施蟄存心理分析歷史小說研究
發(fā)布時(shí)間：2019-03-13 13:07
【摘要】：施蟄存于20世紀(jì)30年代開始創(chuàng)作歷史小說,他以弗洛伊德的精神分析學(xué)為方法論,去體察歷史文化中被神化的人物形象,利用對(duì)于“本我”功能的有意夸大,毫無節(jié)制地渲染性意識(shí)與性心理,挖掘出人物的潛意識(shí)狀態(tài),從而將被歷史神化的人物脫圣入俗,呈現(xiàn)出人性與文明的對(duì)立沖突,獲得奇特的美學(xué)品格。本文以弗洛伊德的精神分析學(xué)為方法論,配合新歷史主義的基本理論,從文學(xué)本體、人物形象、美學(xué)形式三個(gè)方面剖析施蟄存的歷史小說,對(duì)施蟄存的心理分析歷史小說做出全面而細(xì)致的研究。首先從文學(xué)大背景、傳統(tǒng)史傳文學(xué)和西方心理分析學(xué)三個(gè)角度來考察施蟄存的心理分析型歷史小說的創(chuàng)作成因,從文學(xué)與外部的聯(lián)系上對(duì)施蟄存的歷史小說進(jìn)行文學(xué)史意義的考察。其次采用文本細(xì)讀法,分析施蟄存歷史小說中的人物形象,從“自然性”、“社會(huì)性”與“神性”三個(gè)角度分別透視歷史人物的心理流動(dòng)和人性善惡的變化,從以人為本的視點(diǎn)對(duì)歷史人物進(jìn)行全方位的“祛魅”,并試從創(chuàng)作發(fā)生學(xué)的角度對(duì)施蟄存的寫作動(dòng)機(jī)進(jìn)行一定的闡釋。最后再從藝術(shù)形式上對(duì)施蟄存的歷史小說做美學(xué)方面的研究,主要從“詩性語言”、“意象之美”、“敘事特點(diǎn)”以及“諷刺美學(xué)”等方面研究施蟄存的藝術(shù)品格,以此說明他在文學(xué)史上的美學(xué)造詣。
[Abstract]:Shi Zhecun began to write historical novels in the 1930s. He took Freud's psychoanalysis as his methodology to observe the deified image of characters in history and culture, and to make use of the deliberate exaggeration of the function of "the ego". Uncontrolled rendering of sexual consciousness and psychology, excavating the subconscious state of the characters, which will be desanctified by the history of the characters into the public, showing the conflict between human nature and civilization, and obtain a strange aesthetic character. Based on Freud's psychoanalysis and the basic theory of new historicism, this paper analyzes Shi Zhecun's historical novels from three aspects: literary Noumenon, character image and aesthetic form. A comprehensive and meticulous study of Shi Zhecun's historical psychoanalysis novels. First of all, from the literary background, traditional historical literature and Western psychoanalysis, this paper examines the causes of Shi Zhecun's psychoanalytic historical novel creation. From the connection between literature and the outside, this paper examines the significance of Shi Zhecun's historical novels in literary history. Secondly, the author analyzes the characters' images in Shi Zhecun's historical novels by means of text-intensive reading. From the perspectives of "naturalness", "sociality" and "divinity", the author explores the psychological flow of historical characters and the changes of human nature, good and evil, respectively. This paper attempts to disenchantment historical figures from a human-oriented perspective, and tries to explain Shi Zhecun's writing motivation from the perspective of creative genesis. Finally, the aesthetic study of Shi Zhecun's historical novels is made from the aspects of artistic form, mainly from the aspects of "poetic language", "Beauty of Image", "narrative characteristics" and "satirical Aesthetics" and other aspects of Shi Zhecun's artistic character. This illustrates his aesthetic attainments in the history of literature.
【學(xué)位授予單位】：牡丹江師范學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.42
本文編號(hào)：2439414
[Abstract]:Shi Zhecun began to write historical novels in the 1930s. He took Freud's psychoanalysis as his methodology to observe the deified image of characters in history and culture, and to make use of the deliberate exaggeration of the function of "the ego". Uncontrolled rendering of sexual consciousness and psychology, excavating the subconscious state of the characters, which will be desanctified by the history of the characters into the public, showing the conflict between human nature and civilization, and obtain a strange aesthetic character. Based on Freud's psychoanalysis and the basic theory of new historicism, this paper analyzes Shi Zhecun's historical novels from three aspects: literary Noumenon, character image and aesthetic form. A comprehensive and meticulous study of Shi Zhecun's historical psychoanalysis novels. First of all, from the literary background, traditional historical literature and Western psychoanalysis, this paper examines the causes of Shi Zhecun's psychoanalytic historical novel creation. From the connection between literature and the outside, this paper examines the significance of Shi Zhecun's historical novels in literary history. Secondly, the author analyzes the characters' images in Shi Zhecun's historical novels by means of text-intensive reading. From the perspectives of "naturalness", "sociality" and "divinity", the author explores the psychological flow of historical characters and the changes of human nature, good and evil, respectively. This paper attempts to disenchantment historical figures from a human-oriented perspective, and tries to explain Shi Zhecun's writing motivation from the perspective of creative genesis. Finally, the aesthetic study of Shi Zhecun's historical novels is made from the aspects of artistic form, mainly from the aspects of "poetic language", "Beauty of Image", "narrative characteristics" and "satirical Aesthetics" and other aspects of Shi Zhecun's artistic character. This illustrates his aesthetic attainments in the history of literature.
【學(xué)位授予單位】：牡丹江師范學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.42
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 陳平原;;“史傳”、“詩騷”傳統(tǒng)與小說敘事模式的轉(zhuǎn)變——從“新小說”到“現(xiàn)代小說”[J];文學(xué)評(píng)論;1988年01期
，本文編號(hào)：2439414
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