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  本文關(guān)鍵詞：端木蕻良小說(shuō)空間敘事研究　出處：《山東師范大學(xué)》2015年碩士論文　論文類(lèi)型：學(xué)位論文

  更多相關(guān)文章： 端木蕻良 小說(shuō) 空間化 敘事

【摘要】：端木蕻良小說(shuō)對(duì)于空間有著獨(dú)到的表現(xiàn)。無(wú)論是蒼茫的科爾沁旗草原，還是凌冽的曠野雄風(fēng)，或是渾河邊上的白樺林，在他那里都如數(shù)家珍般手到擒來(lái)，體現(xiàn)在小說(shuō)的謀篇布局中。小說(shuō)在敘事之中夾雜空間經(jīng)營(yíng)與空間架構(gòu)，同時(shí)推進(jìn)敘事的進(jìn)行，空間化敘事像東北人特有的豪爽，在多個(gè)層面上都有所表現(xiàn)。本文力圖運(yùn)用文本解讀的方法，運(yùn)用空間敘事的基本理論從空間敘事的角度闡釋端木蕻良小說(shuō)。深入探討空間因素在其小說(shuō)敘事中的生成機(jī)制及表達(dá)效果，分析空間如何阻隔時(shí)間成為推動(dòng)敘事進(jìn)程的關(guān)鍵，從而揭示端木蕻良小說(shuō)的文學(xué)特質(zhì)。 本文由緒論、正文和結(jié)語(yǔ)三部分組成。緒論部分主要梳理國(guó)內(nèi)外端木蕻良小說(shuō)的研究概況，進(jìn)而引出本文的論點(diǎn)：端木蕻良小說(shuō)空間化敘事研究，并闡釋研究?jī)r(jià)值及研究方法。 正文共分四章來(lái)論述。第一章著重分析端木蕻良小說(shuō)空間敘事的特性。其筆下實(shí)體空間與虛化空間并存，他運(yùn)用多重的結(jié)構(gòu)形式謀篇布局，從一實(shí)一虛兩方面凸顯出敘事空間特征。第二章深入到文本里具體分析端木蕻良小說(shuō)空間化敘事的技巧安排。包括視角轉(zhuǎn)換營(yíng)造復(fù)調(diào)空間、蒙太奇和并置調(diào)整時(shí)序、意識(shí)流放緩敘事節(jié)奏，最終達(dá)到借助于空間的展示推進(jìn)敘事進(jìn)程的目的。第三章探討端木蕻良小說(shuō)空間化敘事特征的生成因素�？臻g感的生成源于心中那份對(duì)白山黑水、關(guān)外故土的留戀和難以割舍的情懷，還有對(duì)托爾斯泰和魯迅創(chuàng)作手法的主動(dòng)借鑒，以及對(duì)傳統(tǒng)文學(xué)空間敘事尤其是《紅樓夢(mèng)》空間敘事的繼承。第四章闡釋端木蕻良小說(shuō)空間化敘事的意義。形式上形成了從詩(shī)化抒情的文體風(fēng)格；內(nèi)容上增加了歷史語(yǔ)境與地域文化解讀的可能性。 結(jié)語(yǔ)部分總結(jié)全文，指出端木蕻良小說(shuō)的藝術(shù)魅力，分析其空間化敘事藝術(shù)研究的開(kāi)拓價(jià)值和意義�？傊�，本文從文本細(xì)讀和相關(guān)史料出發(fā)，全面梳理端木蕻良小說(shuō)中空間化敘事特征的展現(xiàn)，以期從敘事角度這一新層面上接近“端木蕻良”，豐富對(duì)端木蕻良小說(shuō)以及端木蕻良本人的認(rèn)識(shí)。
[Abstract]:Duanmu Hongliang's novels have a unique representation of space. Whether it is the vast grassland of Korqin, the ornate wilderness, or the birch forest on the edge of the Hunhe River, it is as precious as a family to get in there. Embodied in the layout of the novel, the novel in the narrative mixed with space management and space structure, while promoting the narrative, spatial narration is like the characteristic of the Northeast people. This paper tries to use the method of text interpretation. Using the basic theory of spatial narration to explain Duanmu Hongliang's novels from the angle of spatial narration, and to probe into the forming mechanism and expression effect of spatial factors in his novels' narration. The analysis of how space blocks time becomes the key to promote the narrative process, thus revealing the literary characteristics of Duanmu Hongliang's novels. This paper is composed of three parts: introduction, text and conclusion. The introduction mainly combs the general situation of Duanmu Hongliang's novels at home and abroad, and leads to the argument of this paper: the research on the spatialization narrative of Duanmu Hongliang's novels. And explain the research value and research methods. The text is divided into four chapters. The first chapter focuses on the analysis of the characteristics of Duanmu Hongliang's novel space narrative. The second chapter analyzes the technical arrangement of spatial narration in Duanmuliang's novels, including changing the angle of view to create the polyphony space. Montage and juxtaposition adjust timing, stream of consciousness slow down narrative rhythm. Finally achieve the purpose of promoting the narrative process with the help of space display. Chapter three discusses the forming factors of the spatial narrative characteristics of Duanmu Hongliang's novels. The generation of the sense of space originates from the black and white mountains and rivers in the heart. The nostalgia of Guanwai homeland and the feelings of hard to give up, as well as the active reference to Tolstoy and Lu Xun's creative techniques. And the inheritance of the space narrative of the traditional literature, especially the Dream of Red Mansions. Chapter 4th explains the significance of the spatial narrative in Duanmuliang's novels. The content increases the possibility of historical context and regional cultural interpretation. The conclusion part summarizes the full text, points out the artistic charm of Duanmu Hongliang's novels, and analyzes the pioneering value and significance of the research on the spatialized narrative art. In a word, this paper starts from the detailed reading of the text and related historical materials. This paper comprehensively combs the display of spatialized narrative features in Duanmu Hongliang's novels, in order to approach the new level of "Duanmu Hongliang" from the perspective of narration, and enrich his understanding of the novels of Duanmu Hongliang and himself.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：I207.42

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