發(fā)布時(shí)間：2018-01-12 16:26

  本文關(guān)鍵詞：新時(shí)期以來內(nèi)蒙古歸來詩(shī)人研究　出處：《內(nèi)蒙古大學(xué)》2015年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 新時(shí)期 內(nèi)蒙古歸來詩(shī)人 詩(shī)歌現(xiàn)象 詩(shī)人身份 詩(shī)歌主題

【摘要】：新時(shí)期以來,隨著文學(xué)外部環(huán)境逐漸寬松,內(nèi)蒙古詩(shī)壇迎來了一波創(chuàng)作高潮,一批沉默多年的詩(shī)人紛紛重歸詩(shī)界,再次執(zhí)筆,使一度荒蕪的內(nèi)蒙古詩(shī)壇再次生氣盎然,這批重操舊筆的歸來者是內(nèi)蒙古詩(shī)壇的“歸來詩(shī)人”,也是中國(guó)當(dāng)代詩(shī)歌史中“歸來詩(shī)人”群體的組成部分。本文將新時(shí)期以來的內(nèi)蒙古歸來詩(shī)人作為研究對(duì)象,在具體歷史語(yǔ)境下,從詩(shī)歌現(xiàn)象、詩(shī)人身份與詩(shī)歌主題三方面進(jìn)行論析,結(jié)合具體的文本分析,通過與主流詩(shī)潮的比較,厘清新時(shí)期以來內(nèi)蒙古歸來詩(shī)人的整體狀況。本文主要由以下五部分構(gòu)成：引言部分首先界定研究對(duì)象的概念,然后闡述研究意義和研究現(xiàn)狀,最后介紹研究方法；第一部分分析歸來之歌的前奏,即內(nèi)蒙古自治區(qū)成立至文革結(jié)束之間的29年詩(shī)歌發(fā)展概況,包括兩個(gè)發(fā)展階段：十九年和文革十年；第二部分分析內(nèi)蒙古詩(shī)歌離去與歸來的特殊現(xiàn)象,探討其背后的原因；第三部分作內(nèi)蒙古歸來詩(shī)人的身份研究,一方面闡述內(nèi)蒙古歸來詩(shī)人職業(yè)身份的變化,另一方面探究?jī)?nèi)蒙古歸來詩(shī)人內(nèi)蘊(yùn)于詩(shī)歌文本中的抒情身份的變化；第四部分分析內(nèi)蒙古歸來詩(shī)人詩(shī)歌創(chuàng)作的主題,包括對(duì)歸來的訴說、對(duì)歷史的審視、對(duì)生命的沉思以及對(duì)日常的抒寫。
[Abstract]:Since the new period, with the gradual relaxation of the external environment of literature, Inner Mongolia poetry has ushered in a wave of creative climax, a number of silent poets have returned to the poetry world, and re-wrote. The once barren Inner Mongolia poetry circle is once again full of vitality, this group of the return of the old pen is Inner Mongolia poetry "return poet". It is also a part of the group of "returning poets" in the history of Chinese contemporary poetry. This article regards the returning poets of Inner Mongolia since the new period as the research object, in the specific historical context, from the poetry phenomenon. Poet identity and poetry theme of three aspects of analysis, combined with specific text analysis, through the mainstream tide of poetry comparison. This paper mainly consists of the following five parts: the introduction first defines the concept of the research object, and then expounds the research significance and research status. Finally, the research method is introduced. The first part analyzes the prelude to the return song, that is, the general situation of 29 years poetry development between the establishment of Inner Mongolia Autonomous region and the end of the Cultural Revolution, including two stages of development: nineteen years and ten years of the Cultural Revolution; The second part analyzes the special phenomenon of the departure and return of Inner Mongolia poetry, and discusses the reasons behind it. The third part studies the identity of the returning poets in Inner Mongolia. On the one hand, it expounds the changes of the professional identity of the returning poets in Inner Mongolia, on the other hand, it probes into the changes of the lyric identity of the returning poets in the poetry text. Part 4th analyzes the themes of poetry creation of returning poets in Inner Mongolia, including the narration of return, the examination of history, the contemplation of life and the expression of daily life.
【學(xué)位授予單位】：內(nèi)蒙古大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.25

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本文編號(hào)：1415044