by the politicization of culture in Chinese traditional culture. In addition, it expounds the advantages and disadvantages of the old cultural system and the motive force of the reform of the cultural system. The third part mainly investigates the development course of China's cultural system reform under the socialist market economy. Under the background of socialist market economy, the 14th National Congress and the 16th National Congress of China are divided into two stages: from 1992 to 2002, the reform of the cultural system progressed continuously in the process of exploration; From 2002 to 2013, the pace of cultural system reform accelerated obviously. In addition, the future development of cultural system reform is prospected. The fourth part discusses the basic experience of China's cultural system reform under the socialist market economy. One is to adhere to the socialist core value orientation in the pluralistic culture, to ensure the leading position of Marxism in the ideological field of the Party, and to respect the cultural differentiation and pluralism at the same time; and the other is to actively promote the transformation of the cultural functions of the government. Third, actively develop cultural undertakings and cultural industries, put social benefits in the first place, and realize the unity of social and economic benefits. The fourth is to promote the construction of culture and people's livelihood and safeguard the basic cultural rights and interests of the people on the premise of adhering to the people-oriented approach; fifth, to persist in going out of the cultural arena and continuously expand the influence of Chinese culture through cultural exchanges and cultural trade. Improve the national cultural soft power, enhance our cultural competitiveness in the international market.
【學(xué)位授予單位】：廣西師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：G129

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 文斌;;改革開放以來黨領(lǐng)導(dǎo)文化體制改革的歷史考察[J];大連干部學(xué)刊;2009年08期

2 曹普;;20世紀(jì)70年代末以來的中國文化體制改革[J];當(dāng)代中國史研究;2007年05期

3 胡錦生;;對于深化文化體制改革若干問題的辨析與思考[J];福建論壇(人文社會科學(xué)版);2009年04期

4 王立;;我國文化體制改革的時代意義[J];福州黨校學(xué)報;2008年03期

5 向有明,王玉明;深化文化管理體制改革的幾點思考——兼論文化體制與文化產(chǎn)業(yè)發(fā)展的關(guān)系[J];廣東行政學(xué)院學(xué)報;2001年01期

6 周全華;;新時期30年文化體制改革述略[J];桂海論叢;2011年02期

7 溫朝霞;文化產(chǎn)業(yè)與文化事業(yè)之辨與辯[J];廣州社會主義學(xué)院學(xué)報;2004年01期

8 周全華;馬愛云;;論新中國原文化體制的特點及其缺陷與反思[J];桂海論叢;2012年05期

9 高書生;;文化體制改革與文化產(chǎn)業(yè)發(fā)展[J];河北經(jīng)貿(mào)大學(xué)學(xué)報(綜合版);2009年03期

10 蔣香鳳;岳朝暉;;軟實力發(fā)展的硬道理——略論推進文化創(chuàng)新和深化文化體制改革[J];黃岡師范學(xué)院學(xué)報;2009年01期

相關(guān)博士學(xué)位論文 前1條

1 俞曉敏;中國文化管理體制改革與創(chuàng)新研究[D];吉林大學(xué);2008年

，

本文編號：2111134