川劇《琵琶記》改編研究
發(fā)布時(shí)間：2019-04-11 06:50
【摘要】：《琵琶記》是川劇界公認(rèn)的“四大本頭”之一,流傳至今已有六百多年的歷史,其蘊(yùn)含的魅力經(jīng)久不衰。新中國(guó)成立后對(duì)傳統(tǒng)劇目進(jìn)行了第一次戲曲改革,包括改戲、改制、改人。1955年春,四川省在“三改”的政策下開(kāi)展了川劇劇目的鑒定工作,整理出了一大批優(yōu)秀的傳統(tǒng)劇目,其中傳統(tǒng)劇目《琵琶記》也在此列。川劇高腔《琵琶記》有多個(gè)演出本,經(jīng)劇目組鑒定過(guò)的有1957年由重慶川劇院劇目組整理而成的演出本,另一個(gè)是在“振興川劇”號(hào)召下,1983年由川劇藝術(shù)研究院整理的劇本。本文以前者為研究對(duì)象,分四個(gè)章節(jié)進(jìn)行分析,具體如下:第一章為川劇《琵琶記》人物形象的改編,分析劇中戲劇中心人物、人物形象以及角色變動(dòng)。第二章為川劇《琵琶記》戲劇情節(jié)的改編,分析川劇對(duì)原劇關(guān)目漏洞所作的修整工作,以及戲劇情節(jié)的調(diào)整,最后分析川劇戲劇情節(jié)結(jié)構(gòu)的特點(diǎn)。第三章為川劇《琵琶記》高腔曲牌分析,此章節(jié)主要介紹高腔曲牌,并對(duì)劇中高腔曲牌進(jìn)行分類分析。最后,分析劇中高腔曲牌所呈現(xiàn)出來(lái)的特點(diǎn)。第四章為川劇《琵琶記》的藝術(shù)特色。分析川劇《琵琶記》的戲劇風(fēng)格,劇中語(yǔ)言的運(yùn)用,以及劇中的舞臺(tái)提示語(yǔ)。
[Abstract]:Pipa is recognized as one of the "four great books" in Sichuan opera circles. It has been spread for more than 600 years, and its charm is lasting for a long time. After the founding of the people's Republic of China, the first reform of traditional opera repertoire was carried out, including remaking, reforming, and changing people. In the spring of 1955, Sichuan Province carried out the appraisal of Sichuan opera repertoire under the policy of "three reforms" and sorted out a large number of excellent traditional operas. The traditional repertoire Pipa is also listed here. There are many performances in the opera "pipa Ji", which has been identified by the repertoire group in 1957, and the other is the script organized by the Academy of Art of Sichuan Opera in 1983 under the call of "Revitalizing Sichuan Opera". This paper takes the former as the research object and analyzes it in four chapters as follows: the first chapter is the adaptation of the character image of Sichuan Opera Pipa, the analysis of the drama center character, the character image and the character change in the drama. The second chapter is the adaptation of the drama plot of Sichuan opera, analyzes the repair work of Sichuan opera to the original drama Guan mu loophole, and the adjustment of the drama plot, and finally analyzes the characteristics of the plot structure of the drama of Sichuan opera. The third chapter is the analysis of Gaoanqu card in Sichuan opera, this chapter mainly introduces the Gaoqu card, and carries on the classification analysis to the Gaoanqu card in the play. Finally, the paper analyzes the characteristics of the high-pitched cards in the play. The fourth chapter is the artistic characteristics of Sichuan Opera Pipa. This paper analyzes the dramatic style of Sichuan opera Pipa, the use of language in the play, and the stage cues in the play.
【學(xué)位授予單位】：溫州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.36
本文編號(hào)：2456175
[Abstract]:Pipa is recognized as one of the "four great books" in Sichuan opera circles. It has been spread for more than 600 years, and its charm is lasting for a long time. After the founding of the people's Republic of China, the first reform of traditional opera repertoire was carried out, including remaking, reforming, and changing people. In the spring of 1955, Sichuan Province carried out the appraisal of Sichuan opera repertoire under the policy of "three reforms" and sorted out a large number of excellent traditional operas. The traditional repertoire Pipa is also listed here. There are many performances in the opera "pipa Ji", which has been identified by the repertoire group in 1957, and the other is the script organized by the Academy of Art of Sichuan Opera in 1983 under the call of "Revitalizing Sichuan Opera". This paper takes the former as the research object and analyzes it in four chapters as follows: the first chapter is the adaptation of the character image of Sichuan Opera Pipa, the analysis of the drama center character, the character image and the character change in the drama. The second chapter is the adaptation of the drama plot of Sichuan opera, analyzes the repair work of Sichuan opera to the original drama Guan mu loophole, and the adjustment of the drama plot, and finally analyzes the characteristics of the plot structure of the drama of Sichuan opera. The third chapter is the analysis of Gaoanqu card in Sichuan opera, this chapter mainly introduces the Gaoqu card, and carries on the classification analysis to the Gaoanqu card in the play. Finally, the paper analyzes the characteristics of the high-pitched cards in the play. The fourth chapter is the artistic characteristics of Sichuan Opera Pipa. This paper analyzes the dramatic style of Sichuan opera Pipa, the use of language in the play, and the stage cues in the play.
【學(xué)位授予單位】：溫州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.36
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，本文編號(hào)：2456175
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